Artisanship and innovation meet in this precision-engineered turntable/arm combo that brings 21st century know-how to bear on a pre-Millennium turntable technology
Maybe you can teach an old dog new tricks. After decades of being dismissive of idler- or rim-drive turntables, if not downright hostile towards them, I have had my ears opened by Reed's Muse 1C. A previous owner of a Thorens TD 124 [HFN Jun '59] and a Garrard 401 [HFN Dec '65], I never considered them to be as rumble-free nor as quiet as direct-drive or belt-drive turntables. The Lithuanian-designed and built Muse 1C, at £9998 without arm, the least expensive model in a range of three, has changed all that.
Ex-Happy Mondays stars Shaun Ryder and Bez returned to the top of the UK charts with this rockin', rollin' and rappin' LP. Steve Sutherland applauds its return on 180g
Pinch yourself. You're not dreaming, although it might get a bit Alice In Wonderland a little later on. We are dining al fresco on a terrace overlooking vineyards near Nice in the South of France. At the head of the table is our host, Michael Hutchence, who we have popped over from London to interview.
More sober than the 'steampunk' styled RA180, and more powerful too, the new RA280 takes HiFi Rose's GaN FET-based Class D architecture into the audiophile zone
HiFi Rose delighted, and in some cases flabbergasted, hi-fi enthusiasts with its RA180 [HFN Jul '22], an amplifier that looked like it had just escaped from the pages of Gibson-Sterling's steampunk classic The Difference Engine. Boasting lots of knobs and dials on the outside, and novel GaN FETs in its Class D power amp on the inside, it was undeniably 'something else'. It was quite an unexpected product from the Seoul-based brand too, as up to that point HiFi Rose was principally known for streamers and DACs with very large touchscreens [HFN Jun '21 and Mar '22].
The ideal gateway symphony to Bruckner – or an elusive work of secrets and memories? Peter Quantrill slaughters a herd of sacred cows in his survey of the Seventh on record
Let's brush aside the old (but stubborn) complaint that Bruckner composed the same symphony nine times over. For one thing, he wrote 11 symphonies, only the first of which was intended purely as an exercise, and brought the last (numbered as the Ninth) tantalisingly close to completion. For another, each has its own personality, which is shaped by continual experimentation, his time of life, and the confidence and material accumulated by hard graft. Each successive symphony looks back on its predecessors and sets out on a different path.
These super-compact loudspeakers are simply the tip of the iceberg for Germany's expansive Magnat brand whose ranges encompass the gamut of 'lifestyle' to 'purist'
Bigger is better' seems to be one of those unwritten rules of hi-fi that ensures every audio show is packed with speakers towering high above the audience. Unfortunately, out there in the real world most people don't have the space to wheel in a pair of Wilson Audio Alexx Vs [HFN Jan '22] or Focal Grande Utopias [HFN Dec '18]. So, in an age when tiny houses are proclaimed as the way to go, Magnat's Signature Edelstein might be the speakers that better fit the zeitgeist. But these are not especially low-cost petite models. As 'Edelstein', or gemstone in German, indicates, these particular Magnat boxes – priced at £949 – are positioned as small and luxurious.
This month we review: BBC Nat Orch Wales/Jonathan Berman, Thomas Guthrie, Barokksolistene, Molly Netter, Kate Maroney, Gene Stenger, Dashon Burton, et al and Asasello-Quartett.