It took over a year to create and when 'The Boss' first heard it, he threw the reference disc into a hotel pool. But the album went on to sell six million copies in the US and reach No 3 in the Billboard 200 chart, catapulting the singer from cult act to global star
In May 1974 rock critic Jon Landau's review of a Bruce Springsteen concert was published in Boston's The Real Paper. It included what became one of the most famous lines by a journalist in rock music history, 'I saw rock and roll future and its name is Bruce Springsteen'.
The '80s is generally looked back upon as a time of glossy escapist pop, yet by writing songs about topics such as vegetarianism, street violence and despair, Mancunian quartet The Smiths became one of the biggest and best-loved indie bands of the decade
The Smiths' debut single 'Hand In Glove' was released in May 1983. Although ostensibly indie guitar-pop, it was a fresh take on the genre. Ushered in by blasts of wheezy harmonica and punctuated by cymbal crashes, the singer intoned, in sinuous melody lines, a tale of a pair of defiant lovers in the verses, while the instrumental choruses were based around an intricate guitar refrain.
When four unsuccessful musicians joined forces in Birmingham in 1968, little did they know that by the end of the following year they would have transformed themselves from blues-rock hopefuls to a group who helped change the face of rock music forever
Few bands have realigned their whole modus operandi around a single song. But for Black Sabbath, the title track from their self-titled 1970 debut album represented a stylistic shift that changed the group irrevocably and would be the single most important step in formulating what would become known as heavy metal.
In 1969 the band were riding on the success of a hit single and would play a concert at Madison Square Garden, but the year also saw the singer's arrest, cancelled shows and The Soft Parade, one of the group's most adventurous yet most critically divisive albums
Like many groups that enjoyed a high profile at the end of the '60s, The Doors felt the need to progress. But in which direction? Their self-titled debut album released in January 1967 had peaked at No 2 in the Billboard charts and the single, 'Light My Fire', had reached No 1. They undoubtedly had something of the night about them, but their gothic darkness was tempered by vocalist Jim Morrison's teen appeal and a certain cheesiness – a bass guitarist who had played uncredited studio sessions with the group once told this writer that in his estimation they sounded like 'A cocktail bar jazz band on Quaaludes'.
They went from post-punk hopefuls to stadium headliners in just five years, but keen to avoid repeating themselves the band turned to producers Brian Eno and Daniel Lanois to reshape their music, a strategy that resulted in one of the best selling records of all time
It was relatively brief, but the cultural convulsion of UK punk in the late '70s prompted an upwelling of rock groups, leaner and hungrier than their predecessors. One of these began life in 1976 at Mount Temple Comprehensive School in Clontarf, a coastal suburb of Dublin. First calling themselves Feedback and then The Hype, before settling on U2, the group comprised four teenage friends: vocalist Bono Vox (real name Paul Hewson), guitarist The Edge (aka Dave Evans), Adam Clayton on bass and Larry Mullen Jr on drums.
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