Now benefitting from the latest updates to Auralic's Lightning streaming platform, the 'starter' Altair DAC also features a raft of mechanical and detailed design improvements
Although Auralic (promoted as AURALiC) only launched the Altair G1 in 2020, the Chinese brand already has its G1.1 update available. It appears together with the Aries G1.1 as the new and more affordable options within their respective tiers, with the Altair and Aries G2.1 [HFN Oct '21 & Feb '21] being the more expensive models. However, as all Auralic products share a very similar chassis design and carry names that aren't very descriptive, it's sometimes difficult to discern which box does what.
AVM's flagship all-in-one network/CD music system combines cool-running power with huge flexibility while the top 'Black Edition' features a custom finish and selected tubes
Nowadays there's a wealth of all-in-one units available but AVM was one of the brands to spot the trend early on. That partly explains why, even in an industry that loves extensive model ranges, the company has an impressively large product offering – including five streaming receiver solutions. And there's little concession to price in this range, so the top-of-the-line £14,950 Ovation CS 8.3 model boasts ample power reserves, a full range of streaming capabilities and a slot-loading CD player.
Updating the DS-W2 with a host of trickle-down technology from the brand's flagship 'dual mono' Grand Master, the new DS-W3 'optical' pick-up looks to steal the limelight
An object lesson in how to create a monopoly: make something no-one else can copy. As tricky to manufacture as CD players, electric cars, digital cameras and quartz watches might have been at the outset, competitors soon emerged for each. Not so DS Audio's 'optical' cartridges, which have captivated the high-end since arriving in 2015. Imitators have yet to emerge.
Having rolled out its first direct-drive deck in the HW-40 Anniversary, VPI has grafted its proven motor design into the flexible Avenger platform, complete with arm and MC
We may have a first here as VPI offers its Avenger turntables in belt-drive, rim-drive and direct-drive guises, the latter £36,500 Avenger Direct bringing the range to a total of four models. The genesis of the Avenger Direct was bittersweet, however, because it was inspired by, and has subsequently 'leap-frogged' over, the long-awaited VPI Vanquish flagship. In the meantime, the launch of the £100,000+ Vanquish remains on hold...
PS Audio grows its hybrid tube/MOSFET amplifier range with a new flagship that's the crowning achievement of the late and hugely respected designer Bascom H King
Until this year, the flagship power amplifier in PS Audio's stable was the BHK Signature 300 [HFN Jul '16]. Still on sale, it bears the initials of Bascom H King, the veteran designer (Infinity, Constellation Audio and more) who was given license by the Colorado-based company to engineer a high-output monoblock amp around his favoured tube/solid-state hybrid topology. Six years on from launch, the '300 model has been relegated to second-tier status, replaced by the PerfectWave BHK M600.
Handsome, affordable and boasting a top-notch tuner to boot, should this early '70s receiver top your list when it comes to securing a pre-cherished radio star? We find out
Almost all audio enthusiasts will know Goodmans for its range of loudspeakers. However, the company's other hi-fi products are less well remembered, despite the fact that more than one or two achieved considerable popularity among buyers.
As the 'Anna' is dropped from Ortofon's MC Diamond, its new flagship retains the sintered titanium body and diamond cantilever but adopts a Verismo-like suspension...
It's long been said that 'diamonds are a girl's best friend' but, according to Ortofon, they also have the potential to be the number one chum of any vinyl fan. While diamonds have been used for styli for decades, few manufacturers have the skill or, indeed, the budget to implement them elsewhere. Enter the Ortofon MC Diamond – the company's new £7349 flagship low-output moving-coil that features not only a diamond stylus, but also a diamond cantilever.
The smallest of the five-strong standmount/floorstanding Peaks series from YG Acoustics promises to move mountains
Depending on your age, there's the potential for confusion in the naming of YG Acoustics' latest loudspeakers. The Peaks series is inspired by the Rocky Mountains looming over YG's base a few miles outside Denver, and most of our readers will be from generations with 'life experience', and upon hearing the title 'peak' will likely associate it with products of aspirational quality. In the argot of London teenagers, however, 'peak' is now taken to indicate unexpected bad luck. In truth, the recent collaboration between Cambridge Acoustic Sciences and YG's mid-US manufacturing base has been nothing but fortuitous.
Years in the making, DALI's KORE flagship breaks cover and it's a triumph of engineering, style and superlative sound
There are many ways to express that emotion of delighted surprise when encountering something unexpected: everything from the archaic 'Gosh' or 'Goodness', through the more contemporary low whistle or 'Wow', or even the kind of expletive never found in these pages. Meanwhile, the Blessed Google suggests that the Danes might say 'hold da helt ferie', literally 'take a whole vacation', which I guess is somewhere close to the American 'get outta here'. But for those of us brought up on British films of the latter part of last century, perhaps the best reaction to these new DALI flagship speakers is just to mention their name, perhaps followed by 'blimey' for the full effect.
The largest standmount in AVID's all-alloy Reference range is bigger and heavier than most floorstanders...
Standmount speakers – it's easy to see why they're popular. They're relatively compact and light enough to position with ease, whether on bookshelves or stands. They aim to offer a compelling sound in smaller spaces, are affordable, often due to mass-production overseas, and can be driven with ease by relatively modest amplification. Trouble is, the AVID Reference Three, while undeniably a standmount speaker, flies in the face of all the above.