With trickle-down tech from the flagship M1, a custom DSD DAC plus network and headphone amp options, Bricasti's M3 looks like the new go-to star of the range
With its upgraded M1 Dual Mono DAC now in 'Classic' form and selling in the UK at £9499, Bricasti has also announced a more affordable alternative, but still offering 'an incredible array of performance'. The basic M3 USB DAC is offered at £5399, but this increases to £6999 when fitted with its DNLA/UPnP-compatible network streaming card and new headphone amplifier option. The latter includes both 4-pin balanced XLR and 6.35mm single-ended jack outputs, and is available as a return-to-factory retro-fit option as the front fascia requires some reworking.
With multiple inputs, streaming functionality and plenty of power, this elegant and compact system promises consummate convenience and super sound. Does it deliver?
Since 1993, Lindemann has been making distinctive products, all with an accent on design and technology. Although the company has also sold loudspeakers in its 27-year history, electronics have formed the staple of the product portfolio – and it has shown a particular interest in digital technology. The D680 of 2001, for example, was the first German SACD player, while the original Musicbook was an early example of a highly advanced streaming front-end [HFN Jun '14]. Lindemann's thinking has been eerily prescient, as other brands have since scrambled to get similarly elegant so-called 'style systems' into their ranges…
A mid '80s deck designed to boost vinyl replay at a time when the convenience of CD was making all the news. Did it succeed, and how does it compare today?
The products we usually seek to feature in our Vintage Review pages are those that were among the first to introduce a new format, function, level of performance or design theme. However, this month our subject is the Technics SL-J33 turntable of 1986, one of the last in a series that had a footprint the size of an LP sleeve, which began with the SL-10 [HFN Apr '19].
The Chord Ultima range has grown from a single pre and power amp, as the tech becomes more affordable. The Ultima 2 models might just give the flagships a scare
Never let it be said that the Chord Electronics range isn't distinctive in its styling: all the way up from the tiny Mojo DAC [HFN Jan '16] to the flagship Ultima reference preamplifier [HFN Feb '19], the company's products look like nothing else on the market, as if to emphasise that what's going on inside them involves no shortage of proprietary technology, too.
It's all there in the suffix 'Play', which transforms Quad's Vena II from a comprehensive all-in-one amp/DAC solution into something with wired and wireless future-proofing
Is Editor PM simply testing me, or coaxing me? I'm not merely uninterested in streaming, Wi-Fi, et al to the point of virulent loathing, I'm actually reverting to decades-old formats for daily listening: CDs, tapes and LPs. That said, I am not unaware of DTS Play-F, having used it for many months for the wireless speakers on my kitchen counter – though with no more concern than I show a spatula or potato peeler. Yet here I am faced with Quad's update to the Vena II, its entire raison d'être being the full-on wireless experience.
Supplied with or without a partnering MM cartridge, this new 'entry-level' deck to the Vertere range comes equipped with a re-imagining of the archetypal flat tonearm
In a world of plug 'n' play convenience, having to manually configure a piece of equipment before it can be used is felt by some to be far too great a barrier to enjoyment. And perhaps in no area of hi-fi is this truer than vinyl replay. I know of many people who have consciously shied away from exploring the ol' black stuff because they believe it to be 'just too much hard work'. So any manufacturer able to help eliminate any of the perceived faff and complexity that comes with putting together and setting up a turntable – not to mention its arm – is onto a winner.
Launched to the audiophile world at CES in 1995, Balanced Audio Technologies may have lifted off like a rocket but has only had patchy distribution in Europe. Until now...
Balanced Audio Technologies – BAT for short – has been much discussed over its 25-year life to date, but until now has remained an object of distant interest for UK audio fans. Now, thanks to distribution by Yorkshire-based Karma AV, all that might be set to change, so perhaps now is the time to take a closer look at the brand.
Primare's 'Prisma push' may have focused resources into network-enabling its amplifiers and CD players, but its new flagship phono pre proves its love of vinyl has not waned
Even the most ardent vinyl enthusiasts will admit that they can get bamboozled by the whole process of cartridge loading and gain matching. Some MMs and MCs can be quite particular about the load resistance and capacitance that they 'see', just as most phono stages will have a 'sweet spot' gain setting that varies from pick-up to pick-up. So there's a great deal to be said for a flexible phono stage that offers numerous adjustments. On the other hand I can appreciate the popularity of designs where the complexity extends to nothing more than an MM/MC switch!
An artisan brand with its own take on Hypex's tried-and-tested Class D amp module offers both tube and transistor variants to taste. Here's the low-down on the latter
Hybrid amps have always amused me. I still dream of Radford's TT100. This hi-fi equivalent of grafting two plant species hopes – ideally – to combine the best of a brace of disparate technologies. Too often, they marry the worst. Extraudio's X250T represents a first for me in that it promises to take efficient, compact Class D amplification and endow it with the sonic virtues of Class A, hence Class AD. Which made me think of playing with Krells way back in 1985.
A sleek new look heralds the return of Rotel's premier sub-brand, and its new control amplifier – or preamp – and stereo power amp have the wherewithal to succeed
Michi is back: last marketed in the 1990s, Rotel's elite sub-brand has rejoined the hi-fi fray after a three-year development project, and the establishment of a dedicated facility within the company's factory to hand-build the new products. And I have to admit to a pang of nostalgia for I reviewed the company's RHCD-10 player, slimline RHA-10 preamp and substantial RHB-10 power amp back in the dim and distant, and it was a case of lust at first listen, not to mention sight of the high-quality metalwork with its red-lacquered wooden side-cheeks.