Classical Companion

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Peter Quantrill  |  Mar 25, 2026  |  First Published: May 01, 2026
The first Romantic cello concerto – and for some, the best – asks its soloists to think like a poet or a pianist, explains Peter Quantrill, as he surveys the options on record

According to an eminent cellist (perhaps you can guess which one...), pianist Martha Argerich’s favourite concerto is this one – not any landmark piece of the piano literature, but the Cello Concerto which Robert Schumann wrote, in a typically inspired frenzy, during two weeks of October 1850.

Peter Quantrill  |  Mar 07, 2026  |  First Published: Apr 01, 2026

A huge field of options on record leaves Peter Quantrill searching for those versions which embrace the violence and volatility of the composer’s ‘farewell symphony’

Christopher Breunig  |  Feb 05, 2026  |  First Published: Mar 01, 2026

He was the first conductor to actively embrace each new phase in recording: from 78s to digital discs and then film. Christopher Breunig looks back at his orchestral work

Peter Quantrill  |  Feb 02, 2026  |  First Published: Feb 01, 2026

The summit of solo-violin writing before Bach, this 17th century cycle of devotional sonatas attracts highly individual responses on record, finds Peter Quantrill

Peter Quantrill  |  Dec 14, 2025  |  First Published: Jan 01, 2026

Cantata and song-cycle, idyll and lament, scored for tenor and/or soprano... Peter Quantrill explores the tensions in the English composer’s pivotal work on record

Peter Quantrill  |  Nov 20, 2025  |  First Published: Dec 01, 2025

Peter Quantrill celebrates the work of a conductor whose crusade on behalf of ‘pure tone’ divided opinion but also changed the way we listen to music

Peter Quantrill  |  Nov 06, 2025  |  First Published: Nov 01, 2025

His 17th century English madrigal defines the genre, says Peter Quantrill, but Orlando Gibbons’ output is astonishingly diverse for a composer who died before turning 40

Peter Quantrill  |  Oct 12, 2025  |  First Published: Oct 01, 2025

Peter Quantrill pays tribute to the memory of a musician celebrated for his insight, and equally underrated for his emotional connection to the classics

Peter Quantrill  |  Sep 14, 2025  |  First Published: Sep 01, 2025

Elgar poured heart and soul into the Second, says Peter Quantrill, plus the technique to produce a creative summation that brings out the best in its interpreters on record

Peter Quantrill  |  Aug 14, 2025  |  First Published: Aug 01, 2025

There’s much more to Boulez than the abrasive provocateur, says Peter Quantrill, as he picks out highlights from a life’s work driven by an ambition to fuse poetry and music

Peter Quantrill  |  Jul 09, 2025  |  First Published: Jul 01, 2025
Peter Quantrill pays tribute to a complete musician who drove his colleagues hard, always with the ultimate goal of serving the composer rather than a personal vision
Peter Quantrill  |  Jun 26, 2025  |  First Published: Jun 01, 2025

A life story that would make a movie and a catalogue of over 300 works... this forgotten musical heroine of Belle Epoque Paris is explored on record by Peter Quantrill

Peter Quantrill  |  Jun 02, 2025  |  First Published: May 01, 2025
In this genre-melting, career-defining piece, the composer hoped to capture America’s ‘pep’ and ‘metropolitan madness’. Peter Quantrill surveys a century of recordings
Peter Quantrill  |  Apr 26, 2025  |  First Published: Apr 01, 2025
Ranging from Anthony Lewis’s striking 1953 recording to modern Italian performances, the ‘1610 Vespers’ have a short but distinguished discography, says Peter Quantrill
Peter Quantrill  |  Apr 17, 2025  |  First Published: Mar 01, 2025

Modernist, patriot, man of faith, insurance broker: a new box illuminates one of classical music’s most singular voices, and his recording legacy, explored by Peter Quantrill

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