Lab: Paul Miller

We've come a long way since iFi Audio was started as an offshoot of high-end brand Abbingdon Music Research, building its initial reputation with its 'Purifier' products, designed to clean up digital signals. And if anyone was labouring under the delusion that these were devices designed to tackle non-existent problems – you know, the old 'digits is digits' thing – the company has since expanded into making everything from complete systems to some of the most cost-effective DACs and headphone amps around. After all, its excellent xDSD [HFN Jul '18], was a 2018-19 EISA Award-winner, following on from the 2014-15 winning footsteps of the nano iDSD [HFN Dec '14].

Arcam is still headquartered in Cambridge, from where it took its original name, but the audiophile marque is now part of Samsung's global consumer electronics empire, through the latter's acquisition of Harman International, which had added Arcam to its portfolio in 2016. And amid these management-level changes, Arcam's product line has also undergone a refresh. The brand has withdrawn, for the time being, from the peripherals market, jettisoning its R series of docks and DACs.

So overwhelming is the matter of choice when putting together a system that it can cause as much anguish as pose a fun challenge. What type of speakers? MM or MC pick-up? Integrated or separates? These usually sort themselves out due to space or budget, but 'tubes versus transistors' almost calls for a leap of faith – unlike 'digital versus analogue' because most enthusiasts can manage two sources. The valve/solid-state conflict, though, may find a cure in the Vinnie Rossi L2i-SE integrated amplifier, the 'SE' standing for 'Signature Edition'.

Two words spring to mind when examining PrimaLuna's EvoLution series EVO 100 DAC: 'old school'. Yes, a genre as seemingly new as digital has been around long enough to qualify for that mode of thinking. This unit is, I have been told emphatically, 'a DAC for purists', so £2888 gets you no wireless connections, no pandering to streaming, no headphone output, no level control. It is strictly a DAC in the original sense – a D/A converter-only and not one that doubles as a preamp or headphone amp.