Availing itself of the latest DSP and Class D amps, the Pearl Pelegrina is a sophisticated 'connected' speaker
There's no escaping it: sitting in front of Cabasse's Pearl Pelegrina, the £22,599 flagship of the French company's Pearl speaker range, the punning phrase 'the eyes have it' kept going through my mind, so great was the sense of these spherical enclosures fixing me with a beady stare. Of course, this look is nothing new for the designers in Brest, out on the tip of Brittany: at the top of its range is the huge La Sphère loudspeaker [HFN Feb '10], its 70cm globe perched atop a helical stand, and driven by a rackful of dedicated crossovers and amplifiers.
This icon of British hi-fi is typically sparing in its celebration of milestones, but SME's Diamond jubilee demanded something very special indeed. And here it is...
If the engineers at SME felt the need for a motivational quote or two while working on the company's new turntable, Rolls-Royce co-founder Sir Henry Royce's 'Take the best that exists and make it better' would have been a good choice. This summed up the challenge facing the UK company in designing a successor to the previous Model 30 flagship – the result is the £49,950 SME Model 60, and it has a tough act to follow.
In raw form this is a digital streamer/network bridge governed by the Conductor app, but add optional SSD storage and the N200 becomes a fully-fledged music library
Music storage: it can be a thorny subject, not least because those network products offering internal capacity for your library tend either to have fixed, non-expandable storage, or offer the option of dealer-installed drives. The cost of such storage is usually high, too – okay, not 'adding capacity at time of ordering your new Apple computer high', where an extra Terabyte can cost you £400, but still at prices to have you looking at HDDs on the likes of Amazon and scratching your head.
Launched 44 years ago, the original 770 loudspeaker with its polypropylene woofer and white baffle was nothing if not controversial. Will the reimagined 770 also make waves?
Hi-fi's 'subjective' revolution was just picking up steam when Mission's 770 shovelled a heap of coal on the fire in 1978. The move away from heavy plastics (Bextrene) was reflected in its polypropylene bass/mid driver while the light but rigid ply cabinet doffed its cap to earlier BBC-inspired designs. Its sound, meanwhile, provoked more column inches over the years than possibly any speaker since! The 770 received a very favourable review in Hi-Fi News [HFN Mar '79, 'Milestones' HFN Aug '12 and 'From the Vault' HFN Dec '15] but, writing elsewhere, a fledgling author by the name of Ken Kessler was, shall we say, less enthusiastic...
The game of one-upmanship between portable headphone DACs and DAPs continues with Astell&Kern's 'triple amp' SP2000T featuring a KORG Nutube for 'tube warmth'
Far from listening rooms filled with huge monoblocks and heavier-than-a-grown-man loudspeakers, a few brands are catering to another class of enthusiast by taking the concept of a digital audio player (DAP) to new heights. Astell&Kern, a spin-off from Korea's iRiver, crafts very sophisticated pocket hi-fi that's light years removed from the humble iPod.
Flagship of this Italian brand's trilogy of tube amps, the Metropolis NYC 200i occupies a huge footprint and mercilessly sucks power from the wall. But the music is magic...
Is it unkind to suggest some Italian brand names do not carry convincingly into English? Who keeps a straight face with a cooker called 'SMEG'? As for Synthesis – which also has the appropriately named Roma range – choosing to dub its Metropolis integrated amplifiers 'NYC', because New York is a Metropolis, actually makes sense, I suppose.
Having wowed us with its flagship S7t floorstanders, Perlisten is looking to do more of the same with its DPC driver tech pressed into a more modest, room-friendly cabinet
Perlisten Audio, a newly arrived loudspeaker manufacturer from Wisconsin, US, has already made an impressive entrance with its flagship model, the seven-driver S7t floorstander [HFN Apr '22]. Yet as that speaker boasts a £16,000 price tag – and a 59kg cabinet – many newcomers to the brand will look elsewhere in the range to see how far their budget can stretch. The £7200 S4b auditioned here isn't exactly 'affordable' but does come with a more manageable bookshelf build, plus the promise of a high-end performance similar to that of its towering stablemate, by virtue of shared technologies.
Not only did this '80s amp claim to tackle distortion using the company's new 'Super Feedforward System', it was also priced to have mass appeal. How does it sound today?
When the Sansui AU-D33 integrated amplifier was launched in 1982, it had a lot to live up to. Its predecessor, the AU-317II from 1980 [HFN Jun '15], delivered the sort of performance one would expect from a manufacturer of specialist hi-fi, thanks to its well engineered DC-coupled circuitry. The company's 'All hi-fi, everything hi-fi' slogan set out a clear manifesto – no transistor radios, no coffee machines, just quality audio products.
Latest in Exposure's top-end compact series is this flexible MM/MC phono preamp, inspired by the XM3 Phono but with improved audio stages and an outboard PSU
Despite concerns over pressing delays and the availability of raw materials, the lure of vinyl seems to show no signs of abating, which explains why the selection of phono stages available now is greater than ever. The latest company to add to the audiophile wishlist is West Sussex-based Exposure Electronics, with the VXN Phono. This is the first 'source' item in the only-available-in-black VXN range, joining two-way and three-way active crossover units and the VXN Power Supply [HFN Feb '20].
Austria's vinyl juggernaut has leveraged German expertise to launch a series of fully-automatic turntables. The range starts spinning with the A1, inc. a built-in phono stage
Decades ago, along with tone controls, the automatic turntable was relegated to 'amateur' status because audiophiles revel in masochism. 'What? The arm lifts up at the end of the side?'. As lies were told about CD, so were falsehoods spread about how triggering the arm lift would snap your cantilever. It was a load of tosh, and as many new to LP want convenience, Pro-Ject has responded with the A1 at only £369.