Featuring a concentric mid/treble driver with a difference, ELAC's Concentro range goes 'compact' with the S 503
For those who felt that ELAC wasn't one for adventurous industrial design, the Concentro series has proved them wrong. You'll find some very curvy and organic-looking models in this range, which rises even above the finely crafted and attractive Vela series [HFN Apr '19]. However, the Concentro range still feels more like a disparate collection rather than a real product family. Virtually every model has its own design, from the menhir-like Concentro and Concentro M to the high-heeled S 507 and S 509 floorstanders.
Auralic's latest streamer/DAC combines with its upsampling processor, and at first glance there seems to be some duplication of effort. So how do they work together?
The trouble with many modern hi-fi ranges is trying to work out what each of the boxes does. I've recounted before the tale of the tower of identical-looking Linn components stacked up in the premium lounge of a well-known airline, and the amusement there was in watching 'elite' passengers trying to work out where to insert their Dire Straits CD. Similarly, Auralic also has a wide range of digital devices, and given that they all look alike, it's sometimes hard to work out what does what.
Still featuring the iconic V-shaped plinth, this Jubilee update on Clearaudio's inaugural Reference deck features a Panzerholz plinth and magnetically-assisted ceramic bearing
Bunting must surely be in short supply. Along with the Royal Jubilee, we had SME officially celebrating its 60th birthday while Nagra rolled out the cake for its 70th – and now Clearaudio has released a product to celebrate its '40 years of excellence' (an anniversary that actually fell in 2018, but product delays are nothing new). The good news is that the result is the £17,500 Clearaudio Reference Jubilee turntable; the bad news is that production is limited to 250 units worldwide.
A new dawn? Audio Research's first fresh integrated amp in seven years shows a change of direction while still maintaining a grip on the brand's sonic virtues. Enter the I/50...
Few companies have been as resistant to styling changes as Audio Research. Even after a decade-plus under the ownership of fashion-conscious Italians, ARC products still suggest they belong in studios or government laboratories. Can you imagine the shock, then, when news releases arrived showing a swoopy integrated amplifier available in six colourways?
Moving-coil pick-ups are inherently 'balanced' and Pro-Ject is determined to reveal them at their best with this balanced-wired version of the X2 deck and phono preamp
One burning question is begged by the arrival of Pro-Ject's X2 B turntable and Phono Box S3 B phono stage: why did it take so long for the industry to simplify a balanced vinyl-playing front-end? It's not like balanced operation wasn't adopted by high-end listeners decades ago as superior to single-ended for both line-level sources – DACs and top-flight CD players – and pre-to-power amp connections. MC cartridges are inherently balanced. So why the wait?
Now owned by AudioQuest cable's parent company, GoldenEar has added the compact Bookshelf Reference X to its range – the final design from longstanding CEO Sandy Gross
Looking at the BRX (Bookshelf Reference X) loudspeaker, it's easy to feel slightly unnerved by the amount of, well, 'technology' that's been squeezed into its compact dimensions. But then we should remember it hails from American brand GoldenEar, a company that – under the auspices of founder Sandy Gross – has always seemed to approach loudspeaker (and subwoofer) design a little differently to many rivals.
Japan is home to more boutique cartridge brands than any other hi-fi territory, and the Harmony, brainchild of vinyl addict Yasuo Ozawa, is a product of this artisanship
According to the dictionary placed at my elbow, the definition of 'harmony' is 'the process by which individual sounds are joined together or composed into whole units or compositions'. That, and the obvious association with the world of music, probably explains why it's appeared in the name of more than a few domestic and pro-audio brands and products over the years. This particular celebration of 'Harmony' comes in the form of Shelter's flagship moving-coil cartridge which, at £4300, is far from the costliest pick-up on the high-end scene.
The first CD player from the Japanese brand to boast real 'kerb appeal', this mid-'80s machine also inherited key technology from previous models. How does it sound today?
Any early Compact Disc player from Matsushita (Panasonic/Technics) holds a particular fascination. The company was excluded from the top table when the CD format was created, in spite of (or perhaps due to) its pre-eminent position as the world's largest producer of electronic consumer goods.
Just as Marantz's 40n integrated takes its design cues from models of yesteryear, the partnering CD 60 player confirms the brand's commitment to the 'legacy' silver disc
Is there really a CD revival on the horizon? Rolling Stone magazine kicked off the year bristling with optimism about the return of the Compact Disc but, behind the hype, there's little dispute that this physical format offers great lossless fidelity and costs next to nothing secondhand. Until audio hipsters cotton on to the trend, of course... Sound United, owner of the Marantz and Denon brands among others, concurs, which is why it's launching not one but two CD spinners in 2022. We're not going to talk about the entry-level Denon DCD-900NE here, but about the still very affordable £749 Marantz CD 60.
Not all Wilson Audio's loudspeakers are man-sized floorstanders and its most compact models have been crying out for a partnering, flexible active subwoofer. Meet LōKē...
Wilson Audio's product naming strategy has always raised eyebrows, but the new LōKē reinforces its love for puns. This £9500 powered subwoofer's moniker either shows that it's the baby sister to Wilson's gigantic Thor's Hammer, or it's a play on 'Low Key'. Or maybe not. Whatever the rationale, its pronunciation is helped by diacritical marks to ensure we do not rhyme its name with 'woke'…