LATEST ADDITIONS

Ken Kessler  |  Oct 29, 2021
This month, we review: John Lennon/Plastic Ono Band, The Misunderstood, Neil Young and The Harry Smith B-Sides.
Mike Barnes  |  Oct 29, 2021
This month we review: Big Big Train, Raven Bush, Villagers and Susanna & David Wallumrød.
Steve Harris  |  Oct 29, 2021
This month we review: Samara Joy, Maridalen, Miles Davis and Martial Solal.
Christopher Breunig  |  Oct 29, 2021
This month we review: Sandrine Piau, Stuart Jackson, Konstantin Krimmel, Arcangelo/Jonathan Cohen, Mika Kares, Szilvia Vörös, Helksinki Po/Susanna Mälkki, Akademie Für Alte Musik Berlin and LSO/Sir Antonio Pappano.
Hi-Fi News Staff  |  Oct 28, 2021
This month we review and test releases from: Kansas, Peter Framption Band, Gewandhausorchester Leipzig/Herbert Blomstedt, Rise Against and Albrecht Mayer, Deutsche Kammerphilharmonie Bremen.
Martin Colloms  |  Oct 26, 2021  |  First Published: Dec 01, 1982
hfnvintageMartin Colloms hears the A&R Cambridge C200/SA200 pre/power duo

These new products from A&R Cambridge have been long in the pipeline. In an unusually brave step for such a small company, it has invested in moulding tooling for the front panels and also the casework of the preamplifier. Its aim was to achieve close tolerances, and considerable effort has been expended in achieving a good fit of parts, particularly for the array of controls on the preamplifier.

Review: Ken Kessler, Lab: Paul Miller  |  Oct 25, 2021
Dubbed the 'most audiophile' Debut turntable yet, this deck/arm/cartridge solution takes over from last year's Debut Carbon model with a host of detail refinements

Like the Land Rover and Ray-Ban sunglasses, the Pro-Ject Debut comes in many flavours. What started as a pure entry-level product has been joined by enough siblings over the last 20 years that the new Debut PRO reviewed here can be regarded as the range's flagship and crowning glory. The numerous improvements elevate the price to £699, but even that hasn't undermined this record deck's bargain status.

Review: Mark Craven, Lab: Paul Miller  |  Oct 22, 2021
hfncommendedFrench brand celebrates its Ruby Anniversary with a rose-gold tinted treble and two fabulous cabinet finishes

There's a definite feeling you're getting your money's worth when you encounter Triangle's Antal 40th Anniversary loudspeaker. This French floorstander, reasonably tall at 113cm and surprisingly deep at 35cm, arrives in an oversized box and, once excavated, greets you with 40th Anniversary branding on the front baffle and its quartet of drivers with eye-catching rose-gold anodised aluminium trims. I wouldn't say it looks a million dollars – there are too many right angles for that – but it certainly looks like it should cost more than the £3000 ticket (less still via some online retailers).

Review: Tim Jarman, Lab: Paul Miller  |  Oct 21, 2021
hfnvintageWith its four-channel amp and on-board SQ decoder, this '70s receiver was the lynchpin in what was arguably the most leading-edge quadraphonic system of its time...

The era of quadraphonic sound was not the hi-fi industry's finest. Appearing around 1973 but moribund by 1978, quadraphonic was the first big marketing failure by a sector that had so far enjoyed unalloyed success in convincing the public to buy into its latest developments. Confusing advertising, a damaging format war and a lack of consumer demand all played their part in the downfall of a concept which, at its peak, had been hailed as the future.

Mike Barnes  |  Oct 19, 2021
It was a debut LP with a difference as three seasoned musicians set about serving up an edgy yet smooth blend of melodic pop and soft reggae to an audience still hungry for the energy of punk. Would the fans of the emerging new-wave of bands bite?

In the UK in the late '70s, the convulsion that was punk may have been short-lived but the ripples it sent out were far reaching. According to The Jam, this was now The Modern World, so if you considered yourself a new-wave band, or were venturing into the pop field and didn't want to look like some kind of throwback, you needed to look sharp or look 'street'. And it helped if you had a snappy name that included a definitive article. Hence monikers like The Motors, The Yachts, The Rich Kids, and The Police.

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