Turntables, Arms & Cartridges

The fact that Dual couldn't achieve serious success in the middle sector of the British turntable market back in the late '70s was testament to how fast the hi-fi world had changed. That part of the market was becoming the province of Japanese companies such as Pioneer, Sony and Technics, which were making complex, technologically advanced turntables packed with modern, user-friendly features that people wanted to buy.

Looks can be deceiving, especially if you first see a Continuum Obsidian turntable and Viper arm fully-assembled. Its three-legged, dust-coverless design recalls innumerable open-plan decks from affordable up to high-five-figure absurdity. Then you note the Continuum's price tag and realise it's of the latter: the Obsidian sells for £39,998, the Viper £11,998. Generously, you can save a grand buying the pair for £49,998.

None of us needs reminding that the enthusiasm for vinyl continues apace. Yet while manufacturers of turntables and tonearms were quick to serve this revitalised market, makers of pick-ups have taken a little while longer to catch up.

With that familiar sparkle in his eye, Pro-Ject's Heinz Lichtenegger unveiled a brand new CD player at the recent EISA Convention in Antwerp. What does this have to do with this new X1 turntable, you might ask? Well, he proudly explained that what he's now doing with CD spinners is precisely what he did with record players back in the early 1990s.

Elektromesstechnik – under the abbreviation EMT – is a brand that needs no introduction to vinyl fans, not least because of the reputation its turntables earned as the workhorses of recording and broadcast studios across the globe. The company's cartridges share a similar reputation for quality, robustness and reliability, but so far these have been somewhat overshadowed by its record decks. That's a pity, because not only has EMT been making pick-ups since 1959 but it has buyers in all four corners of the world.

Positioned in the 'lower half' of the burgeoning TechDAS catalogue, the original Air Force III [HFN Sep '16] delivered more compact dimensions, the capability to handle up to four tonearms and a substantial saving over the One [HFN Jun '13] and Two [HFN Apr '15] turntables. Even with its new, performance-gap-closing fitments in Premium guise, the price is two quid shy of £29,000 – roughly a tenth the estimated cost of the forthcoming Air Force Zero flagship and £17,000 less than the Two Premium. A bargain, then?

A tough review for me to write, at least objectively: I'm rooting for the CS 600 to be something special because my first turntable was a Dual and I recall it with fondness. I want the CS 600 to be a champ like the all-conquering '505 was back in the days of the NAD 3020-based systems. But this new deck costs £1199 in black, or another £200 in gloss black or white (as reviewed), and the competition for turntables with tonearms is fierce around this price point.