LATEST ADDITIONS

Review: Tim Jarman, Lab: Paul Miller  |  Feb 17, 2021
hfnvintageBass-heavy behemoth or technical tour de force? We hear a range-topping speaker first launched in 1975 that promised 'true waveform fidelity'. How will it shape up?

Although the Japanese dominated much of the hi-fi scene during the 1970s, there was one important area where their reach was more limited. That was the loudspeaker market. Yes, the companies' catalogues may have been full of glittering arrays of tempting models, but dealers outside of Japan seldom had that many in stock for interested buyers either to see or hear.

Steve Sutherland  |  Feb 16, 2021
Steve Sutherland kicks off a new series with the story of a farmhouse that became the world's first residential recording studio, and a home to hitmakers for over 50 years

The TV was out the window, still plugged in… The double-bed was broken in half... It was just like a hand-grenade had gone off in the room... The whole studio got smashed to pieces, the living room, everything got blitzed… There were smashed windows… just devastation…'

Review: Andrew Everard, Lab: Paul Miller  |  Feb 15, 2021
hfnoutstandingBucking the trend – Scansonic goes for the slender, multi-driver approach for its flagship design, to impressive effect

The MB series is the high-end range from Scansonic, and the MB6 B the flagship of the latest iteration of this lineup. Yet in an arena where bulky, room-dominating speakers prevail, this design takes a different approach. Yes, it's tall, at just over 1.4m, but the company has kept it slender – at under 18cm, the front baffle is narrower than that of many a much smaller design. For example, even the little B&W 606 standmount speaker is a centimetre wider than this floorstanding tower.

Christopher Breunig  |  Feb 12, 2021
Coming from Sydney to London with an ambition to conduct, his scholarship to study in Prague led to a passion for Czech music. Christopher Breunig has the story

Recently, I have been entertaining myself by watching the online reviews by the American critic David Hurwitz (he's executive editor of the subscription site Classics Today – where all the most interesting reviews are for 'insiders only'…).

Review: Andrew Everard, Lab: Paul Miller  |  Feb 11, 2021
hfnoutstandingThis unit may be compact, but it's a highly comprehensive DAC/headphone amp/preamp, with full network audio capability encompassing a huge range of formats

Based in Xi'an, the ancient city in northwest China that's home to the famous Terracotta Warriors, Matrix Audio has a classic hi-fi backstory: it was founded by three audio/music enthusiast schoolmates who regrouped some years later to launch a company to develop and produce hi-fi separates. The DA-100plus DAC was its inaugural product in 2006 since which time the company has evolved its lineup to encompass a range of digital and streaming products that covers just about all the bases, from the X-Sabre Pro DAC [HFN Nov '17] to the new £2795 Element X.

Tim Jarman  |  Feb 09, 2021
Tim Jarman on the tools and techniques you'll need to restore classic kit

In the early days of hi-fi it was common to make one's own equipment, either as an economy measure or as a matter of pride. Today's equivalent may be repairing and restoring vintage hi-fi units at home, a potentially rewarding endeavour which can make the subsequent listening even more satisfying.

Review: Andrew Everard, Lab: Paul Miller  |  Feb 08, 2021
hfnoutstandingTrickledown engineering wins hands down as the core technology behind Marantz's 12 series is buffed to a new polish, gaining network compatibility at an even lower price

The expression 'hot on the heels' is one thing, but to launch two sets of products seemingly offering similar features at much the same price might be seen as inviting customer confusion. Yes, that's just what Marantz has done, with the SA-12SE/PM-12SE SACD player and amplifier [HFN Nov '20] followed within weeks by the arrival of the 30 Series models – yes, an SACD player and amplifier. Add in the fact that both ranges draw heavily on previous models – to put it charitably – and one might well wonder what exactly is going on.

Mike Barnes  |  Feb 05, 2021
The group's fifth album was a turning point, paving the way for a career that would see them blossom from niche synth innovators to full-blown stadium rockers and in the process become the most commercially successful Scottish band of the 1980s

Simple Minds formed in Glasgow in 1977. Their name, which derives from a lyric from David Bowie's 'Jean Genie' now feels something of an odd choice, given the complexity of their sound. But people get used to a name and Simple Minds soon got a foothold in the post-punk milieu with their 1979 debut album Life In A Day.

Review: Ken Kessler, Lab: Paul Miller  |  Feb 04, 2021
hfnoutstandingAccordo standmount gains a dedicated woofer and larger, floorstanding cabinet. Hey presto: the Essence

No kidding: when I first fired up the Franco Serblin Accordo Essence, I figured it sold for around £20,000, somehow forgetting that the loudspeaker above it – the flagship Ktêma [HFN Sep '20] – cost £25k. Surely they wouldn't price two models so closely? Equally, I failed to recall that the standmount Accordo [HFN Jan '18] from which it is derived sells for only £7500. The pricing, however, illustrates how Massimiliano Favella is sticking to a plan where each model fills a sonic and fiscal gap: the Accordo Essence will set you back £12,998 per pair.

Barry Fox  |  Feb 02, 2021
Barry Fox on the music books that bring insights into audio

Polymath Humphrey Lyttelton not only played as he pleased, he wrote as he pleased in many excellent books on music, once appealingly disparaging sound engineers he suffered on tour as 'Marconis'. The reason? They couldn't stop fiddling with the controls, so destroying the natural balance of his live band and adding electronic distortion.

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