Johnny Sharp

If women face all-too-familiar obstacles to achieving success in music these days, many of those barriers have at least been broken down over the years by trailblazing female artists. One such pioneering act is undoubtedly The Go-Go's, who burst out of the Los Angeles punk scene in the late 1970s and set a template for pop punk that still endures.

Like a lot of bright, shiny things, ABC and their defining debut album, The Lexicon Of Love, were created out of something a good deal less glamorous. The grim-up-north narrative that is wheeled out as a backdrop to so much provincial punk and post-punk can be overstated, but there’s no doubt that when Stephen Singleton and Mark White’s avant-garde electronic outfit Vice Versa morphed into ABC with help from former fanzine writer turned frontman Martin Fry, they wanted to offer an escapist vision of pop for trying, recessionary times. They also rejected old school approaches to music-making.

For much of the '70s it was customary for bands or recording artists to retire to a rural bolthole for a spell, hoping the country air would help them get their head together. Disillusioned and burnt out from recording and touring, in 1976 John Martyn tried this himself. But in his case the destination was another country, halfway across the world.

It's hardly surprising that a band formed from the ashes of tragedy should take a while to truly find their own musical identity. But after singer Ian Curtis's suicide brought Joy Division to a premature end in May 1980, New Order had shown intermittent moments of brilliance on a string of singles, but not across a whole album.