LATEST ADDITIONS

Review: Andrew Everard,  |  Feb 18, 2022
hfncommendedJBL is promising us 'great things from a small package' as it continues its theme of mixing pro heritage aesthetics with modern acoustic technology. Is the 4309 a blast?

The verdict was in almost before I started listening to the prosaically-named JBL 4309 speakers, yours for £1799 a pair in a choice of natural or black walnut satin wood veneers and with blue or black grilles over their mid/bass drivers. A visitor took one look at the speakers' horn-loaded tweeter and twin front-venting bass ports, and – before even a note had been played – opined that, 'They look like proper little rock-boxes'.

Johnny Sharp  |  Feb 17, 2022
The debut album from the Manchester-based soul band put Mick Hucknall's voice centre stage, while his lyrics reflected the new-found social conscience of mid-1980s UK. Yet it took an American producer and recording sessions in the Netherlands to make it all work

I'd like to leave behind seven or eight really good albums that can stand the test of time', Mick Hucknall told The Irish Times in 1996. 'That's what I was going for from my very first album.' At the last count he's managed 12, several of which can stake a claim to being 'really good'. However, while some have outstripped his debut in terms of sales, Simply Red's 1985 album Picture Book set a standard that he has arguably yet to surpass.

Review: Andrew Everard,  |  Feb 15, 2022
hfnoutstandingLaunched as part of Rotel's 60th anniversary celebrations, this is the latest version of the brand's flagship 'big integrated' amp – and there's rather more to it than meets the eye

Rotel's larger integrated amplifiers have always provided an attractive waypoint between the compact designs of hi-fi's affordable end and the monster amps of the high-end, offering plenty of power, an extensive feature-set and an entirely convincing performance. The new RA-1592MKII, selling for £2295 in black or silver finishes and claiming a 200W output, is no exception.

Steve Sutherland  |  Feb 14, 2022
The Dublin quartet's second album took three years to produce and cost them their record deal, but Steve Sutherland couldn't be happier to hear it once again

Before we get started, be warned: 'It's too easy for this album to turn you into a pretentious t**t.' These aren't my words by the way. They're from a book all about Loveless by an American chap called Mike McGonigal, who immediately goes on to prove his point by stating that the first time he heard the album in question, he felt, 'as if I'd been suspended upside down in a tank filled with beautiful fish'.

Review: Mark Craven,  |  Feb 11, 2022
hfnoutstandingA decade on from the brand-defining M1 DAC and Bricasti has poured all its latter day experience into a new flagship featuring bespoke DAC and clocking technologies

Bricasti Design is not an adherent to the 'keep your range rolling' philosophy. Likely informed by its professional audio heritage, it keeps new arrivals to a minimum. So the launch of the M21 DAC, a flagship D/A converter to replace the £9600 M1 of 2011 HFN Jun '11], is of interest particularly when you clock the updates the Massachusetts-based company has implemented, and its £17,249 price tag.

Steve Sutherland  |  Feb 10, 2022
It was a hit factory in the heart of Soho, a studio in an alley where The Beatles, Bowie, Queen and Elton John would craft their chart toppers. Steve Sutherland on Trident...

'You're a sewer rat decaying in a cesspool of pride… A dog with disease, you're the king of the sleaze…' Life On Two Legs, Setting The Record Straight may not have featured in many best-selling book lists but it's one heck of a read. Authored by Norman J Sheffield in 2013, its title is a play upon 'Death On Two Legs (Dedicated To…)', an uncharacteristically vicious song written by Freddie Mercury which opened Queen's fourth LP, 1975's A Night At The Opera.

Review: Andrew Everard,  |  Feb 08, 2022
hfnoutstandingSporting a Signature nameplate, the flagship of iFi Audio's sprawling digital product range has been fine-tuned with 'audiophile' components and offboard iPower Elite PSU

No, you're not having a flashback, but you'd be forgiven a sense of déjà vu, given that we reviewed the original iFi Audio Pro iDSD DAC/headphone amplifier [HFN Sep '18]. Then it sported what we thought was an ambitious £2500 price tag, and pro-audio aspirations with a range of facilities so extensive that it paid to know what you were doing when tackling its myriad options and adjustments.

Johnny Sharp  |  Feb 07, 2022
Johnny Sharp on the creation of the artwork for Bob Dylan's Bringing It All Back Home

The artist formerly known as Robert Zimmerman broke new ground in all kinds of ways. But one field where his pioneering role isn't often acknowledged is sleeve art. By the early 1970s, it was standard practice for fans to pore over LP covers pondering the significance of the imagery presented to them. But in 1965 the profundity of most popular music album artwork didn't extend much further than a shot of the band looking mean and moody, or happy and playful depending on the image they'd chosen to portray.

Review: Ken Kessler,  |  Feb 04, 2022
hfnoutstandingWith a range of affordable turntables and a trio of MM pick-ups already in its catalogue, the launch of a premium MC has been long-anticipated from this supremo of the vinyl LP

One thought dominated my recent rediscovery of the old Decca (now London) cartridges: there was much to be said for record labels also manufacturing playback equipment. As had Decca, EMI, RCA, and a few others in the past, Mobile Fidelity, aka MoFi, has continued to demonstrate this synergy through its portfolio of turntables [HFN Jul '19 and Jan '20], phono stages [HFN Mar '20] and three MM cartridges. The UltraGold is the first MoFi MC, and at £1499, it raises the brand's price point.

Peter Quantrill  |  Feb 03, 2022
War and heartbreak colour the backdrop to this ever-popular sketch of Spain, but the best recordings are rooted in Baroque fantasy and formality, says Peter Quantrill

The Concierto de Aranjuez was composed in exile from one war and first performed in the shadow of another. Joaquín Rodrigo began writing it in 1939, having fled to Paris with his wife Victoria from the Spanish Civil War. The couple had met in the French capital a decade earlier, she a recent piano graduate from the Conservatoire and he a student of Paul Dukas at the École Normale. They married in Valencia in January 1933, against her father's wishes, and took a honeymoon in Aranjuez, a town south of Madrid dominated by its royal palace and gardens.

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