The Liverpudlian post-punk quartet, led by enigmatic front man Ian McCulloch, were told they needed to write some 'killer tunes' after the lukewarm reception to their 1983 album Porcupine. They returned a year later having done exactly that...
The promotional posters for Echo & The Bunnymen's fourth album Ocean Rain proclaimed it 'The Greatest Album Ever Made', a typically provocative quote from the group's singer Ian McCulloch. There were so many bands emerging in post-punk UK that if you wanted to get noticed you had to talk a good game, and with its historical cultural associations, Liverpool was particularly competitive.
Released in November 1983, the band's third album for RCA Records went to No 1 in the UK, No 10 in the States' Billboard chart and was later certified platinum. Not bad for an LP recorded and mixed in part of a North London church in just three weeks...
In the post-punk era of the late '70s many new wave groups chose a name beginning with 'the' to differentiate themselves from what had gone years before. And often their choices were deliberately low key, which gave us names like The Trainspotters, The Members and The Tourists.
Could a group of ex-public school boys cut a path to the charts with an album packed with tricky time signatures and pseudo-classical pomp? Finished in just five days, this 1972 release was to see the band finally rock, on a scale that was to make their career
Genesis might be among the 30 biggest-selling rock artists of all time but they were never really intended to be a rock group. If all had gone to early plans they would have remained an essentially anonymous songwriting team.
The guitarist's first album for Warner Bros saw him put together a twin-keyboard band and dig even deeper into his fusion-jazz style. The result? A set that topped the Billboard charts and brought him a Grammy award for its only vocal performance...
Overall, I think the jazz police never forgave me for taking George Benson from the jazz area to where he became a pop artist', record producer Tommy LiPuma told jerryjazzmusician.com in 2022. 'I was always a pop music freak, but I was also a big jazz fan.'
In 1986, the singer-songwriter bowed out of pop duo Wham! with a sell-out farewell concert at Wembley Stadium. A year later he was back with his first solo album, having swapped the flash suits and swimming trunks for stubble, leather and shades...
In Spring 1986, Wham! announced they were splitting, with a farewell album and single, and a final concert at Wembley Stadium in June. In doing so they pulled the plug on a group that had enjoyed a string of international hit singles and albums over the previous four years, and who had become one of the biggest pop outfits in the world.
Although a fixture of The Hollywood punk scene in The late '70S and early '80S, the all-female quintet also had a pop sensibility that would see their debut album topping the charts. First, however, they needed to find a label that would let them record it...
If women face all-too-familiar obstacles to achieving success in music these days, many of those barriers have at least been broken down over the years by trailblazing female artists. One such pioneering act is undoubtedly The Go-Go's, who burst out of the Los Angeles punk scene in the late 1970s and set a template for pop punk that still endures.
With a new producer and an all-star lineup of musicians behind her, the one-time disco queen's breakthrough album melded reggae, dance, funk and pop, and reimagined her as 'only possibly from this planet' thanks to its eye-catching cover photography
Befitting an album released by a fashion model, Grace Jones' Nightclubbing features one of the most memorable album covers of all time. Photographer Jean-Paul Goude, Jones' partner and a former art director of Esquire magazine, portrayed her as androgynous, with a look of insouciance that bordered on the intimidating with her flat top haircut, a man's Armani jacket with geometrically padded shoulders and a vertically poised cigarette. Jones would apply purple make-up before going onstage and for this sleeve her skin tone was given an exaggerated dark purplish gloss, which added to the strangeness.
For their groundbreaking sophomore album, the West London-based 'space rock' masters doubled down on the electronic audio effects, moved beyond the live jam feel of their free concerts, and invited fans to join them as they set out on a voyage to the stars...
Musicians' fascination with space, and their attempts to evoke its unfathomable vastness in sound, dates back at least as far as Ancient Greece. It was Pythagoras who developed the concept of Music Of The Spheres, a theoretical cosmic harmony produced by the movement of the planets and stars that could translate into music.
Peppered with provocative lyrics and a cast of often nightmarish characters, this debut offered a snapshot of late-'70s Britain in all its gritty glory. Yet the catchy tunes delivered with a helping of music hall mischief means it still stands as one of rock's most original LPs
Towards the end of 1977 punk rock had taken hold in the UK in a big way and, for older and established musicians, this was a party to which they had not been invited. For David Bowie the best solution was to relish his individuality, which prompted the advertisement strapline for his LP Heroes: 'There's Old Wave. There's New Wave. And Then There Is David Bowie'. The same could have been said about the 35-year-old Ian Dury, whose music had always stood outside prevailing musical trends and whose first solo album New Boots And Panties!!, was one of that year's most original statements.
Although planned as the American proto punk's first solo record under new management, Raw Power wound up being a third album for a reconfigured lineup of The Stooges – with David Bowie roped in to try to channel the band's unique energy into a listenable mix
Ever since the early days of rock 'n' roll, fans have vicariously got their kicks from its stars – the larger than life characters who did things us normal folk would never dream of, or would be too scared to try. But while many artists merely flirted with the idea of danger, James Osterburg, aka Iggy Pop, lead singer with The Stooges, located the self-destruct button and kept pressing it over and over again.
The young singer-songwriter saved his career with this sophomore album, recorded in Los Angeles in a matter of mere days and bumped up to 11 tracks at the last minute to secure a label payday. Fifty-two years later it's lost none of its explosive power
No pain, no gain. It's fair to say that you don't have to be sad, or mad, to make a multi-million-selling singer-songwriter album – but sometimes it helps. And before his career-igniting second long-player was recorded at the end of 1969, Boston-born James Taylor had endured moments where both adjectives applied.
Released in 1971, the singer's second solo LP was to be her last, the temptation to use unbridled self-medication in order to dull a life beset by insecurities leading finally to her untimely passing. But it's a work that assured her a place in rock history... Words: Johnny Black
Although her biggest commercial success, Janis Joplin's final album, Pearl, is all too often overshadowed by the tragic fact that she died before completing it. Her drug and drink problems and her complicated sex life during the sessions have been all too well documented. But HFN's Vinyl Icon features are first and foremost about the making of music, so the horror show of Janis's final days will feature here only to show the impact it had on the recording of Pearl.
It was panned by the British musical press on its release in 1978, yet this shiny synth classic would not only peak at No 11 in the UK charts but see Jean-Michel Jarre break all records with a live performance of the album drawing a crowd of one million
Although there were many pioneers of electronic music, there's no doubting that Jean-Michel Jarre's 1976 album, Oxygene, was the first encounter with fully synthesised and sequenced music for millions of listeners across the globe.
Fuzz, feedback and live shows ending in fisticuffs... this debut LP from two brothers from East Kilbride saw the pair meld their love of '60s girl groups with the sounds of the industrial movement to create uncompromising music with a melodic pop heart
The 1980s is often referred to as a classic era for pop music, but the musical landscape was changing, with suggestions that rock was becoming outdated – the derogatory term 'rockist' had recently entered the vernacular – and the happening thing now was the shiny new pop purveyed by bands such as ABC, The Associates and Depeche Mode.
The singer/songwriter's third album not only included two of her most celebrated songs but was the springboard for a career that would eventually see her achieve a number of firsts for UK female artists. Yet teasing out her talent was not straightforward...
Joan Armatrading was the first black British singer-songwriter to achieve major success. She would deserve to be hoisted shoulder-high for that alone but, above and beyond her commercial success, she should be recognised for having produced over the years a catalogue featuring a clutch of the finest songs ever written by any songwriter, male or female, black or white.