Used by Oasis, Muse and a raft of acclaimed indie artists along the way, this studio set in a secluded creek boasts a unique creative atmosphere. Steve Sutherland explains why
Leaving the main stream, they passed into what seemed at first sight like a little land-locked lake. Green turf sloped down to either edge, brown snaky tree-roots gleamed below the surface, while ahead of them the silvery shoulder and foamy tumble of a weir, arm-in-arm with a restless dripping mill-wheel filled the air with a soothing murmur of sound... It was so very beautiful that the Mole could only hold up both forepaws and gasp, "O my! O my! O my!"'.
Steve Sutherland listens again to the debut LP that catapulted a teenage singer to stardom as over half a century later the album is re-released on 180g vinyl
Dylan digs Donovan!' This was the headline on the front cover of British weekly Melody Maker, on the 8th of May 1965. It wasn't true of course – not remotely so.
Steve Sutherland kicks off a new series with the story of a farmhouse that became the world's first residential recording studio, and a home to hitmakers for over 50 years
The TV was out the window, still plugged in… The double-bed was broken in half... It was just like a hand-grenade had gone off in the room... The whole studio got smashed to pieces, the living room, everything got blitzed… There were smashed windows… just devastation…'
As this 1987 LP appears on 180g vinyl Steve Sutherland recalls his interview with Prince back in 1981. Did their meeting influence the singer's signature behaviour?
Maybe I should shoulder some of the blame. It was me, after all, who declared in a Melody Maker review of his previous album, Parade, that Prince was God's gift to music or some such nonsense.
In the last of our series celebrating the work of those masters behind the mixing desk, Steve Sutherland tells the story of not one producer but a hip-hop production team whose looping and layering of samples revolutionised the way records were made
On this particular point, Chuck D is unequivocal. 'Our sole intention was to destroy music'. The record he's talking about, released in June 1988, is hip-hop giants Public Enemy's second LP, It Takes A Nation Of Millions To Hold Us Back.
His ability to mix funky rhythms with sophisticated arrangements saw this US-born producer create a string of magical smash hit singles. Steve Sutherland looks at the legacy of Allen Toussaint, whose work epitomised the sound of 1960s New Orleans R&B
You'll be aware, no doubt, of the phenomenon known as Cancel Culture – a state of mind in which those celebrities deemed to have diverged from what today passes for socially acceptable behaviour are called upon to renounce their past and present sins or be damned and ditched forever. To some, this impulse to blame and shame, while born of the best intentions, seems to have tipped into the absurd.
Packed with tracks that would become staples of rock radio, this 1970 LP from Creedence Clearwater Revival is now released on 180g vinyl. Steve Sutherland listens...
Let's talk 'covers'. Surely everyone knows the rule by now: a cover version is only acceptable if it takes the original and does something different with it, which at least equals or at best improves it. There. It's not exactly rocket science is it? So how come there are still so very few classic cover versions after all these many years?
Stan botches his store raid and is briefly locked away. Steve Sutherland listens to the Bossa Nova sax maestro as this 1964 Verve album is reissued on 180g vinyl
Stan Getz may have been good at many things in 1954 but robbery sure wasn't one of them. Strung out on smack and desperate for a fix, the hot young jazz saxophonist found himself eight days into a tour, standing outside a drugstore in Seattle.
Perhaps what distinguishes this British-born producer is that he's not only able to play a variety of instruments but is also a performer. And a hugely successful one too, having been one half of chart-topping duo Eurythmics. Steve Sutherland on Dave Stewart...
Back in 1973, Dave Stewart was stuck in a hippie band called Longdancer. It wasn't a bad gig but Dave was restless. Then he met Erin Grace. She was this gorgeous American singer/songwriter who he bumped into in North London and the two hit it off.
Steve Sutherland on the vinyl treats arriving on 2020's Record Store Days
Launched in America in 2008 as a way of encouraging collectors to frequent their local independent record shops and keep vinyl alive, Record Store Day is now an annual event offering rare, limited edition releases which will not only tickle the fancy of uber-fans but, like other works of art, accrue value as investments.