LATEST ADDITIONS

Hi-Fi News  |  Mar 06, 2025  |  First Published: Dec 01, 2024
Q Series latest to showcase new UNI-Q

KEF’s Uni-Q array with MAT (Metamaterial Absorption Technology) has found its way down to the company’s entry-level loudspeakers.

Hi-Fi News  |  Mar 06, 2025  |  First Published: Dec 01, 2024
Classic pre/power system given ‘modern-retro’ twist

Quad’s 33 preamp and 303 power amp, originally released 56 years ago [HFN Apr ’68], have been resurrected. Priced £1199 each, these ’24 editions showcase ‘faithful’ revisions of the originals’ transistor-based electronics and chassis designs, plus new features that better reflect 21st century hi-fi.

Hi-Fi News  |  Mar 06, 2025  |  First Published: Dec 01, 2024
Two new models from Cambridge Audio

The EXA100 integrated (£1999) and EXN100 streamer (£1599) from Cambridge Audio slot in below its top-tier Edge hardware. For the new amp, CA claims 2x100W from an output stage drawing on the design of its Edge monoblock, allied to a shielded ‘super-quiet’ transformer.

Hi-Fi News  |  Mar 06, 2025  |  First Published: Dec 01, 2024
Signature 12.2 deck flies the Pro-ject flag

A successor to Pro-Ject’s Signature 12 turntable, the Signature 12.2 is the Austrian outfit’s new flagship design, and said to be ready to inform trickle-down models in the future.

Steve Sutherland  |  Mar 05, 2025  |  First Published: Dec 01, 2024
Steve Sutherland invites you to shrink wrap ’n’ roll as he tells the story of a studio that once made plastics before producing classics by the likes of The Stranglers and The Cure

Because Bruxelles – or Brussels if you prefer – is not on anyone’s list of the world’s most famous rock ’n’ roll capitals, chances are you won’t have heard of Belgium’s ICP Recording Studios. If truth be told, my only memories associating the land of chocolate and waffles to anything vaguely musical were the unfortunate fact that Scots hooligan rocker Alex Harvey died of a heart attack while waiting for a ferry in Zeebrugge back in 1982.

Mike Barnes  |  Mar 04, 2025  |  First Published: Dec 01, 2024
A year after her self-titled debut set out Raitt’s blues/folk/jazz template, the singer, songwriter and slide guitar master decamped to Woodstock’s Bearsville Studios to repeat the trick. The result, mixing new songs and reimagined standards, was a classic

In 1972, Bonnie Raitt told Joe Selvin of the San Francisco Chronicle that she didn’t want to be a star. ‘The music business works to make you a star and I don’t want any part of that. I’ve seen the whole trip’. It was a theme she would return to in interviews, deeming stardom as ‘superfluous’ and having no interest in ‘the cult of personality’ that builds up around musicians. Instead, she enjoyed playing smaller venues so audiences could connect with her as they would do a friend.

Review: Ken Kessler  |  Mar 04, 2025  |  First Published: Feb 01, 2025
Are you a completist? Always hungry for rarities? Fellow sufferer Ken Kessler has you covered with a host of box sets offering everything from ’60s US rock to British folk

Despite streaming’s challenge to physical media, especially for the post-Boomer audience, CD box sets continue to proliferate. The most obvious benefit is diminutive size: all but two of the sets here will fit into your standard CD storage. This, of course, appeals to those who are tempted by space savings, which is why streaming and downloads have made such advances.

Steve Harris  |  Mar 04, 2025  |  First Published: Dec 01, 2024
Goodmans, aided by designers including Ted Jordan and Laurie Fincham, was once a leader in loudspeaker design until OEM moves and ownership changes buried its legacy, says Steve Harris

Half a lifetime ago, I was the youthful editor of another hi-fi magazine in the UK. One day in 1979, I was visited by a senior executive from Goodmans, who explained that the firm’s next hi-fi speaker range would not be built in its own British factory, but would be bought in from Jamo of Denmark. It was a sign of the times for the company which, in the 1950s, had been ‘Europe’s largest Manufacturer and the World’s largest Exporters of High Fidelity Loudspeakers’.

Peter Quantrill  |  Mar 04, 2025  |  First Published: Dec 01, 2024
What do conductors do, and how do they do it? Peter Quantrill says two recent memoirs lift the veil on the supposed mysticism of a very practical profession, from contrasting perspectives

There is a nice irony to the fact that the most silent musicians of all are required to be the best with words. Orchestras may like the conductors who speak the least, but explanation, correction and encouragement can’t entirely be done at the tip of a baton. Meanwhile, the public is perennially fascinated by the power dynamic at play when a single figure seems to conjure unity from the talents of a hundred individuals.

Jim Lesurf  |  Mar 04, 2025  |  First Published: Dec 01, 2024
When Jim Lesurf bought his turntable in the 1970s he didn’t expect to still be using it some 50 years later – proof that lasting enjoyment should be considered when judging the ‘cost’ of hi-fi

I was particularly interested to read the recent review of the Technics SL-1200GR2 [HFN Sep ’24]. This is because for a very long time I’ve owned and been happily using a much earlier example of the direct-drive breed. I can’t now recall exactly when I bought it, but I’ve had a Panasonic/Technics SL-1500 turntable and arm with a Shure V15 series cartridge since about 1973. And it has continued to deliver good performance for about half a century!

The main sign of the SL-1500’s age after so many decades of use is that the small rotary potentiometer, which tweaks the rotation speed, has developed a ‘burn spot’ just at the place that sets 33.33rpm. This means that, nowadays, I have to let the deck run for about a quarter of an hour before use and then check if the speed has settled down correctly, or needs a slight tweak.

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