Classical Companion

Christopher Breunig | Jul 03, 2019

He was an idealistic figure, founding the West-Eastern Divan Orchestra and even working to improve the Steinway grand. Christopher Breunig looks at his career

Six years ago no-one would have dreamt that the most recommendable recordings of the two Elgar Symphonies would come from Stockholm and Berlin. The second pair, with the Staatskapelle under Daniel Barenboim, reflected a renewed interest in music introduced to the aspiring young musician by Sir John Barbirolli back in the early 1970s.

Classical Companion

Rachmaninov Piano Concerto No 2

Christopher Breunig | Jun 05, 2019

A turning point for the composer, this great romantic piece was introduced to a wider audience with the film Brief Encounter. Christopher Breunig offers his library choices

Anyone who has seen the 1945 British film classic Brief Encounter will remember the music that enhanced the performances by the two principal stars, Celia Johnson and Trevor Howard – Rachmaninov's Second Piano Concerto. (The pianist for the soundtrack was Eileen Joyce.)

Classical Companion

Mendelssohn The Orchestral Works

Christopher Breunig | May 08, 2019

There's more to this composer than 'Fingal's Cave' and the 'Italian' Symphony. Christopher Breunig offers some recommendations for your record collection

Ilooked over my Symphony and the Minuet – Lord! – bored me to tears, it was so monotonous.' That was the 20-year-old Felix Mendelssohn, about to come to London in 1829 to present his first (orchestral) symphony, and writing to his parents.

Classical Companion

Berliner Philharmoniker Orchestra

Christopher Breunig | Apr 23, 2019

Kirill Petrenko's two September Prom concerts and, a few months earlier at The Barbican, a Mahler Seventh, suggest a promising new chapter opening for the Berliner Philharmoniker – as we Brits must learn to call it, the German title now unerlässlich.

Classical Companion

Michael Tilson Thomas, Conductor

Christopher Breunig | Mar 12, 2019

Winning a conducting prize at Tanglewood kick-started his career, and at Boston he dived into recording at the deep end. Christopher Breunig gives a resume

In some recitals with other kids all playing nice-sounding pieces, I'd come crashing in with Bartók, or some American composers I was already playing – Henry Cowell, for instance.' That was Michael Tilson Thomas, looking back to his pre-teens in an interview given in the June '87 issue of HFN when he was working and recording with the London Symphony Orchestra as its principal conductor (he's now the LSO's Conductor Laureate).

Classical Companion

Jascha Heifetz (Violinist)

Christopher Breunig | Dec 01, 2018

A child prodigy from Russia whose technical aplomb was miraculous, but whose persona many perceived as icy. Christopher Breunig names his favourite recordings

For the violinist Itzhak Perlman, and others of his generation, the subject of this month's Classical Companion was a deity – 'I can't believe it. I'm talking to God – to Heifetz' he said of first meeting him when he was 14. But as Jascha Heifetz died in 1987, perhaps he's just a name on a CD cover to today's aspiring young violinists.

Classical Companion

Sergei Rachmaninov (Symphony No 2)

Christopher Breunig | Nov 01, 2018

Perhaps the last great Russian Romantic symphony, it was premiered by the composer himself in 1908. Christopher Breunig has been listening to some modern recordings

'A six and a half foot scowl' was how Stravinsky defined his fellow compatriot composer (they both left Russia for the States). But there's plenty of historic film which shows this aperçu was wide of the mark. You can see him on the boat crossing the Atlantic, relaxing with family and friends in America, and standing with one of the big cars he enjoyed there [to the accompaniment of the slow movt of Symphony No 2 in the 1959 RCA/Sony Ormandy recording]. But we have no performance material, alas, either as pianist or conductor.

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Classical Companion

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