LATEST ADDITIONS

Barry Willis  |  Mar 04, 2025  |  First Published: Dec 01, 2024
Streaming services have already turned the music industry upside down – now AI content threatens to do the same. Barry Willis talks dystopian technology with producer Rick Clark

It’s a safe bet that most HFN readers are not merely gearheads, but music lovers too. So you might have wondered how economic decisions affect the lives of the artists on whom we depend, aesthetically and emotionally. Back in the days of physical media, musicians launched tours in support of new releases. Tickets were affordable because profits were primarily derived from sales of records. Beginning with Napster, and especially since the advent of streaming, that business model is dead. Recordings today are basically given away as promotional items to sell concert tickets, whose prices have skyrocketed.

Barry Fox  |  Mar 04, 2025  |  First Published: Dec 01, 2024
Changes in viewing and listening habits mean over-the-air radio and TV is being pushed aside by Internet delivery – and the UK’s public service broadcasters are leading the way, says Barry Fox

We need to talk about Freely. Why? Because it’s a clear pointer to the future of radio. Broadcasters are already planning for a time when TV and radio are delivered as an IP Internet stream and not a linear over-the-air transmission. Hence the BBC’s huge investment in its iPlayer and Sounds streaming services.

Review: Paul Miller  |  Mar 03, 2025  |  First Published: Dec 01, 2024
hfnvintageThis stylish, slimline partner for the British brand’s amplifiers adopts familiar Philips technology but makes its own mark, says Paul Miller

Much gnashing of teeth and wringing of corporate cheque books later, and the B&W Group has become the latest recipient of Philips’ cherished Red Book licence: an exorbitant magic wand that bequeaths the rights to design and assemble own-brand CD players, rather than simply modify an existing box. Incidentally, I hear from trusted sources that manufacturers who have traditionally opted for this cheaper halfway-house will soon be stomped on from a great height. B&W can therefore sleep soundly at night as two variants of a new BitStream player are launched under its ‘Aura’ brandname.

Steve Sutherland  |  Mar 03, 2025  |  First Published: Dec 01, 2024
This genre-straddling, smash-hit debut LP from the British band laid down a template for others to follow. Smooth operator Steve Sutherland hears the 180g reissue

About a year ago the writer, editor and founder of Rolling Stone magazine Jann Wenner was unceremoniously booted off the Rock & Roll Hall Of Fame Foundation board of directors. His misdemeanour? In an interview with the New York Times about his new book The Masters, featuring conversations he’d conducted with artists such as John Lennon, Bob Dylan, Mick Jagger, etc, he claimed that he’d decided not to include any women or black artists because, ‘none of them were articulate enough on this intellectual level’.

Review: Andrew Everard,  |  Mar 03, 2025  |  First Published: Dec 01, 2024
This month we review and test releases from: Jordina MillÀ & Barry Guy; OTOOTO; Tomasz Stanko, Tomasz Szukalski, Dave Holland, Edward Vesala; Maven Grace and Beans On Toast
Peter Quantrill  |  Mar 03, 2025  |  First Published: Dec 01, 2024
This month we review: Cleveland Orch/Franz Welser-Möst; Trio Bohémo; Sansara, United Strings of Europe/Tom Herring; and Vilde Frang, DSO Berlin/Ticciati
Steve Harris  |  Mar 03, 2025  |  First Published: Dec 01, 2024
This month we review: Emmet Cohen, Mark Cherrie Quartet, Etienne Charles – Creole Orchestra and Artie Zaitz
Mike Barnes  |  Mar 03, 2025  |  First Published: Dec 01, 2024
This month we review: David Gilmour, Gaudi Kosmisches Trio, Von Hertzen Brothers and HOO
Review: Ken Kessler  |  Mar 03, 2025  |  First Published: Dec 01, 2024
This month we review: Alfredo Muro,Frank Zappa & The Mothers of Invention, Rain and 3 Mile Shout
Peter Quantrill  |  Mar 02, 2025  |  First Published: Dec 01, 2024
There’s a lot more than the Disney comforts of Frozen to Andersen’s Christmas stories in music, says Peter Quantrill, as he explores different settings of a timeless morality tale

A lifelong loner, unmarried and childless, Hans Christian Andersen was one of those authors for children who didn’t much care for children (or anyone else). Forget the image of Danny Kaye, in 1953, tip-tapping his way on to the silver screen with ‘I’m Hans Christian Andersen, I am’. The recollection of the poet Heine seems closer to the mark. ‘He is a haggard man with a hollow, sunken face, and his demeanour betrays an anxious, devout type of behaviour that kings love. He is the perfect representation of a poet, just the way kings want them to be.’

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