Lab: Paul Miller

Review: Jamie Biesemans,  |  Jul 21, 2022  |  0 comments
hfncommendedThe game of one-upmanship between portable headphone DACs and DAPs continues with Astell&Kern's 'triple amp' SP2000T featuring a KORG Nutube for 'tube warmth'

Far from listening rooms filled with huge monoblocks and heavier-than-a-grown-man loudspeakers, a few brands are catering to another class of enthusiast by taking the concept of a digital audio player (DAP) to new heights. Astell&Kern, a spin-off from Korea's iRiver, crafts very sophisticated pocket hi-fi that's light years removed from the humble iPod.

Review: Ken Kessler,  |  Jul 18, 2022  |  0 comments
hfnoutstandingFlagship of this Italian brand's trilogy of tube amps, the Metropolis NYC 200i occupies a huge footprint and mercilessly sucks power from the wall. But the music is magic...

Is it unkind to suggest some Italian brand names do not carry convincingly into English? Who keeps a straight face with a cooker called 'SMEG'? As for Synthesis – which also has the appropriately named Roma range – choosing to dub its Metropolis integrated amplifiers 'NYC', because New York is a Metropolis, actually makes sense, I suppose.

Review: Mark Craven,  |  Jul 14, 2022  |  0 comments
hfnoutstandingHaving wowed us with its flagship S7t floorstanders, Perlisten is looking to do more of the same with its DPC driver tech pressed into a more modest, room-friendly cabinet

Perlisten Audio, a newly arrived loudspeaker manufacturer from Wisconsin, US, has already made an impressive entrance with its flagship model, the seven-driver S7t floorstander [HFN Apr '22]. Yet as that speaker boasts a £16,000 price tag – and a 59kg cabinet – many newcomers to the brand will look elsewhere in the range to see how far their budget can stretch. The £7200 S4b auditioned here isn't exactly 'affordable' but does come with a more manageable bookshelf build, plus the promise of a high-end performance similar to that of its towering stablemate, by virtue of shared technologies.

Review: Tim Jarman,  |  Jul 12, 2022  |  0 comments
hfnvintageNot only did this '80s amp claim to tackle distortion using the company's new 'Super Feedforward System', it was also priced to have mass appeal. How does it sound today?

When the Sansui AU-D33 integrated amplifier was launched in 1982, it had a lot to live up to. Its predecessor, the AU-317II from 1980 [HFN Jun '15], delivered the sort of performance one would expect from a manufacturer of specialist hi-fi, thanks to its well engineered DC-coupled circuitry. The company's 'All hi-fi, everything hi-fi' slogan set out a clear manifesto – no transistor radios, no coffee machines, just quality audio products.

Review: Adam Smith,  |  Jul 04, 2022  |  0 comments
hfnoutstandingLatest in Exposure's top-end compact series is this flexible MM/MC phono preamp, inspired by the XM3 Phono but with improved audio stages and an outboard PSU

Despite concerns over pressing delays and the availability of raw materials, the lure of vinyl seems to show no signs of abating, which explains why the selection of phono stages available now is greater than ever. The latest company to add to the audiophile wishlist is West Sussex-based Exposure Electronics, with the VXN Phono. This is the first 'source' item in the only-available-in-black VXN range, joining two-way and three-way active crossover units and the VXN Power Supply [HFN Feb '20].

Review: Ken Kessler,  |  Jun 27, 2022  |  0 comments
hfncommendedAustria's vinyl juggernaut has leveraged German expertise to launch a series of fully-automatic turntables. The range starts spinning with the A1, inc. a built-in phono stage            

Decades ago, along with tone controls, the automatic turntable was relegated to 'amateur' status because audiophiles revel in masochism. 'What? The arm lifts up at the end of the side?'. As lies were told about CD, so were falsehoods spread about how triggering the arm lift would snap your cantilever. It was a load of tosh, and as many new to LP want convenience, Pro-Ject has responded with the A1 at only £369.

Review: Andrew Everard,  |  Jun 23, 2022  |  0 comments
hfnoutstandingThis Polish hotshot brand broke onto the audiophile scene with its programmable DC PSU, followed by the OOR headphone amp. Now, with DAC onboard, comes the ERCO

The name of this new product from Polish company HEM, selling under its Ferrum brand, is spelt ERCO, but pronounced 'ertso'. Apparently it's Esperanto for 'ore', and so follows on from the mineral-based brand-identity – Ferrum, OOR – you get the idea. What's also not immediately apparent, given that all the Ferrum products basically look the same, is that the £2395 ERCO is perhaps the most comprehensively equipped model the company has made to date.

Review: Jamie Biesemans,  |  Jun 20, 2022  |  0 comments
hfnoutstandingFor 50 years and two generations Germany's Canton has been building 'audiophile' loudspeakers. We catch up...

The Reference lineup from Canton marks the apex of its engineering thinking, combining years of experience with new computer modelling software and a freshly built testing laboratory. Given 'free rein', its designers came up with no fewer than nine separate models for the new Reference K series, including six floorstanders, one standmount, a centre channel speaker and a 750W-rated active subwoofer for home theatre applications.

Review: Mark Craven,  |  Jun 16, 2022  |  0 comments
hfnoutstandingNow a full quartet, T+A's compact but beautifully formed Series 200 has expanded to include a media player, DAC/preamp and Purifi Eigentakt Class D stereo power amp

Siegfried Amft, founder and MD of T+A, declares the intent of the brand's Series 200 is to 'combine the appearance of a Midi system with a high-end performance'. Midi, of course, is a word that evokes memories of 1980s/'90s hi-fi, so I'm surprised to see the term attached to a range that's rather more aspirational in its technology. You might think something has been lost in translation, T+A being a German manufacturer, until you lay eyes on the DAC 200 and its button-heavy compact chassis. From the appearance side, at least, the 'Midi' mission has been accomplished.

Review: Tim Jarman,  |  Jun 14, 2022  |  0 comments
hfnvintageThis late-'80s flagship CD player boasted no shortage of metal for your money while offering 4x oversampling to boot. But with few to be found, is it worth tracking down?

The law of diminishing returns was perhaps never more evident than when the CD player arrived in the early '80s. As more machines came to market in the years that followed, all but the crudest would offer a level of perfection unthinkable to the majority of audiophiles in the 1970s.

Pages

X