Outboard DACs

Since launching in 2012, iFi Audio has established a reputation for delivering affordable, compact, often portable audio products. And at some pace too – looking back over the past decade, it's hard not to feel overwhelmed by the number of devices the company has released. Not all are entirely 'new', because iFi Audio likes to 'tweak' its products, which is why the xDSD Gryphon tested here follows the EISA Award-winning xDSD DAC [HFN Jul '18], and also serves as a successor to the xCAN [HFN Feb '19].

You know that old saying about the devil making work for idle hands? While the periods of lockdown over the past couple of years left a lot of hands idle in the hi-fi industry, the wisest turned this fallow period to good use, regrouping and rethinking. That's certainly the case with the engineers at Cambridgeshire-based Data Conversion Systems, better-known as dCS.

For anyone still labouring under the misapprehension that Chinese-made hi-fi means cheap and cheerful alternatives to the big-name brands, it's time for an eye-opener. In practice, not only are quite a few of those big names having their products made in China, but its home-grown brands are upping their game and making inroads into markets once dominated by Western and Japanese names. A case in point is the Matrix Audio X-Sabre 3 we have here, following on from the X-Sabre Pro DAC [HFN Nov '17], Element X [HFN Jan '21] and more recently the Mini-i Pro 3 [HFN Feb 22].

The exact definition of what constitutes a DAC has become a little blurry in recent years. Where once the outboard 'Digital-to-Analogue Converter' offered S/PDIF and possibly USB digital inputs together with fixed and/or variable outputs on RCAs and/or XLRs, the latest generation has undergone a fair bit of mission creep. Some of this is undoubtedly in response to the wealth of new digital sources but it also speaks to the relaxing of the principles of hair-shirt minimalism that audio has worked to over many years.

Bricasti Design is not an adherent to the 'keep your range rolling' philosophy. Likely informed by its professional audio heritage, it keeps new arrivals to a minimum. So the launch of the M21 DAC, a flagship D/A converter to replace the £9600 M1 of 2011 HFN Jun '11], is of interest particularly when you clock the updates the Massachusetts-based company has implemented, and its £17,249 price tag.

There are two ways to make a network music player. One is to take a streaming platform and integrate a DAC to provide analogue outputs, while the other is to start with a DAC and then build in the network playback capability. The two approaches have their strengths and weaknesses. Typically, the network player with DAC will be just what it says: a full-featured machine, usually complete with a display, but with limited connectivity for external digital sources. The DAC with streaming, meanwhile, will commonly have more digital ins, but sometimes less network audio capability.

Take a quick look at the £4995 McIntosh MCD85, and you'd probably think it was another in the seemingly endless line of amplifier variations emerging from the Binghamton factory in upstate New York. In fact, the first sign that this isn't actually a power amp is the weight. Thanks to their hefty transformers and solidity of build, the company's powerhouses tend to be back-achingly heavy, and arrive on pallets – the new MA1200 integrated amp, for example, weighs in at a shade under 49kg, and the MC901 monoblock is getting on for twice that. By contrast, the MCD85 is a manageable 12.5kg boxed, and a positively featherweight 9.3kg in the buff.