Network Audio Players/Servers

Search online and you’ll discover a groundswell of cheap DACs and streamers playing to every (hardware) whim, making it easy to overlook Eversolo’s efforts. But the company, which is the dedicated audio department of Shenzhen-based Zidoo, known for its EISA Award-winning Neo S media player, follows a different, more quality-focused strategy, as the affordable Z8 DAC and DMP-A6 have so far proved.

The latest member of Focal’s Utopia loudspeaker family is clearly cut from a different cloth – and that’s before you lay eyes on its felt cabinet wrap. Sure, at £29,995 the Diva Utopia boasts a similarly ‘high-end’ asking price to the likes of the £34,999 Scala Utopia Evo [HFN Aug ’17] and its overall styling isn’t far off its siblings either. But this is Focal’s first active loudspeaker, the result of a collaboration with Naim Audio, its stablemate brand since 2012. In fact, to call it a speaker doesn’t really do the Diva Utopia justice. It’s more like a full system inside a loudspeaker enclosure.

The continued rise of network audio has created a new game in the hi-fi world, best summed up as 'Yes, but what is it?'. You see, all sorts of network-capable devices exist right now, and it seems each of them has a somewhat different approach. For example, perhaps the best-known name in 'audiophile servers' or 'music libraries', Melco, started out by making products designed to feed network players over a network connection, paying close attention to the isolation and optimisation of the Ethernet feed. It then reinvented itself as a maker of network transports, connecting directly to a suitable DAC using a USB output, again with isolation strategies implemented.

There’s an easy way to understand the hierarchy of amps in the Hegel catalogue, be they pre, power or integrated. The higher the number, the ‘better’ the specification (you might think this would be the only way to go about it, but some rival companies – I’m looking at you, HiFi Rose – beg to differ). And so it is that the Norwegian manufacturer’s new H150 integrated, priced £2750, takes up a middle-of-the-range position, above the entry-level H95 [HFN Oct ’20], and below the H190v, H400 [HFN Oct ’24] and H600 [HFN Oct ’23].

With the H600’s streaming/DAC platform at its heart the new H400 – dubbed the ‘Streamliner’ by Hegel – looks set to take over as the sweet spot of the range

When Hegel’s reference H600 integrated amplifier [HFN Oct ’23] arrived to replace the H590 [HFN Oct ’18] last summer, it didn’t require much insight into the hi-fi industry to guess that the H390 [HFN Aug ’19] would also be marching in the general direction of the exit soon enough. It’s taken a year, though, before the replacement H400 – aka the ‘Streamliner’ – eventually pulled into port.

Oslo-based Hegel has been enjoying something of a purple patch of late: not content with raising eyebrows with the sheer performance of its flagship H590 integrated amplifier [HFN Oct '18], it went on to get dangerously near that level with the much more affordable H390 model [HFN Aug '19], offering almost all of big brother's sound quality for not much more than half the price. Our HFN review concluded that it was 'sensationally good value, with a clean, powerful sound and bags of musicality, not to mention exceptional flexibility including onboard network streaming'. Unsurprisingly, it won the 2019-20 EISA Award for 'Best High-End Amplifier'.

As if on a one-company mission to prove all the variations possible when it comes to network audio, Korean brand HiFi Rose has gone in very short order from being an upstart newcomer to its current role as a pillar of the digital establishment. And it's done so not by the simple expedient of taking one platform and pitching it at a range of price-points, but rather by expanding its offering to fill every niche from the all-in-one 'just add speakers' system [HFN Mar '22] to the highly-focused high-end network component explored on these pages.