Digging into the darker, tragic side of America's history, Steve Sutherland sets the context for this live recording, now reissued as a 50-year celebratory LP on 180g vinyl
Once upon a time there was a country which called itself the United States Of America – a gross misnomer because it couldn't have been more disunited if it tried. It was first largely populated by white people who had landed in ships and stolen the land from its original inhabitants. They then kidnapped and imported boatloads of people from Africa and the like to do all their heavy lifting. These slaves had no wages and no rights.
A song with a kick, but for all the wrong reasons, as Steve Sutherland reassesses a ska album from 1970, which has recently been re-released on 180g vinyl
We could begin with Plato, or even Aristotle, but Oscar Wilde it is. In his 1889 essay, The Decay Of Lying, the great man took umbrage with the Greeks' philosophy of mimesis which said that all true art mimics nature. On the contrary, quoth Oscar, 'Life imitates art' and that is roughly how it felt – very roughly as it happens – one sunny Saturday lunchtime in April, 1972, when I got my head kicked in.
After running his own studio while a teenager in Texas and playing guitar in Bob Dylan's backing band, this US-born producer went on to become the go-to guy for stars seeking to re-discover the very roots of rock 'n' roll. Steve Sutherland celebrates T Bone Burnett
Is nostalgia stopping our culture's ability to surge forward, or are we nostalgic precisely because our culture has stopped moving forward so we inevitably look back to more momentous and dynamic times?'
From '60s solo artist to Phil Spector's right-hand man, this US-born 'influencer' not only produced superstars such as Neil Young and The Stones, but wrote a string of soundtracks nominated for Academy Awards. Steve Sutherland on Jack Nitzsche
There's a particular species of character that, although essential, has been mighty ill-served by pop historians. It's tough to pin down exactly what role these personalities play in the creation of popular music. What they actually do. And so it's hard to know what we should call them.
Pinball wizard Steve Sutherland looks back on meeting Her Madge in the early '80s and her career-altering controversial third album, now released on 180g vinyl
She looks a bit lost, standing alone backstage leaning against the wall, watching all the celebrities mingle, clink glasses, air kiss and gossip. Lost and a little bored. Same as me, to be honest. So I cross the room and say 'hi'. She says 'hi' back. To break the ice, I point to the pinball machine, unoccupied, just over there, and ask if she fancies a game. She smiles again. 'Sure.' And away we go at it. As I remember, I won, although I'm sure – if she recalled it at all – she'd disagree.
From Nico's ethereal Teutonic tones to the snarl of The Stooges and funky acid rock of The Happy Mondays, this British born musician has produced many of the albums now regarded as turning points in the history of pop music. Steve Sutherland on John Cale
See that jittery bloke over there, the one who appears to be severely chemically imbalanced, the one shouting his head off waving around the half-drunk bottle of Stolichnaya? He's the boss. He's in charge. He's the producer. He's John Cale.
It was a release that had all the pundits scratching their heads for how best to describe it. Steve Sutherland sits transfixed like Alice in Wonderland by this 180g reissue
Let's get this party started with the tree surgeon. Yup, the tree surgeon. To be strictly accurate, $250's worth of tree surgeon because that's how much Don Van Vliet charged Straight, his record company, for the services of an arboriculturalist's services during the recording of the album we're here to celebrate.
He's a maker of massive hits, a man who has worked with global pop superstars such as Lana Del Rey and Taylor Swift. And yet this US-born producer is happiest when honing his craft in a small studio he's built inside his house. Steve Sutherland on Jack Antonoff
When the Californian singer Kesha recently sought through the courts to escape her contract with producer Dr Luke, claiming harassment, abuse, violence and emotional distress among many other allegations, she lost her case, but many prominent figures within the music industry offered moral support. Taylor Swift donated $250,000 to her cause, Adele spoke up for her while receiving an award at the Brits, while Lady Gaga, Iggy Azalea, Lily Allen, Lorde, Haim, Miley Cyrus and Ariana Grande were among those who took to social media to express their backing and their disgust.
He just couldn't cope, says Steve Sutherland as he counts out the 'aha's and listens to the recent 180g reissue of the Liverpool band's post-punk debut LP
Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha…'
The sad story of Donny Hathaway's demise is told by Steve Sutherland as he listens to the acclaimed 1972 Atlantic album, recently reissued on 180g vinyl
Did he jump? Did he fall by accident? This we will never know. What's for sure is that late in the evening of the 13th of January 1979 Donny Hathaway's body was found on the sidewalk outside the 44-storey art deco Essex House Hotel at 160 Central Park South in Manhattan, NYC. He had plunged there from his room on the 15th floor. His death was ruled as suicide.
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