Lab: Paul Miller

Having followed Auris Audio from show to show since its 2013 founding, I leapt at the chance to review its stylish Nirvana two-chassis headphone amplifier. I'm no longer shocked by the cost of high-end headphone amps, especially not at a time when £3000 headphones are common, so its £4900 price tag earned a mere 'Meh' from me. After all, I'd be putting it through its paces with, among others, the Audeze LCD-4Z, which sells for £3600.

We live in uncertain – and expensive – times: the average price of a flat in Greater London is currently north of half a million, which is why there's a major property building boom underway, with almost any space or building being turned over to housing. And with prices so high, it's also no surprise that space is at a premium. Even with London salaries typically higher than those outside the capital, the average income, run through the usual multipliers, doesn't get you a mortgage able to buy anything palatial.

Positioned in the 'lower half' of the burgeoning TechDAS catalogue, the original Air Force III [HFN Sep '16] delivered more compact dimensions, the capability to handle up to four tonearms and a substantial saving over the One [HFN Jun '13] and Two [HFN Apr '15] turntables. Even with its new, performance-gap-closing fitments in Premium guise, the price is two quid shy of £29,000 – roughly a tenth the estimated cost of the forthcoming Air Force Zero flagship and £17,000 less than the Two Premium. A bargain, then?

Everyone old enough to remember, talks about the 1970s as the golden age of British hi-fi. That's certainly true in one respect, because what was a niche – often do-it-yourself hobby – went completely mainstream, to the point where the third most expensive consumer item, after a house and a car, was a stereo.