A century-old legend of suspicion and exceptionalism continues to haunt attitudes towards English music, says Peter Quantrill - and it appears that it's the English who won't let it go
The spring cleaning of schedules at BBC Radio 3 took its listeners by surprise, to judge from comments both within and outside the media. The 'shop window' of Record Review on a Saturday morning moved to the first floor, in the afternoon. The spoken-word programmes were shunted off to Radio 4, while Friday Night Is Music Night has resurrected an antique Radio 2 title. The channel's once-serious coverage of new and contemporary music is almost entirely effaced under the controllership of Sam Jackson, who formerly headed up Classic FM.
Silicon chips have been so successful there's a valley named after them, but new materials that are better suited to high-power applications are ready to replace them, says Jim Lesurf
Reading the review of HiFi Rose's RA280 amplifier had me thinking about the ways in which technology has developed over the decades. Modern audio enthusiasts are fairly familiar with the choice between 'solid-state' electronics and 'valve' (or 'tube' for our American colleagues). However, the full story of the choice of devices used for audio and radio kit has shown far more evolution over the decades - and is probably now evolving again.
There's no one-size-fits-all approach to high-quality music playback, says Barry Willis - and it's emotional engagement that's important, not the technology which is used to create it
This past winter I visited a new audio dealer, a fellow I'll call 'Colin'. He's a high-end hobbyist working from his home - a time-honoured practice and an increasingly prevalent one in the Internet age. His large demo room was festooned with recent examples of quality gear from multiple brands, but most conspicuous were the many brightly coloured cables connecting them - the work, he said, of a friend who had spent years researching the behaviours of such cables.
Supporters of Evovinyl, a sugar cane-based alternative to PVC, claim it can be used to make records that sound as good as 'the real thing'. For Barry Fox, the proof will be in the pudding
It's hard to be green and analogue. Manufacturing vinyl LPs consumes a lot of fossil fuel and heat energy - one estimate puts the production of PVC (polyvinyl chloride) at 30,000 tonnes per year for use by the global vinyl industry. So, it was big news when British speaker company PMC recently announced investment in UK company Evolution Music Ltd and Evovinyl, an alternative to PVC made from natural sugar cane.
The Milwaukee trio's 1983 self-titled debut album 'reinvented rock 'n' roll', according to one critic, and has since sold over one million copies despite never troubling the charts. Its secret? Brilliantly simple songs and the evergreen theme of teenage angst
If you wanted to fill a compilation album with songs of adolescent angst, you wouldn't have too much trouble, particularly if you're a fan of guitar-based rock music. Call it 'Teenage Kicks', start with the title track, and off you go. But what would you pick for its album equivalent? Is there a long-playing record that sums up the experience of being a disaffected, angry and unloved teenager in the modern world, particularly the male of that particular species?
Chord's first new integrated amplifier in some seven years combines no fewer than four switchmode PSUs and 125W of stereo power into a very stylish Ultima 3 preamp chassis
First seen in 2023 at Munich's High-End show, Chord Electronics' Ultima Integrated is steadily finding its way into selected hi-fi emporia. Based around John Franks' tried-and-tested amplifier architecture [see PM's boxout, p65], it's the entry point to the Ultima family, whose rollout began with the flagship Ultima monoblocks .
Still big in Japan, the SACD takes pride of place in Soulnote's 'ultimate digital playback system' that also includes the option of digital filterless conversion and external clocking
With Soulnote having already proved its analogue mettle in these pages with the E-2 phono preamp , does the brand have similar prowess with digital? And not just with CDs, for this S-3 flagship is a fully-fledged SACD player.
New from Ferrum is a twin-output edition of its Hypsos DC power supply , intended for systems that, for example, feature both its OOR headphone amp and Wandla DAC .
Having previously introduced the 64-bit Tesla G3 processing platform to its Vega G2.2 DAC/streamer and Aries G2.2 digital server/player , Auralic has now turned its focus to the Altair range.
Netherlands-based Grimm Audio has added a second model to its 'Music Player' range, but unlike the 'digital output' MU1 , the £16,950 MU2 integrates DAC and preamplifier stages to become a fully fledged 'hub'.