LATEST ADDITIONS

Peter Quantrill  |  Jul 27, 2023
This month we review: Anna Prohaska, Pat. Kopatchinskaja, Ellinor d'Melon, RTE Orch/Martín, Clare College CH/Graham Ross and Montreal SO/Rafael Payare.
Mike Barnes  |  Jul 25, 2023
Once described as 'spineless' and 'emotionless', this almost entirely instrumental 1974 album from the German electronica pioneers is now heralded as a classic, and one whose influence can be heard on music stretching from David Bowie to Daft Punk

Kraftwerk's fourth album, Autobahn, was released at the end of 1974. By March the following year it had reached a surprising No 5 in the US Billboard 200, and had climbed to No 4 in the UK album charts by May. An edit of the title track even found its way into the UK single charts. But its success was more than just commercial, leading the group – whose use of electronics and technology split opinion – to be more widely accepted in the years that followed. That said, no-one could have guessed how influential and culturally important Autobahn would eventually become.

Review: Andrew Everard,  |  Jul 24, 2023
hfnoutstandingThe 'Blade' models fly the flag for KEF's speaker tech, but its Reference 5 offers a more accessible route to 'high-end Uni-Q'

Fortunately, the Reference 5 Meta is the £17,500 flagship of KEF's 'conventional' speaker range, bettered only by the striking-looking Blade designs [HFN May '22]. Fortunately? Well, yes, because this is an imposingly huge design, standing just over 1.4m tall, even if some of that impression of scale is minimised by the slenderness of the cabinets. Indeed, if the enclosures were any narrower than their 205mm, there wouldn't be room on the front baffle for the quartet of 165mm aluminium-coned bass drivers, arranged in pairs above and below the company's 12th-generation Uni-Q treble/midrange unit.

Review: Jamie Biesemans,  |  Jul 21, 2023
hfncommendedBased in Chicago but with manufacturing in Serbia, the EarMen brand is developing its range at pace. The new ST-Amp DAC/headphone unit is a 'back to basics' audiophile hit

After collecting an EISA Award last year for a complete headphone system featuring a stack of four mini-sized separates – the Staccato, Tradutto, CH-Amp and PSU-3 [HFN Oct '22] – EarMen has doubled back with this minimalist ST-Amp. This is a book-sized, do-it-all unit combining a DAC and dedicated headphone amp, aimed at head-fi enthusiasts looking for a quick and effective path to high-quality desktop listening. So while the ST-Amp moniker might suggest it's simply a more affordable alternative to the aforementioned CH-Amp, it's really a different beast altogether.

Mark Craven  |  Jul 20, 2023
hfnoutstandingFrom the bottle-focused Italian marque comes an amplifier combining a quartet of power tubes, per side, plus onboard USB DAC, making it more integrated than many...

There's a perception that tube amplifiers are aimed at a specific segment of the hi-fi community, one that favours analogue sources over all others, whether reel-to-reel tape or vinyl. While tube-equipped outboard DACs are not uncommon, DAC-equipped tube amplifiers like the £7999 Synthesis A100 Titan, from the Italian manufacturer's Action series, most certainly are. The Bluetooth-equipped Western Electric Type 91E [HFN Feb '23] is another rare example, although whether either of these 'digitally inclusive' integrateds represents the beginning of a trend is hard to say.

Peter Quantrill  |  Jul 18, 2023
Abstract statement, or central chapter in a musical autobiography? Peter Quantrill sifts the recorded legacy for answers to one of Mahler's popular but most enigmatic pieces

There are some wilfully odd things said about the Fifth even by its interpreters. Mehta called it Mahler's Eroica (why? Because it has a funeral march and a happy ending?). Much emphasis is placed on its 'purity' of discourse as though this would make it a better or nobler symphonic statement. According to Bruno Walter, 'nothing in my talks [with Mahler], not a single note of the work, suggests that any intrinsic [extrinsic?] thought or emotion entered into its composition'.

Review: Ken Kessler,  |  Jul 17, 2023
hfnoutstandingTaking inspiration from the industrial design and key circuit features of D'Agostino's Momentum series, this second-gen Progression amplifier may upset its own applecart

It struck me, around halfway through the first track, that designer/CEO Dan D'Agostino was emulating the way supercar companies delineate their model ranges. Hey, I needed something to explain why the new Progression S350 Stereo power amplifier at £34,998 costs just over half that of the Momentum S250 MxV's £54,998, and yet it is over two times the size and rated at 100W more per channel: 350W vs 250W. Also, at 454x230x584mm (whd) against a Momentum's 318x133x546mm, the Progression S350 dwarfs the dearer unit. It was like the comedy Twins, with Schwarzenegger standing next to DeVito.

Steve Sutherland  |  Jul 14, 2023
The anger-filled debut from the English punk/reggae group sparked fans far and wide, and a near 30-year search for the original cover art, says Steve Sutherland

Occasionally I get asked who was the most unpleasant rock star I encountered during my decades writing for the music press. That's a toughie, although Robert Palmer and Phil Lynott hover near the top of the pile. Far easier to say who was the scariest. Answer, without doubt: Henry Rollins.

Review: Andrew Everard,  |  Jul 13, 2023
hfnoutstandingThey started out as a Concept, and have become a reality combining a skeletal form and novel engineering solutions – but do they sound as other-worldly as they look?

As safe bets go, that you've never seen anything quite like the £70k Monitor Audio Hyphn speaker is pretty much a dead cert. Yet look closer and there's actually a lot of 'form following function' going on here in those two columns with a gap between them, linked by a central belt. And while to unsympathetic eyes they may look like two huge clothes pegs, it won't take long for audiophiles to understand the thinking behind the configuration, however unusual the speakers look by comparison with traditional 'box, domes and cones' designs.

Steve Sutherland  |  Jul 12, 2023
Opened in 1978, this studio is where Kate Bush, The Cranberries and U2 created songs that sold worldwide. Steve Sutherland goes to the heart of the Irish recording industry

It may seem counter-intuitive, perverse even, to begin this account of Windmill Lane Studios by dwelling on one of its early shortcomings, but hey, what the heck? When U2 rocked up in the late summer of 1980 to record their debut LP, Boy, producer Steve Lillywhite was far from impressed with the facilities on offer. The band's recent single, 'A Day Without Me', which Lillywhite had produced, had failed to chart and he'd been beating himself up over the way it sounded, particularly the drums.

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