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Review: Jamie Biesemans,  |  Mar 12, 2026  |  First Published: Apr 01, 2026
hfnoutstandingThe most compact floorstander in the Danish brand’s premium range is a statement speaker in its own right...

When DALI launched its flagship KORE speaker [HFN Dec ’22], followed by the Epikore 11 [HFN Feb ’25], the Danish company clearly wanted to turn heads in a higher-end segment. Which worked out fine, but both speakers have a ‘downside’: they are colossal. Applying trickle-down technologies from the £85k KORE and £40k Epikore 11, the smaller £20k Epikore 7 floorstander might just be the more sensible choice for typical living rooms.

Review: Ken Kessler,  |  Mar 12, 2026  |  First Published: Apr 01, 2026
hfncommendedJapanese moving-coil artisan Yasushi Yurugi proposes ‘an analogue life that will make you feel “at ease” from the bottom of your heart’. Will the EX700 set pulses racing?

Perhaps hoping to replace the much-loved but-now-in-limbo Koetsu, fellow Japanese brand Analog Relax has developed into a range of five ‘artisan’ moving-coil cartridges. The EX700 sits exactly in the middle, above the EX500 and below the EX1000, at a no longer shocking £7288. Stop here if you find the pricing of cartridges (and cables) has no bearing on reality, but that’s now mid-priced for the high-end, whether we like it or not.

Review: Mark Craven,  |  Mar 11, 2026  |  First Published: Apr 01, 2026
hfncommendedSeen here in its new pearlescent Midnight Silver finish, AE’s flagship floorstander aims at a sub/sat system in a single box

Acoustic Energy's flagship Corinium floorstander stands out from the rest of the manufacturer's range, and not simply in the matter of its pricing. In place of AE's familiar numerical system (AE500, AE300, etc), there's that one-of-a-kind title – Corinium being the Roman name for Cirencester, Gloucestershire, where the brand is based. There are new colourways too, plus a freshly curved cabinet design. And if that wasn't enough, AE claims the loudspeaker was three years in development.The result is a three-way, four-driver floorstander intended to act as a calling card for the company.

Review: Tim Jarman,  |  Mar 11, 2026  |  First Published: Apr 01, 2026
hfnvintage‘The only thing it doesn’t do is take the record out of its sleeve’, said Philips of its mid-1970s fully automatic turntable. With no fewer than three motors, how does it fare?

There is always some kind of surprise in store when reviewing vintage Philips products. Whether a new way of doing things or an extra feature you never knew you needed, Philips always had a knack for this sort of thing. The GA 209S seen here was an attempt to completely automate a high-quality turntable. Introduced in 1973, it entered a market where the grinding gears, clicking cams and greasy levers found in the mechanisms of some BSR and Garrard decks were still very much the norm. The Philips approach was quite different; it made extensive use of electronics to control and sequence the mechanism.

Review and Lab: Paul Miller  |  Mar 10, 2026  |  First Published: Apr 01, 2026
hfnedchoiceThis Dutch cable brand has been serving audiophile hi-fi systems for many decades. We test its modern ‘Classic’

Edwin Rynveld, Siltech’s CEO, has been driving the innovation behind this 43-year-old brand since 1992. His willingness to break with convention has informed the design of both Siltech’s amplifiers [HFN Jun ’13] and, more recently, its loudspeakers [HFN Dec ’25] but that same fresh approach has always been visible – and audible – in its cables. Now divided into three key series – the Explorer, Classic and Crown – it’s that middle range, and the Legend in particular, that marks the transition from ‘monocrystal copper’ to a proprietary silver/gold alloy, now in its ninth generation (G9). And silver is where Siltech (SILver TECHnologies) likes to hang its metallurgical hat.

Review: Andrew Everard,  |  Mar 10, 2026  |  First Published: Apr 01, 2026

This month we review and test releases from: Henge, Jon Balke, Vilhelm Bromander Unfolding Orchestra, Benjamin Lackner, and Held By Trees.

Peter Quantrill  |  Mar 10, 2026  |  First Published: Apr 01, 2026

This month we review: Sarah Connolly, Masabane Cecilia Rangwanasha, Hallé Orchestra And Choirs/Kahchun Wong, The Nash Ensemble, LPO/Karina Canellakis, Mitsuko Uchida

Steve Harris  |  Mar 10, 2026  |  First Published: Apr 01, 2026

This month we review: Gregory Groover Jr., Espen Berg, Dave Holland, Norma Winstone, London Vocal Project, Steve Lodder

Mike Barnes  |  Mar 10, 2026  |  First Published: Apr 01, 2026

This month we review: Hen Ogledd, Big Big Train, The Wave Pictures, and The Damned

Ken Kessler  |  Mar 10, 2026  |  First Published: Apr 01, 2026

This month we review: The Beatles, Kate & Anna McGarrigle, Joni Mitchell, and Van Halen

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