The guitarist's first album for Warner Bros saw him put together a twin-keyboard band and dig even deeper into his fusion-jazz style. The result? A set that topped the Billboard charts and brought him a Grammy award for its only vocal performance...
Overall, I think the jazz police never forgave me for taking George Benson from the jazz area to where he became a pop artist', record producer Tommy LiPuma told jerryjazzmusician.com in 2022. 'I was always a pop music freak, but I was also a big jazz fan.'
Before embarking on a decades-long solo career, Gary Numan was the driving force behind New Wave three-piece Tubeway Army, and his electronic fingerprints are all over their sci-fi-tinged 1979 album, which took synth pop to the very top of the charts
When punk arrived in the UK in late 1976 it had its radical aspects, including questioning the relationship between audience and artist, but it was essentially a form of back-to-basics rock ’n’ roll, albeit harder, faster and more aggressive than its predecessors.
Released in 1981, the third album from the UK kings of Gothic rock built upon the stark sounds of its predecessor, added even more melancholy, and contained a song that the band's leader and singer Robert Smith would later describe as 'life-changing'
From 1976, UK punk produced such a surge of energy that it was like riding a wave, both for musicians and fans alike. The Cure began in earnest in Crawley that year, as The Easy Cure, having grown out of a number of other bands dating back to their schooldays. Robert Smith was on guitar and vocals, Lol Tolhurst on drums and Michael Dempsey on bass. Their sound was sparse and urgent, fuelled by punk but with a finger on the pop pulse.
The teenage singer with the vibrato soprano shunned the commercial trappings of a major label deal to record this stripped-back collection of traditional folk songs, launching a career that would later see her performing at the White House...
In July 1959, aged just 18, Joan Baez played at the first Newport Folk Festival at Freebody Park, Rhode Island, and created an instant reaction. Coming off the stage she was approached by newspapers, the student press and Time magazine, who all wanted to speak to the unknown teenager with the astonishing pure soprano voice and who had duetted on a few songs with singer, guitarist and banjo player Bob Gibson.
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