LATEST ADDITIONS

Review: Ken Kessler  |  Mar 01, 2025  |  First Published: Feb 01, 2025
This month we review: Art Pepper Quintet, George Benson, The Impressions and Run-D.M.C.
Review: Ken Kessler  |  Mar 01, 2025  |  First Published: Jan 01, 2025
This month we review: Tony Rice, The Blue Aeroplanes, The Mugwumps and Santana
Review: Ken Kessler  |  Mar 01, 2025  |  First Published: Dec 01, 2024
This month we review: Dr. John, Paul McCartney & Wings, Ravi Shankar and The John Wright Trio
Review: Ken Kessler  |  Feb 28, 2025  |  First Published: Nov 01, 2024
This month we review: Bryan Ferry, December’s Children, Jethro Tull and Harold Land
Review: Ken Kessler  |  Feb 28, 2025  |  First Published: Oct 01, 2024
This month we review: Buddy Rich & Alla Rakha, Duane Eddy, Hampton Hawes and The Savoy Blues Band
Review: Mark Craven,  |  Jan 29, 2025  |  First Published: Jan 01, 2025
hfncommended

Headquartered in Kanagawa, Japan, Soulnote has created a trio of product ranges in just ten years. Its mid-range Series 2 comprises a phono stage, DAC and the A-2 integrated

Soulnote’s A-2, available for £6300 in silver or black, is an integrated amplifier with an air of the ‘old skool’ about it. No network or digital connectivity, just analogue all the way, and only line-level too, as the Japanese manufacturer prefers to keep its phono stages separate. There’s no form of system control (ie, 12V triggers), and the user experience is very much plug-in-and-play, aided by an elegant remote and even simpler front-panel display.

Review: Mark Craven,  |  Jan 29, 2025  |  First Published: Jan 01, 2025
hfnoutstanding

Long anticipated, Constellation’s series two amplifiers witness the transition from huge linear supplies to custom switchmode PSUs. Weight is slashed, and performance boosted

Californian amplifier specialist Constellation Audio isn’t one to regularly refresh its product catalogue, so when – after years of maintaining the same models – it begins a complete overhaul of its entire range, audiophile ears prick up. First to hit the market are the new Inspiration 2 and Revelation 2 series, with the latter’s stereo pre/power system being debuted at the UK Hi-Fi Show Live 2024. These will be followed by the Performance 2 and Reference 2, with the lineup then topped off by the flagship Statement amps first ‘teased’ in 2023 at the Munich High End show.

Review: Adam Smith,  |  Jan 29, 2025  |  First Published: Dec 01, 2024
hfncommended

A compact MOSFET amplifier module, designed in Denmark, is tickled-up with tech from ex-members of the Vertex AQ crew. So is this Quiescent unit a boutique barnstormer?

One of the annoyances of modern life is noise. Outside, our ears might be assaulted by traffic roar, construction clamour or roadworks cacophony, plus buzzing leaf blowers and lawn mowers. Indoors, however, it’s rather more subtle. The prevalence of wireless communications around the house, plus the switched-mode power supplies that run pretty much everything, mean the noise is electrical in nature – and more insidious. Enter the £21,900 T100SPA power amplifier from the aptly-named Quiescent, which aims not only to delight your ears, but also ensure this ever-present noise doesn’t get in the way of the music.

Review: Adam Smith,  |  Jan 19, 2025  |  First Published: Jan 01, 2025
hfnvintageThe Magnum appeared in numerous guises throughout Goodmans’ long history but this early ’90s version is arguably less well known. How does this ‘two-way’ fare today?

One frustrating aspect of being a vintage audio enthusiast is encountering those companies who love to re-use model names and numbers. If you’re a B&O fan talking about a ‘Beogram 3000’, for example, are you referring to one of the two 1960s variants, the 1970s model or the 1980s version? It’s even becoming an issue all over again with updated recreations of famous designs, like the Mission 770 loudspeaker [HFN Jun ’22] and Quad’s 33/303 pre/power system [HFN Jan ’25].

Review: Tim Jarman,  |  Jan 18, 2025  |  First Published: Dec 01, 2024
hfnvintageAvailable in two guises – with an integrated or pre/power amp – Aiwa’s system 30 is emblematic of an era when miniaturisation was in vogue. How does it stack up today?

The mini/micro system craze was one of the Japanese electronics industry’s last great flourishes of the 1970s. Aiwa joined with Technics, Toshiba (Aurex) and Mitsubishi in producing tiny equipment with the same (or better) performance than many full-sized units, the contention being that improved component miniaturisation meant large boxes were no longer needed.

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