Integrated Amplifiers

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Review: Jamie Biesemans, Lab: Paul Miller  |  Apr 11, 2024
hfnoutstandingThis Slovakian design and production facility takes pride in its tube selection, in-house PCB 'milling' and other innovations. Here's the new flagship 'Premium Line' integrated

Canor Audio, based in Slovakia, is certainly not the most famous of hi-fi brands, but has been around for longer than many will realise. And, cunningly, it sidesteps the minefield of online rage surrounding tube versus solid-state amplification by manufacturing hybrid amps, a solid-state design, and fully fledged tube products. Canor is clearly smart enough to hedge its bets.

Hi-Fi News Staff  |  Dec 22, 2014
Longstanding Slovakian tube specialist Canor is based in Prešov, in a purpose-built factory where it builds everything in-house and has developed a proprietary valve-testing and burn-in methodology. Valves that don’t measure up, we’re told, are returned to their makers for use in guitar amps and the like. The company traded for many years as Edgar until changing its brand name to Canor at the end of 2007. Its inaugural integrated tube amp, the TP101 was first shown in 1995 at an exhibition in Brno.
Review: Jamie Biesemans, Lab: Paul Miller  |  Feb 03, 2026  |  First Published: Feb 01, 2026
hfnoutstandingCelebrating 30 years since the launch of its first amplifier, Canor’s latest ‘Performance Line’ model is a novel tube/transistor integrated with touchscreen volume rotary

There’s a back story to the Virtus A3, Canor’s curious integrated dual-mono hybrid amplifier. I first encountered the design at the brand’s impressive factory in Prešov, eastern Slovakia, but this was in the summer of 2023, long before production versions rolled off the line. At the time the amplifier looked close to completion and was demonstrated playing into FinkTeam’s Borg loudspeakers. However, changes to the specifications along the way, including a decision to increase its power output to 2x100W/8ohm, ensured its development took rather longer than anticipated.

Review: Andrew Everard, Lab: Paul Miller  |  Mar 23, 2022
hfnedchoiceJust 16cm wide, the latest integrated amplifier from Chord Electronics is truly tiny, but the levels of performance it offers elevate it way beyond its apparent novelty status

The Chord Electronics Anni, selling for £1195, isn't the company's first compact amplifier – that honour goes to the £2900 TToby [HFN Feb '17], designed as a partner for the Hugo TT 2 DAC/pre/headphone amp [HFN Dec '15]. But the Anni is smaller, at just 16cm wide and 4.25cm tall, much lighter at 625g, and conceptually different from the TToby.

Review: Jamie Biesemans, Lab: Paul Miller  |  Oct 14, 2024
hfnoutstandingChord's first new integrated amplifier in some seven years combines no fewer than four switchmode PSUs and 125W of stereo power into a very stylish Ultima 3 preamp chassis

First seen in 2023 at Munich's High-End show, Chord Electronics' Ultima Integrated is steadily finding its way into selected hi-fi emporia. Based around John Franks' tried-and-tested amplifier architecture [see PM's boxout, p65], it's the entry point to the Ultima family, whose rollout began with the flagship Ultima monoblocks .

Ken Kessler  |  Sep 18, 2020  |  First Published: May 01, 1985
hfnvintageKen Kessler goes Class A in a small way with the Marantz PM-4

Phone calls from company spokespersons such as Marantz's Steve Harris, are generally one of two types. Either 'Would you like to review our new Model XYZ whatever?' or 'Where the hell is our Model XYZ whatever, which you've had for nine months?' Such phone calls are never about reviewing components that are out of production.

Review: Ken Kessler, Lab: Paul Miller  |  Sep 10, 2020
hfnoutstandingIn what is looking like it might be a trend – tube hybrid integrated amplifiers – Copland joins in with a Danish beauty at a sensible price, the all-singing, all-dancing CSA100

Three thoughts hit me as soon as I switched on the Copland CSA100 integrated amplifier. The first was that it was an all-embracing, do-everything tube/transistor hybrid like the Vinnie Rossi L2i-SE [HFN Jul '20], rated at a similar 100W/8ohm if at a fraction of the price, at £3498. The second was that I want it to kick off a fashion for cool, fully-loaded integrated hybrids because they are the smartest option for offering the best of the tube/solid-state worlds. The third is the realisation that I need to look deeper into hi-fi system building.

Review: Mark Craven, Lab: Paul Miller  |  Jul 22, 2021
hfnoutstandingDanish brand Copland beefs-up the power supply to its all-singing, all-dancing CSA100, crowning its range of tube hybrid integrated amplifiers with this heavyweight model

Not long into my audition of Copland's CSA150, I began to feel a little annoyed that, at some point, I'd have to unplug it and send it back. Reviewer remorse isn't quite as galling as buyer remorse, but it is still 'a thing', and this £4988 hybrid tube integrated had given me a bad case of it. Hybrid? Yes, for the CSA150 looks to be an upscaled CSA100 [HFN Aug '20] combining a 6922 double-triode and solid-state FETs in its preamp stage, driving a bipolar transistor amplifier output. Perhaps keen to avoid overselling the benefits of this architecture, Copland warns buyers not to expect 'the warm and nice, coloured charm of some older tube designs'.

Review: Ken Kessler, Lab: Paul Miller  |  Mar 18, 2022
hfnoutstandingHot on the heels of its tube hybrid integrateds comes this altogether cooler solid-state amplifier from Danish brand Copland. It packs on the style while also packing a punch

Nothing causes more consternation than a product seemingly 180 degrees at odds with a company's core philosophy, whether hi-fi, cars, watches, what-have-you. Audio Research dealt with the repercussions of its first solid-state amp… but an all-transistor amp from the equally tube-centric Copland? Not its first – these were the mid-'90s CSA8/CSA18 – so the CSA70 probably won't cause too much of a ruckus despite the absence of bottles.

Review: Mark Craven, Lab: Paul Miller  |  Dec 11, 2023
hfnoutstandingWith solid-state and tube/transistor hybrid models in its range, Copland returns to its roots with an all-analogue, all-valve integrated that supports aftermarket tube upgrades

By Copland's own reckoning, its noughties-era CTA405 integrated amplifier [HFN Aug '07] was an 'object of desire for audiophiles worldwide'. Now, some 16 years later, it has taken the idea of that model and considerably overhauled it – the £6500 CTA407 is both recognisably a descendant of the '405 and also markedly different.

Review: Ken Kessler, Lab: Paul Miller  |  Jun 12, 2019
hfnoutstandingA modern integrated amp with the valve du jour, Copland's CTA408 leaves nothing out and delivers the lot – could this be the biggest bargain in high-end audio?

Of late, I have been banging on, to the dismay of many, about how high-end audio has priced itself beyond any regard for reality. That said, context is everything. So, if I tell you a burger can cost £18 in a London restaurant and that Copland's CTA408 integrated tube amp is actually a bit of a bargain at £6398, please accept that I'm painfully aware the latter sum is a fortune to many, but the former is highway robbery. Eighteen quid for a burger!

Review: Ken Kessler, Lab: Paul Miller  |  Feb 12, 2024
hfnoutstandingThis new heavyweight integrated blends inspiration from D'Agostino's Momentum HD preamp and MxV power amp into an app-controlled design with modular upgrade path

Integrated amplifiers are a matter of lifestyle choice, and we've all heard the arguments about why they are either better or worse than separate pre/power combinations. Whatever the sales pitch, pro or anti, the bottom line is that you are choosing space-saving over possible audiophile preferences. With the Momentum MxV Integrated – the other one in the family being the less-costly Progression [HFN Nov '20] – founder and chief engineer Dan D'Agostino is giving you absolutely everything in a single box, for a heady £73,998 in silver or black.

Review: Ken Kessler, Lab: Paul Miller  |  Dec 21, 2020
hfnoutstandingBy extreme high-end standards, it's almost an 'entry level' product – so is Dan D'Agostino's Progression Integrated amplifier the perfect introduction to the brand?

After nearly four decades' worth of using Dan D'Agostino's designs, from Krells in the 1980s through to his more recent, eponymous models (I use a Momentum Stereo as my solid-state reference and love it to bits), I thought I knew what to expect. Silly me: surprise No 1 provided by the D'Agostino Progression Integrated was that I could lift it without any assistance. Surprise No 2 was a price under £20k.

Keith Howard & Paul Miller  |  Jul 06, 2009
This way madness lies. Or so you’d think if you buy hook, line and sinker into the mythology that has grown up around the Swiss darTZeel brand. And yet our Movers & Shakers feature in the March ’09 issue illustrated that darTZeel partners Hervé Delétraz and Serge Roch are nothing if not methodical in their approach to amplifier design. Their goal is to keep the audio path as straight and simple as possible, avoiding input/output switching and even using an optically-coupled rotary encoder for volume rather than a conventional potentiometer.
Richard Stevenson & Paul Miller  |  Jul 06, 2009
With HD technology and disc formats now on a firmer footing, almost every maker worth its transistors has launched a range-topping ‘HD’ amplifier. Enter Denon’s AVC-A1HD, goodbye AVC-A1XVA. Price-wise, the AVC-A1HD amplifier’s £3800 ticket nestles between Denon’s flagship AVR-4308 receiver (£2000, HFN, Dec ’07) and its new £10,000 A1HD multichannel pre/power combination. But of far more relevance is its position against its only serious competition – Yamaha’s DSP-Z11 (HFN, Apr ’08) and Pioneer’s SC-LX90, both at £5000.

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