Network Audio Players/Servers

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Review: Andrew Everard, Lab: Paul Miller  |  Jul 21, 2025  |  First Published: Jul 01, 2025
hfnoutstandingKorea’s HiFi Rose launches its second-generation streamer/DAC flagship with onboard storage facility, more powerful DSP, improved connectivity and Full HD touchscreen

A rose by any other name is still a HiFi Rose? Well yes, it can appear that way: since it first arrived on the hi-fi scene, the Korean company has launched a head-spinning barrage of products, all of which can, at first glance, look rather similar. However, what’s been going on is a policy of expanding the appeal of the range upwards, downwards and outwards – the last, for example, by adding its own lineup of amplifiers – and introducing a programme of upgrades along the way..

Review: Andrew Everard, Lab: Paul Miller  |  Apr 25, 2022
hfncommendedKorea's Citech group is ploughing its considerable in-house hardware and software resource into a series of network-attached players. Here's its most compact all-in-one

One of the great advantages offered by network-capable audio hardware is that, once a platform has been designed, it can be rolled out across a number of products, re-purposed and scaled depending on the target market. We've seen the same from brands as diverse as AVM [HFN Dec '21], Cambridge Audio [HFN Nov '21] and Naim [HFN Aug '21], and now recent arrival HiFi Rose is following the same path with high-end players designed to be used in existing systems all the way through to one-box soundbar set-ups.

Review: Andrew Everard, Lab: Paul Miller  |  Mar 28, 2023
hfncommendedKorea's Citech group continues apace with yet another 'full colour widescreen' offering from its HiFi Rose brand – this time with an updated network-attached media hub

ARose by any other name? As has happened in the past, Korean manufacturer HiFi Rose has launched a new version of an existing model – in this case its RS250 network player – with worthy specification changes and a suffix to set the two apart. But there's a mild inconsistency here, for when the company upgraded the RS150 [HFN Jun '21] to the current version, due to a DAC chip change forced upon the company by the 2020 fire at AKM's semiconductor plant in Japan, it became the RS150(B), selling for £3899, but the revised RS250 is now the £2349 RS250A, available in either silver or black finishes.

Review: Andrew Everard, Lab: Paul Miller  |  Dec 07, 2025  |  First Published: Dec 01, 2025
hfnoutstandingKorea’s HiFi Rose continues to move apace as its second-gen streamer/DAC platform is trickled down within just six months to a more affordable but still fully-fledged solution

To misquote those old M&S adverts, this isn’t just a network streamer, this is the HiFi Rose RS451 Master Fidelity Network Streamer. The latest addition to the Korean company’s ever-expanding digital audio offering, it features second-generation technology trickled down from the high-end RS151 [HFN Jul ’25] launched earlier this year. This makes it, in HiFi Rose’s terms, ‘a semi-reference level network streamer’.

Review: Andrew Everard, Lab: Paul Miller  |  Feb 09, 2023
hfnoutstandingCombining the network streaming capability of the RS150 flagship with the GAN-FET Class D amplification of the RS180, the RS520 aims to be the 'all-in-one' for everyone

Another smart move from the Korean tech specialist? That certainly seems to be the case with the latest arrival from Seoul-based HiFi Rose, which has rapidly established itself as a major player in the network audio/video market with a string of excellent streaming players. Having taken what looked like an abrupt turn with the launch of its bonkers-styled – but great-sounding – RA180 integrated amplifier [HFN Jul '22], it's now delivering on the promises made by the company's Sean Kim, interviewed for that review. We're yet to see the simpler, more affordable RA280 integrated amp, but here's the company's all-in-one streaming amp, the RS520.

Review: Jamie Biesemans, Lab: Paul Miller  |  Apr 26, 2023
hfnoutstandingBuilt into the same chassis as the NEO iDSD, with the same DAC onboard, this new version loses the headphone amp in favour of a bespoke, app-driven streaming platform

To say iFi Audio is an industrious producer of compact hi-fi solutions would be an understatement. More recently the brand has been on a steep upward path of technical evolution, employing designers as accomplished as the marketing department is imaginative. The result? IFi Audio is successful because it has identified new hi-fi hotspots that appeal to both younger and older music lovers alike.

Review: Andrew Everard, Lab: Paul Miller  |  Mar 17, 2020
hfncommendedAiming high, this flagship two-box music server uses a separate, outboard linear power supply. But is this the perfect solution to all your music storage and playback needs?

The role of the hi-fi music server is changing. As we've noted in the past, what was once no more than an optimised NAS device, designed to feed an external network music player, has now become a complete storage playback solution, designed to connect straight to a USB DAC or, in some cases, with onboard digital-to-analogue conversion straight into an amp or preamp.

Review: Andrew Everard, Lab: Paul Miller  |  Jun 09, 2022
hfncommendedThe first SACD player from French audio artisans, Kalista, is also this spin-off brand's most comprehensive digital hub to date, with wired/wireless network streaming

Having emerged from French manufacturer Métronome Technologie with its inaugural model in 2003 – think Citroën spawning DS, or Seat's Cupra line – Kalista now has a growing range of DreamPlay products. This includes the £21,000 Kalista STREAM – described as 'The only streamer on the market that combines perfect functionality with exceptional looks' – and a turntable, the £44,000 Twenty-Twenty.

Hi-Fi News Staff  |  Jan 13, 2015
Krell announced at the 2014 Las Vegas CES its intention to introduce a UPnP/DLNA-compliant network media player and the rather aptly named Connect is now available in the UK. There are in fact two versions of Krell’s Connect player, the one featured here having an optional built-in DAC with balanced (XLR) and single-ended (RCA) analogue outputs. Needless to say it is vastly overbuilt compared with most music streamers! At its core lies a familiar BridgeCo-based StreamUnlimited platform including vTuner internet radio functionality. Massive power supplies have always been the cornerstone of Krell designs, and the Connect has an over-specified linear power supply with a 94VA toroidal transformer large enough to power a modest amplifier.
Hi-Fi News Staff  |  Jan 14, 2015
Lindemann audiotechnik, a boutique brand from Germany, has focused on high-end music replay for the past 20 years. It was one of the world’s first high-end brands to offer an outboard USB-to-S/PDIF converter for connecting a computer to a DAC. And it was also quick off the mark to make a USB-equipped DAC. Identifying a new trend for ‘downsizing’ complicated audio rigs, it has developed a range of four midi-sized – if expensive – products dubbed Musicbook.
Review: David Price, Lab: Paul Miller  |  Jul 13, 2020
hfncommendedWith multiple inputs, streaming functionality and plenty of power, this elegant and compact system promises consummate convenience and super sound. Does it deliver?

Since 1993, Lindemann has been making distinctive products, all with an accent on design and technology. Although the company has also sold loudspeakers in its 27-year history, electronics have formed the staple of the product portfolio – and it has shown a particular interest in digital technology. The D680 of 2001, for example, was the first German SACD player, while the original Musicbook was an early example of a highly advanced streaming front-end [HFN Jun '14]. Lindemann's thinking has been eerily prescient, as other brands have since scrambled to get similarly elegant so-called 'style systems' into their ranges…

Review: Andrew Everard, Lab: Paul Miller  |  Sep 22, 2022
hfncommendedNow in mkII guise, Lindemann's network-attached DAC and analogue preamp sees a raft of internal updates and the promise of 'production secured for upcoming years'

Look at the latest iteration of Lindemann's network music player, the £3450 Musicbook Source II, and you'd be forgiven for thinking that nothing much has changed [HFN Jun '20]. This is still a compact unit, just 28cm wide and a mere 6.3cm tall, with nothing much on show save a power/standby button sunk into one end of the top-plate and an edge-mounted volume control, with a push-to-mute function, at the other.

Review: Andrew Everard, Lab: Paul Miller  |  Aug 06, 2020
hfnoutstandingThis is not quite the most affordable of Lumin's network-attached players, but the D2 looks good, is sensibly priced and – thanks to a super-slick app – is a delight to use too

As the model number suggests, the £1845 Lumin D2 is the latest version of the company's affordable network audio player, the entry point for a range that started with the A1 back in 2012. And while the range has expanded, and some things have changed, much still seems the same: the D2 is compact, at just 30cm wide and a mere 6cm tall, and so light at 2.5kg that my stiffish Chord Company interconnects almost lifted it off its feet!

Review: Mark Craven, Lab: Paul Miller  |  May 13, 2024
hfnoutstandingBuilding on the earlier D2 platform, Lumin's equally compact D3 model features a new processor, new DAC, LeedH volume control and support for increased file sample rates

It's not only loudspeaker brands playing the trickle-down technology game. Lumin's D3, its new entry-level streaming DAC, borrows liberally from the Hong Kong manufacturer's costlier network hardware, utilising elements both inside and out to effect a comprehensive upgrade on the previous D2 [HFN Jul '20]. Its maker says the D3 'brings the audiophile potential of music streaming within everyone's reach', and while the £2195 price tag makes that somewhat debatable, it certainly has plenty of appeal.

Review: Andrew Everard, Lab: Paul Miller  |  Aug 11, 2022
hfnoutstandingDescribed as the company's most versatile digital player to date, Lumin's P1 is an unashamedly high-end network audio solution. But can it be all things to all users?

As is so often the case with network audio products, the salient question concerning the Lumin P1, yours for £8495 in a choice of silver or anodised satin black sculptural milled-from-solid casework, is what it is exactly. The company can help with that, suggesting it can be just about anything you want: a network player, a DAC, a preamp (complete with analogue inputs as well as the digital array), or all three.

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