While its looks belie its flagship status, this '80s CD player was designed with just one aim in mind: bring credibility to Philips' cutting-edge tech. How does it sound today?
The Philips CD960 of 1987 was part of a range that included the FA860 amplifier [HFN Feb '20]. As one of the company's occasional flirtations with the top end of hi-fi, this series was intended to demonstrate that the Dutch brand could offer components capable of state-of-the-art performance, as well as provide a boost in status to the more affordable models in the range.
With its eye-catching looks, flexibility, solid engineering within and a remarkably grown-up sound, this entry-level DAC from iFi Audio is a conspicuous hi-fi bargain
We've come a long way since iFi Audio was started as an offshoot of high-end brand Abbingdon Music Research, building its initial reputation with its 'Purifier' products, designed to clean up digital signals. And if anyone was labouring under the delusion that these were devices designed to tackle non-existent problems – you know, the old 'digits is digits' thing – the company has since expanded into making everything from complete systems to some of the most cost-effective DACs and headphone amps around. After all, its excellent xDSD [HFN Jul '18], was a 2018-19 EISA Award-winner, following on from the 2014-15 winning footsteps of the nano iDSD [HFN Dec '14].
Alongside its range of turntables, Pro-Ject's diverse Box series of hi-fi separates – from streamers to phono preamps – has come to define the 'world vision' of its founder
One of the nicest by-products of the vinyl revival is the constant flow of affordable phono stages, essential to allow newcomers to adapt to LP playback the line-level-only integrated amps that have proliferated since 1983. Thorens, Mobile Fidelity, Musical Fidelity, NAD, Cambridge – there are too many to list, but the go-to brand for me is the one that also 'owns' the entry-level turntable market: Pro-Ject.
Arcam's flagship integrated amplifier combines Class G amplification with features including network streaming, AirPlay 2 and offboard Dirac Live room correction EQ
Arcam is still headquartered in Cambridge, from where it took its original name, but the audiophile marque is now part of Samsung's global consumer electronics empire, through the latter's acquisition of Harman International, which had added Arcam to its portfolio in 2016. And amid these management-level changes, Arcam's product line has also undergone a refresh. The brand has withdrawn, for the time being, from the peripherals market, jettisoning its R series of docks and DACs.
Despite shedding all 'non-essential cosmetic adornments' EAT's B-Sharp still cuts a dash in the world of plug-and-play turntable solutions. Does it sound as slick as it looks?
Conditioning has, I believe, led the cynics among us to assume that 'plug 'n' play' is a sexy euphemism for 'lowest common denominator' or 'user-friendly-enough for anyone to appreciate'. After all, this is what freed normal souls from going crazy with pre-USB computer peripherals. Today, it welcomes newcomers to vinyl, referring almost exclusively, in a hi-fi context, to turnkey turntable/arm/cartridge packages, because every other audio source has always been plug 'n' play.
Can't choose between tubes and transistors? Vinnie Rossi may have the answer with the L2i-SE integrated amplifier, which deals with that conundrum in a unique manner
So overwhelming is the matter of choice when putting together a system that it can cause as much anguish as pose a fun challenge. What type of speakers? MM or MC pick-up? Integrated or separates? These usually sort themselves out due to space or budget, but 'tubes versus transistors' almost calls for a leap of faith – unlike 'digital versus analogue' because most enthusiasts can manage two sources. The valve/solid-state conflict, though, may find a cure in the Vinnie Rossi L2i-SE integrated amplifier, the 'SE' standing for 'Signature Edition'.
This is not quite the most affordable of Lumin's network-attached players, but the D2 looks good, is sensibly priced and – thanks to a super-slick app – is a delight to use too
As the model number suggests, the £1845 Lumin D2 is the latest version of the company's affordable network audio player, the entry point for a range that started with the A1 back in 2012. And while the range has expanded, and some things have changed, much still seems the same: the D2 is compact, at just 30cm wide and a mere 6cm tall, and so light at 2.5kg that my stiffish Chord Company interconnects almost lifted it off its feet!
PrimaLuna's minimalist, valve-equipped EVO 100 DAC may seem a throwback to the time when digital only meant CD, but the sonic performance is truly 21st century
Two words spring to mind when examining PrimaLuna's EvoLution series EVO 100 DAC: 'old school'. Yes, a genre as seemingly new as digital has been around long enough to qualify for that mode of thinking. This unit is, I have been told emphatically, 'a DAC for purists', so £2888 gets you no wireless connections, no pandering to streaming, no headphone output, no level control. It is strictly a DAC in the original sense – a D/A converter-only and not one that doubles as a preamp or headphone amp.
Based on Arcam's 'FMJ' CDS27 CD/SACD disc spinner and network audio player, is the more affordable CDS50, complete with new DAC, the brand's best kept secret?
CD players, along with integrated amps, have long been such a mainstay of the Arcam product catalogue that it comes as something of a surprise that the CDS50 we have here, selling for £699, is now the sole silver disc spinner in its lineup. This, after all, was the company responsible, in 1986, for the first CD player both designed and manufactured in the UK, just four years after the format hit the shops and at a time when Linn and Naim were both sticking to their 'no good will come of this' guns.
With nearly a half century of MC experience under its corporate belt, Sumiko knows how to optimise pick-up performance: enter the Pearwood, an MC that tracks like an MM
Since it was founded in 1972 by noted audio designer David Fletcher, the US-based Sumiko Corporation has been making some of the world's most desirable pick-ups at its production facility in Japan. What's more, not only has it become one of the leading agents for audio equipment in North America but its UK presence has recently been boosted by distributor Henley Audio.