Marc Bolan gave kids of the '70s a new exciting sound with this chart-topping LP, now reissued on 180g vinyl. Steve Sutherland celebrates the 'rock 'n' roll poet'
It might not have been as seismic, say, as Judas dobbing Jesus in to Pontius Pilot, or Bob Dylan hitching his wagon to The Band and suddenly turning electric, but a betrayal's a betrayal, right?
The brainchild of Richard Branson, this studio in Oxfordshire was where Tubular Bells was laid to tape and Tangerine Dream created Phaedra. Steve Sutherland tells the tale
I'll let you into a little secret. Before no-one else did, and our world became all credit cards and phone taps, the rich stayed rich by never carrying cash. The Queen, for instance, was famous for never having any moolah on her at all, except on a Sunday when, if she was going to church, she'd have a tenner folded and ironed into a neat square so she could discretely slip it into the collection box.
Through rare tracks recorded at the producer's backyard studio, this 180g triple vinyl LP serves as a testament to the genius of Lee 'Scratch' Perry, says Steve Sutherland
Prior to the current condemnatory climate where all fake news is regarded as a deadly sin, we often used the word 'apocryphal'. It meant an event of dubious authenticity which was so enticing that, despite the lack of any absolute proof, it was widely and enthusiastically embraced as being true. In other words, we didn't always let the facts get in the way of a good story.
As much a community as a recording complex, Bearsville gave birth to albums as diverse as The Band's Cahoots and Meatloaf's Bat Out Of Hell. Steve Sutherland has the story...
His ultimate weapon was silence. Which was weird considering his vocation in life was managing musicians. Don't get me wrong, Albert could curse and scream and bully and belittle with the best of them, but when all the histrionics were getting him nowhere he'd just clam up and stare like a statue. For a very long time. Which usually freaked everyone out and then, of course, they'd accede and he'd get what he came for.
This album from the pioneer of 'spiritual jazz' combines his tenor sax tone and unique technique with a masterful backing band. Steve Sutherland hears the 180g reissue
True story: one recent Sunday afternoon I was hanging out in Just Dropped In, Coventry's finest independent record store, when Alun the owner popped a record on. Within the next 20 minutes or so I counted four customers strolling over to the desk to enquire the genesis of the music we were all enjoying. The four customers were all very different: one was a teenage girl resplendent in Goth array, one was a rockabilly dude, one was a tweedy teacher sort, and one was a gnarly old bloke. Okay, the gnarly old bloke was me.
Elvis, The Everly Brothers, Dolly Parton, Jim Reeves... Steve Sutherland tells the story of the home of a thousand hits – the recording studio that gave birth to the Nashville Sound
Dolly was in one heck of a hurry. She was running late for a recording session and if there was one thing that Dolly wasn't ever, it was late. Not only that, this was her debut appointment at Nashville's RCA Studios and she didn't want them thinking bad of her for being tardy.
This 180g reissue of the American folk singer's second – and final album – gives Steve Sutherland a chance to sample a voice that's 'best served with whiskey...'
I'm reading a book at the moment called Seasons They Change: The Story Of Acid And Psychedelic Folk by Jeanette Leech. Pretty much on every page there's reference to an artist or band that I've never heard of, which is some going as I like to think I know a thing or two about music. Anyway, with Spotify or YouTube at the ready, over the past few weeks I've sampled the wares of such artists as The Habibiyya, Jan Dukes De Grey, Malicorne and many more.
The Four Tops, Jackson Five, The Supremes... they all cooked up classics in a studio so small they called it 'the snake pit'. Steve Sutherland has the lowdown on Motown
Even a genius can have an off day, and this was turning out to be one of them. Berry Gordy was in his office in LA and was shaking his head in dismay. 'No', he kept repeating. 'No.' The recipient of his negativity was Marvin Gaye, who had flown in from Motown's Studio A in Detroit to play his boss what he'd planned as his prospective next single.
From Beyoncé to The Boss, Meat Loaf to Madonna... few studios rival this international brand when it comes to churning out the chart-toppers, as Steve Sutherland explains
You could say that Jerry Ragovoy was quite the songwriter. It was he who penned 'Time Is On My Side', the Irma Thomas classic immortalised by The Rolling Stones. 'Stay With Me' was his too, the top-notch Lorraine Ellison belter. So were 'Cry Baby' and 'Piece Of My Heart', both of which Janis Joplin subsequently made unforgettable.
The band leader was an unusual but inspired choice for the soundtrack of Otto Preminger's courtroom drama, says Steve Sutherland, as he considers the 180g reissue
Whether life was imitating art or vice versa is a moot point, but whichever way you look at it Joseph Nye Welch was one extraordinary geezer. A partner in a Boston law firm called Hale and Dorr, on the 9th of June 1954 he found himself in court challenging Senator McCarthy to provide 'before sundown' the list of 130 Communists posing a so-called subversive threat in defence plants across the US.
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