LATEST ADDITIONS

Ken Kessler  |  Oct 25, 2019
This month we review: Curtis Mayfield, Miles Davis Quintet, Aretha Franklin and Buck Owens
Ken Kessler  |  Oct 25, 2019
This month, we review: Keith Richards, Dana Gillespie, Paul Mauriat and Richard Thompson
Johnny Black  |  Oct 25, 2019
This month we review: Jones, Wasuremono, Keywest and Hackney Colliery Band
Steve Harris  |  Oct 25, 2019
This month we review: Miguel Gorodi Nonet, Dave Douglas/Uri Caine/Andrew Cyrille, Bill Evans and Kendrick Scott Oracle
Christopher Breunig  |  Oct 25, 2019
This month we review: R Strauss, Beethoven, Mahler and Mendelssohn
Review: Andrew Everard, Lab: Paul Miller  |  Oct 24, 2019
hfnoutstandingThis latest integrated amp from a stalwart of the US high-end may be stereotypically big and bold, but it's also both extremely flexible and surprisingly affordable

Although many aspire to grabbing themselves a chunk of American high-end audio, there's all too often a problem – price. It's very tempting to look at the price-tags back home in the States and shake one's head at the UK ticket. But most of us can guess at the differences between the US and UK markets, the import taxes and costs involved in shipping and distributing small samples of heavyweight equipment.

Steve Sutherland  |  Oct 22, 2019
A succession of happy accidents or always ahead of the curve? However you judge the career of this British-born DJ and producer one thing's for sure: he became a messianic figure to a generation of clubbers around the world. Steve Sutherland has the story...

Try as they might, they couldn't get arrested. They were two albums into a career that was stalling fast. To be fair, their debut, a wan psych indie thing called Sonic Flower Groove had been quite well received but their eponymous new one was going nowhere, given the cold shoulder by pretty much everyone. Everyone, that is, except for this one dude who ran a very cool fanzine and was rapidly gaining a reputation as an inside track clubland scenester.

Review: James Parker, Lab: Keith Howard  |  Oct 21, 2019
hfnoutstandingThis may be the baby of the latest Gold range, but it has the company's usual impeccable design, fit and finish, and a big sound that belies its compact dimensions

The hierarchy of the Monitor Audio loudspeaker range – starting with Bronze, and progressing through Silver and Gold to the flagship Platinum series – is well-established, and so too is the company's rolling programme of updating the products line by line. In recent times this has run alongside a series of acquisitions – the company scooped up electronics manufacturer Roksan in 2016, and more recently added Blok, the maker of the STAX range of hi-fi stands and AV racks, to its stable.

Christopher Breunig  |  Oct 18, 2019
The Dresden musician's oboe and pianoforte playing pushed him into the role of conductor. Christopher Breunig looks at this great Straussian's extensive repertoire

Rummaging through a box of unsorted CDs I came across a 1972 orchestral concert by the Munich Philharmonic Orchestra [Scribendum SC 004]. The conductor was Rudolf Kempe, one of my most admired artists but someone I hadn't written about in this HFN series we began in July '14. (Incidentally, the soloist there, in Mozart's Piano Concerto K595, was Friedrich Gulda, liberally sprinkling decoration over his part, whereas his DG studio recording with VPO/Abbado is almost bereft of it.)

Review: Andrew Everard, Lab: Paul Miller  |  Oct 16, 2019
hfnoutstandingA little over half the price of the mighty H590 amp, in a slimmer design and with very similar facilities and output, this new arrival from Norway is a sure-fire bargain

They're clearly fans of the old buckled swash at Hegel: having evoked Master And Commander in announcing its £9000 H590 flagship amplifier [HFN Oct '18], the Norwegian company says it's calling the new H390 'Robin Hood'. Why? Well, it's all a matter of re-distribution of wealth, apparently, for the £4900 debutant takes much of the ability of its big brother, and makes it available to those of us of humbler means.

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