LATEST ADDITIONS

Steve Harris  |  Mar 25, 2020
This month we review: Michel Petrucciani, Nils Landgren, Abdullah Ibrahim and Quentin Collins Sextet.
Christopher Breunig  |  Mar 25, 2020
This month we review: Korngold, Beethoven/Sibelius, Debussy/Duruflé and Tchaikovsky.
Ken Kessler  |  Mar 24, 2020
This month, we review: The Replacements, Bad Company, The Guess Who and Jethro Tull.
Ken Kessler  |  Mar 24, 2020
This month we review: The Thelonious Monk Quartet, Jackson Browne, The Runaways, and Whitesnake.
Review: Andrew Everard, Lab: Paul Miller  |  Mar 23, 2020
hfnoutstandingBest known for its music rippers and servers, the Korean company has now entered the personal audio market with a comprehensively-equipped DAC/headphone amp

When it comes to affordable music players with hard disk storage, few companies have the pedigree of Korea-based Novatron. Its range of products, sold under the Cocktail Audio brand worldwide – including here, before a UK-only rebranding to Novafidelity – starts from as little as £650 for the X14 model. In this instance the user is able to decide how much storage capacity to have installed, or even buy the unit 'bare bones' and add their own choice of drive.

Christopher Breunig  |  Mar 19, 2020
Composed when he was influenced by the Knaben Wunderhorn collected folk poems it stands unique in form and aspiration. Christopher Breunig offers an introduction

As this issue of HFN is likely to reach you during the festive period, why not a piece that starts with sleigh-bells? No, not Leroy Anderson, but Mahler's fourth symphony, written in 1899-1900, and first performed in Munich in November 1901. The UK premiere came just a few years later in a 1905 Prom concert with Sir Henry Wood.

Review: Paul Miller, Lab: Keith Howard  |  Mar 18, 2020
hfnoutstandingMore than a chip off the Magico block, the A1 sets the standard for pint-sized standmounts

Chalk and cheese. Night and day. Or perhaps David and Goliath... Call it what you will, but the transition between Avantgarde's huge, horn-loaded Duo Primo XDs departing my listening room, and the diminutive A1s arriving, demanded a recalibration of reality. Just 20kg versus 185kg per enclosure and a drop of 20dB in sensitivity – so the volume control on our resident dCS Vivaldi One DAC/preamp also needed a reset from 500mV output to 6V.

Review: Andrew Everard, Lab: Paul Miller  |  Mar 17, 2020
hfncommendedAiming high, this flagship two-box music server uses a separate, outboard linear power supply. But is this the perfect solution to all your music storage and playback needs?

The role of the hi-fi music server is changing. As we've noted in the past, what was once no more than an optimised NAS device, designed to feed an external network music player, has now become a complete storage playback solution, designed to connect straight to a USB DAC or, in some cases, with onboard digital-to-analogue conversion straight into an amp or preamp.

Steve Sutherland  |  Mar 16, 2020
From Nico's ethereal Teutonic tones to the snarl of The Stooges and funky acid rock of The Happy Mondays, this British born musician has produced many of the albums now regarded as turning points in the history of pop music. Steve Sutherland on John Cale

See that jittery bloke over there, the one who appears to be severely chemically imbalanced, the one shouting his head off waving around the half-drunk bottle of Stolichnaya? He's the boss. He's in charge. He's the producer. He's John Cale.

Review: Ken Kessler, Lab: Paul Miller  |  Mar 13, 2020
hfnoutstandingMobile Fidelity, champion of audiophile vinyl, has now wrapped up an EISA Award for its flagship UltraDeck – does the more affordable StudioDeck give much away?

It might seem that we played this one in reverse, reviewing Mobile Fidelity's dearer UltraDeck turntable first [HFN Jul '19], before working backward. A buzz in the underground, however, suggested that MoFi's less-costly, entry-level StudioDeck might be something of a 'sweet spot' candidate, so what could have been an anti-climax is anything but.

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