LATEST ADDITIONS

Ken Kessler  |  Oct 29, 2025  |  First Published: Nov 01, 2025

This month we review: Norman Greenbaum, The Doobie Brothers, New York Dolls, and Chalino Sanchez

Martin Colloms  |  Oct 29, 2025  |  First Published: Nov 01, 2025
hfnvintageMartin Colloms looks in depth at KEF’s latest Reference series speaker – a five-driver floorstander with innovative force-cancelling bass system

The giant professional KM1 apart, KEF has been pretty quiet in the large loudspeaker market during the past year or two. The Reference series has run on without much fanfare, and most of the action has been with the budget ‘C’ range, particularly the highly competitive Coda, now in Mark 3 guise.

Steve Harris  |  Oct 29, 2025  |  First Published: Nov 01, 2025

The legacy of jazz pianist Dave Brubeck lives on in a new prize that seeks to bridge the gap between an artist’s musical education and a recording career. Steve Harris salutes its founder

Mark Craven  |  Oct 29, 2025  |  First Published: Nov 01, 2025

Mark Craven on why he has no favourite amplifier technology, why music fans have it better than cinephiles when it comes to streaming quality, and listening to songs in the right order

Peter Quantrill  |  Oct 29, 2025  |  First Published: Nov 01, 2025

The bizarre idea that classical music needs ‘saving’ won’t go away, but Peter Quantrill argues that this long-standing form of music is doing just fine. Just ask the Sinfonia of London...

Barry Willis  |  Oct 29, 2025  |  First Published: Nov 01, 2025

Listening sessions with a pristine original pressing of an early Stones LP have Barry Willis reconsidering his opinion of their ‘grungy sound’ and maybe even his position in the ‘digital camp’

Barry Fox  |  Oct 29, 2025  |  First Published: Nov 01, 2025

Following a mystery charge when purchasing a new PC, Barry Fox embarked on a journey through the UK’s consumer protection maze – before remembering the wonders of Chargeback

Review: Ken Kessler,  |  Oct 22, 2025  |  First Published: Oct 01, 2025
hfnoutstandingCo-founder of the Grimm Audio marque makes his own mark with the ‘Phono Wizard’ – a solid-state phono preamp inspired by a tube design. Does it have the bottle?

Although long ago settled by the declaration ‘We agree to disagree’, the tubes-vs-transistors (or if you prefer ‘valves-vs-solid-state’) debate continues to keep us busy. Grown-ups use both, the deliberately argumentative choose sides, and there are ample products to support or counter either stance. Grimm Audio, though a maker of not just solid-state gear but with a reputation for digital hardware, has given us in the PW1 ‘Phono Wizard’ (£4695) a chameleon of a product that will both delight and confound music lovers who are still fascinated by hi-fi’s greatest dichotomy.

Review: Jamie Biesemans,  |  Oct 18, 2025  |  First Published: Oct 01, 2025
hfnoutstandingThe latest launch from former DALI owner, Peter Lyngdorf, marries expertise from his Nordic Hi-Fi and Purifi brands to ensure a very big sound from very small speakers...

To call the Clarity 4.2 ‘petite’ is no understatement, as this second loudspeaker to be introduced by Radiant Acoustics boldly puts the ‘book’ back into ‘bookshelf’. Moreover, the cabinet, just 260mm high and 164mm wide, still manages to host a full four drive units. This Danish company only surfaced a year ago and won’t yet be a hi-fi household name, but it’s clearly not your run-of-the-mill debutante.

Review: Adam Smith,  |  Oct 18, 2025  |  First Published: Oct 01, 2025
hfnoutstandingReplacing SME’s longstanding Model 6 turntable, the new ‘entry level’ Model 8 is not only more substantial but also features the latest Model 60-derived AC motor drive

For a company not exactly known for ‘product churn’, SME has been uncommonly busy with the release of several new turntables, including the flagship Model 60 [HFN Jul ’22], the Model 35 [HFN Jul ’25] and now the £9999 Model 8. The latter replaces the Model 6 that, fitted with an SME M2-9 tonearm, marked a departure for SME on its release in 2020. Not only was it the company’s first ‘entry level’ design, it was also the first to utilise a solid, non-suspended plinth arrangement and the first SME deck to employ an AC motor.

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