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It can be difficult for a manufacturer to successfully span a wide price range. History reveals a handful that have come unstuck by either trying to move upmarket from affordable roots, or attempting to develop trickle-down versions of expensive designs. However, those companies that get it right across the board tend to find themselves very popular, and Pro-Ject’s new £10,599 Signature 12.2 is the latest offering from a brand that is a master of the art.

Everyone loves celebrating a big birthday, and the hi-fi industry is no exception. That said, very few manufacturers make it to the big 100 and so, when they do, the results are usually quite special. At the time of writing [late-2025] we are days away from Bang & Olufsen’s centenary, and Luxman released a complete system earlier this year to celebrate a century in business.

This month we review and test releases from: François Couturier & Dominique Pifarély, Yuval Cohen Quartet, Ute Lemper, Jo-Yu Chen, and Stanley Cowell

Sentimental audiophiles might think Musical Fidelity’s M8 range is rather left out in the cold, stuck between the brand’s high-end Nu-Vista models [HFN Mar ’23 & Aug ’25] and thought-provoking remakes like the A1 [HFN Jan ’24] and B1xi amplifiers. Since Pro-Ject’s Heinz Lichtenegger took over the wheel of the brand, the series has received only piecemeal updates, starting with the M8xi ‘super’ integrated [HFN Jul ’20], then the M8xTT turntable [HFN Dec ’23] and M8x Vinyl phono stage [HFN Mar ’25], and now the ‘dual-mono’ M8x DAC.