Mike Barnes

Mike Barnes  |  Sep 10, 2021  |  0 comments
After recruiting vocalist Ian Gillan and bassist Roger Glover, the second lineup of this one-time pyschedelic band would produce one of the most pivotal albums in the history of hard rock, enabling them finally to break through in Europe after prior US success

Initially named Roundabout, Deep Purple formed in 1968. Jon Lord had played keyboards in The Artwoods, who were an R&B group in the mould of The Animals, while guitarist Ritchie Blackmore had made his name as a hotshot session player with producer Joe Meek [HFN Aug '16], and thus had recorded and played live with 'Screaming' Lord Sutch.

Mike Barnes  |  Aug 31, 2021  |  0 comments
This month we review: Lord Huron, Garbage, John Grant and Monster Magnet.
Mike Barnes  |  Aug 17, 2021  |  0 comments
It took over a year to create and when 'The Boss' first heard it, he threw the reference disc into a hotel pool. But the album went on to sell six million copies in the US and reach No 3 in the Billboard 200 chart, catapulting the singer from cult act to global star

In May 1974 rock critic Jon Landau's review of a Bruce Springsteen concert was published in Boston's The Real Paper. It included what became one of the most famous lines by a journalist in rock music history, 'I saw rock and roll future and its name is Bruce Springsteen'.

Mike Barnes  |  Jul 29, 2021  |  0 comments
This month we review: The Chills, Gojira, Morcheeba and Gary Numan.
Mike Barnes  |  Jul 15, 2021  |  0 comments
The '80s is generally looked back upon as a time of glossy escapist pop, yet by writing songs about topics such as vegetarianism, street violence and despair, Mancunian quartet The Smiths became one of the biggest and best-loved indie bands of the decade

The Smiths' debut single 'Hand In Glove' was released in May 1983. Although ostensibly indie guitar-pop, it was a fresh take on the genre. Ushered in by blasts of wheezy harmonica and punctuated by cymbal crashes, the singer intoned, in sinuous melody lines, a tale of a pair of defiant lovers in the verses, while the instrumental choruses were based around an intricate guitar refrain.

Mike Barnes  |  Jun 28, 2021  |  0 comments
This month we review: Field Music, Du Blonde, The Coral and Kitten Pyramid.
Mike Barnes  |  Jun 25, 2021  |  0 comments
When four unsuccessful musicians joined forces in Birmingham in 1968, little did they know that by the end of the following year they would have transformed themselves from blues-rock hopefuls to a group who helped change the face of rock music forever

Few bands have realigned their whole modus operandi around a single song. But for Black Sabbath, the title track from their self-titled 1970 debut album represented a stylistic shift that changed the group irrevocably and would be the single most important step in formulating what would become known as heavy metal.

Mike Barnes  |  May 31, 2021  |  0 comments
This month we review: Foo Fighters, The Antlers, Lost Horizons and Mogwai.
Mike Barnes  |  May 11, 2021  |  0 comments
In 1969 the band were riding on the success of a hit single and would play a concert at Madison Square Garden, but the year also saw the singer's arrest, cancelled shows and The Soft Parade, one of the group's most adventurous yet most critically divisive albums

Like many groups that enjoyed a high profile at the end of the '60s, The Doors felt the need to progress. But in which direction? Their self-titled debut album released in January 1967 had peaked at No 2 in the Billboard charts and the single, 'Light My Fire', had reached No 1. They undoubtedly had something of the night about them, but their gothic darkness was tempered by vocalist Jim Morrison's teen appeal and a certain cheesiness – a bass guitarist who had played uncredited studio sessions with the group once told this writer that in his estimation they sounded like 'A cocktail bar jazz band on Quaaludes'.

Mike Barnes  |  Apr 29, 2021  |  0 comments
This month we review: Jane Weaver, Arab Strap, The Hold Steady and Teenage Fanclub.

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