San Diego-based Dan Clark Audio, previously known as MrSpeakers, has just launched its lightweight but resilient Aeon 2 headphone in both 'open' and 'closed' variants
If you're looking at the photos of the Aeon 2 here thinking, 'Isn't that a MrSpeakers product?', the answer is yes and no. The original Aeon was indeed made by MrSpeakers but recently the company changed its name to Dan Clark Audio, Dan Clark being the company founder. It was a sensible move because MrSpeakers had never made, or looked like making, a loudspeaker, but like all company name changes it can take time to bed in.
Aimed at very high-end headphone users, dCS's Lina Network DAC, Master Clock and Headphone Amplifier might also be the ideal compact system front-end for audiophiles
Headphone use has changed in recent years, from something to be endured through necessity to its own subset of hi-fi listening, with no shortage of ambitious and upmarket hardware currently available. Now dCS is on that bandwagon, for while it's been busy launching its APEX DAC technology for its 'full-size' offerings [HFN Jun '22] it's also developed the Lina, which is not so much a headphone amp as a complete playback system.
With the Fostex T50RPmk3 as its donor chassis, headphone accessory brand Dekoni Audio breaks into the big time with a back-to-basics planar magnetic. It's blue too...
Now where did I put my headphones?' It's not a question you are likely to ask with the Dekoni Audio Blue, as it comes in the associated Japanese company Fostex's signature colour, with a boldly lettered headstrap. It's the first headphone product from Dekoni Audio – a New Jersey company specialising in replacement pads for a range of 'phones – and an obvious step for Dekoni to take.
You won't find any 'on-the-hoof' fripperies here as the Japanese company unveils a new iteration of its tried-and-trusted AH-D5000 headphone, with 'free-edge' tech
At £549, the AH-D5200 represents the entry level offering in a new three-model range from Denon, with the AH-D7200 (£699) and range-topping AH-D9200 (£1399) completing the lineup. They are all closed-back designs and aimed squarely at the home audio user looking for a premium set of cans. The large over-ear, non-folding arrangement ensures they're not the type of thing you could or would want to take on the road, but more likely to take pride of place in a study or living room, ready for those relaxing musical pastimes.
This boutique brand from China’s technology hub squeezes a truly high-end DAC and
analogue headphone amp into a bijou, alloy enclosure. It puts the ‘mini’ into minimalism
Okay, so let’s get the ‘death ray’ jokes out of the way right at the start: what we have here is a high-aiming DAC-equipped headphone amp from a Chinese-based company that’s new – to me at least – but has a growing range of digital products, all with slightly odd names. High-aiming? Well, the rather literally-branded Listening M1 might be tiny, but it sells for a punchy £2599 alongside the £399 Pegasus SG1 Bluetooth headphone amp and Prelude DTR1+ portable music player.
Based in Chicago but with manufacturing in Serbia, the EarMen brand is developing its range at pace. The new ST-Amp DAC/headphone unit is a 'back to basics' audiophile hit
After collecting an EISA Award last year for a complete headphone system featuring a stack of four mini-sized separates – the Staccato, Tradutto, CH-Amp and PSU-3 [HFN Oct '22] – EarMen has doubled back with this minimalist ST-Amp. This is a book-sized, do-it-all unit combining a DAC and dedicated headphone amp, aimed at head-fi enthusiasts looking for a quick and effective path to high-quality desktop listening. So while the ST-Amp moniker might suggest it's simply a more affordable alternative to the aforementioned CH-Amp, it's really a different beast altogether.
A Serbian brand based in Chicago packs a streamer, DAC and headphone amplifier into three bijou cases, topped off with a bespoke outboard PSU. We lend an ear, man
Although UK readers might not recognise the EarMen moniker, it's certainly not a newcomer to the world of hi-fi. Its back story is quite convoluted, for although EarMen is based in Chicago, it's funded by the owner of Serbia's Auris Audio, Milomir Trosic, and most products are produced in the same Serbian factory. Auris is aimed at the premium market, with products including the Euterpe and the Nirvana – both headphone amplifiers lavishly adorned in wood and even leather – plus a neat line of luxurious-looking tube amps and even some turntables on offer.
This Polish hotshot brand broke onto the audiophile scene with its programmable DC PSU, followed by the OOR headphone amp. Now, with DAC onboard, comes the ERCO
The name of this new product from Polish company HEM, selling under its Ferrum brand, is spelt ERCO, but pronounced 'ertso'. Apparently it's Esperanto for 'ore', and so follows on from the mineral-based brand-identity – Ferrum, OOR – you get the idea. What's also not immediately apparent, given that all the Ferrum products basically look the same, is that the £2395 ERCO is perhaps the most comprehensively equipped model the company has made to date.
The Polish brand scored a prestigious EISA award with its first product, the Hypsos power supply – can it build on that success with its all-analogue headphone amplifier?
Polish company HEM, based just outside Warsaw in Pruszków, had something of a dream debut for its Ferrum brand: its first-ever product, the Hypsos power supply collected a 2021-22 EISA award in the Hi-Fi Accessory category [HFN Mar & Oct '21]. The judges praised it as 'a potent upgrade for a wide range of devices, not least USB DAC/headphone amplifiers, typically encouraging a sound with greater ease and smoothness – and yes, power!'
Focal’s latest luxo-headphone slots in between the Elear and Utopia models, in the hotly-contested ‘affordable high-end’ middle ground – we hear the sound of £1400
If I have learned anything about committing one’s thoughts to print, it is Never Make Predictions. They will invariably be wrong and will come back to haunt you. I am thus unwilling to hazard a guess as to the longevity of the boom in headphone sales and usage. As long as it continues, however, in the best ‘make hay while the sun shines’ manner, Focal is covering all its bases. The latest to join its high-end family is the £1399 Clear, between the dearer Utopia [HFN Feb ’17] and less costly Elear [HFN Apr ’17].
Looking for isolating headphones to wear when out and about? Focal has the answer in its first closed-back cans, the elegant Elegia, with tech derived from earlier models
The idea of listening to music while commuting or exercising was almost unheard of until the advent of the Sony Walkman 40 years ago, but nowadays it's ubiquitous. And with the 'Beats' generation wearing full-sized headphones this too has become widespread. One of the advantages, along with sound quality, is the increased sense of isolation – for which you might look for a closed-back model. So, following its £3250 flagship Utopia [HFN Feb '17], £800 Elear [HFN Apr '17] and £1399 Clear [HFN Mar '18] open-back predecessors, Focal has integrated these technologies into a closed-back design – the £799 Elegia.
The French speaker company has upped its game with this de-luxe closed-back design – perhaps aimed to make a 'mocha-ry' of the competition? Let's see how well it sounds
Hot on the heels of the Elegia [HFN Mar '19] – the first closed-back model in Focal's revamped, post-Spirit headphone range [HFN Dec '15] that launched in 2016 with the open-back Utopia [HFN Feb '17] – comes the second closed-back design, the £2799 Stellia. These two flagship models, both featuring beryllium diaphragms, effectively bookend the range, their less costly siblings being based around the same M-cone drive unit concept but with a less exotic aluminium-magnesium diaphragm.
With their unusually extended ovoid cups – pear-shaped, you might say – these new planar magnetics, once auditioned, could easily become the apple of your eye
With 16 current models in its Reference range, HiFiMan's product offering many not be as extensive or potentially confusing as Audio-Technica's but still it's a lot to get your head around. I classify them, informally, into round capsule and ovoid capsule models, the £1500 Arya being one of the latter. It's an apt classification in that once you've worn the Arya – or any other headphone whose capsules better reflect the shape of the external ear – you wonder why headphones aren't all designed this way. You wouldn't wear rectangular shoes, so why are these shapes so widely used for headphone capsules and earpads? It flies in the face of anatomical logic.
The Chinese company claims a decade of planar driver technology development with these robust mid-priced open-backed 'phones – are they a cause for celebration?
With HiFiMan's UK distribution now switching to Signature Systems, we are at last able to get our hands on this idiosyncratic range of headphones from China. What makes them idiosyncratic is not merely their use of planar magnetic (aka isodynamic) drive units – something which is becoming increasingly mainstream – but that these drivers are reminiscent of isodynamic units of the past in respect of their low sensitivity.
HiFiMan has done as much as any brand to popularise the planar magnetic headphone since the technology's revival, and the Susvara is the best PM it knows how to make
Astute readers will have noticed that we've been exploring the HiFiMan range in stepwise fashion. We began with the £475 Sundara [HFN Jun '19], progressed to the £1500 Arya [HFN Aug '19] and have now reached the £5750 Susvara. While, despite its elevated price tag, the Susvara isn't the most expensive headphone the Chinese manufacturer currently offers, the costlier Shangri-La and Shangri-La Jr are both electrostatic models, making the Susvara its flagship planar magnetic design.