Pre/Power Amplifiers

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Steve Harris & Paul Miller  |  Feb 06, 2009
There cannot be many words more overworked than ‘classic’. Sometimes it means a previous model, kept in production ‘by popular demand’, perhaps because the new replacement model doesn’t quite cut it. Sometimes it means a new emulation of an old and once successful product, which may bear little real resemblance to a famous forebear. Conrad-johnson’s website straightforwardly lists all its discontinued models as ‘Classic Products’.
Steve Harris and Paul Miller  |  May 08, 2011
Still refining its triode technology after all these years, the American company offers a purist preamplifier that promises new levels of musical insight Now that tube amplifiers seem to grow on trees, at least in China, it’s hard to imagine the overwhelmingly solid-state hi-fi scene of 35 years ago. In America, though, a tube revival was coming. Audio Research had been selling new hi-fi tube amplifiers since 1970, while many audiophiles were still finding something in the sound of old tube amps that seemed to be missing from the shiny new solid-state stuff. Among those users of classic tube equipment were Dr William Conrad and Dr Lewis Johnson, two economists who were both also keen audiophiles.
Martin Colloms  |  Sep 28, 2023  |  First Published: Jun 01, 1997
hfnvintageMartin Colloms shows some ART appreciation as the US company celebrates 30 years with a statement single-ended line-only preamp

Conrad-Johnson's 'Anniversary Reference Triode' has been some time in the making. In fact, an early version was developed seven years ago which has since been used as a lab reference. The ART is simply a remote-controlled line preamplifier, which at £15,000 is priced far beyond any previous Conrad-Johnson offering in this sector. It will be made in a limited edition of just 250 – probably just right for a modest production run at this elevated price level.

Review: Ken Kessler, Lab: Paul Miller  |  Dec 19, 2019
hfnoutstandingAlways fancied a pair of mighty monoblocks? From Constellation's 'entry-level' Inspiration series, these self-effacing cubes offer power a-plenty and awesome sound

Surprises, at my age, could prove fatal, so I neither invite nor encourage them. Even pleasant ones. Neither do I relish my preconceptions being challenged: 'Old dogs, new tricks...' That said, and despite spending countless hours listening to assorted Constellation systems over the years, I must admit to being unexpectedly bowled over by these Inspiration Mono 1.0 power amplifiers.

Review: David Price, Lab: Paul Miller  |  Dec 01, 2017
hfnoutstanding.pngBased on the popular Inspiration series, the new Revelation range offers upscaled performance for gimmick-averse audiophiles. Its new pre/power is a formidable package

High-end hi-fi offers many flavours of weird and wonderful design, technology and functionality. In a sense, that’s what it’s there for, in order to differentiate itself from more prosaic, modestly priced products. Yet it’s all too easy to get lost in ‘surprise and delight’ features, wild styling or wilfully alternative engineering – and lose the plot.

Review: Andrew Everard, Lab: Paul Miller  |  Feb 03, 2020
hfnoutstandingEquipping its Centaur amplifier with a power supply from the Reference series Hercules model has done more than boost the output of this mkII – a true high-end heavyweight

At first glance, one might be forgiven for wondering what's going on here – after all, California-based Constellation Audio already has a Centaur II stereo power amplifier on its books, selling for a not inconsiderable £48,000. So the $64,000 question must surely be 'what is this second version, dubbed the Centaur II 500 Stereo, bringing to the party?'.

Review: Andrew Everard, Lab: Paul Miller  |  Mar 09, 2023
hfnoutstandingAvailable in both monoblock and stereo chassis, the Centaur II has been a mainstay of the Constellation range for over six years. It's clearly not broken, so why change it?

While some brands maintain a steady rotation – evolution – of their products, others, including Constellation Audio, hit on the jackpot early and feel little inclination to change a winning formula. So while we've already tested the £73,500 Centaur II 500 power amp [HFN Dec '19] we missed out on the £53,998 Constellation Centaur II Stereo. Until now...

Hi-Fi News Staff  |  Nov 11, 2014
The Virgo preamplifier and Centaur monoblocks reviewed here are models from Constellation’s ‘economy’ Performance range, yet total £72,500. As for Reference prices, we shudder to think… While a pretty enough design, the Virgo is rather anodyne, its greyness John Major-like. A plain-Jane outboard power supply feeds it via two umbilical cables, connecting at the back where you find rows of both XLRs and phono sockets for every input and output – four sources, two sets of outputs and RS232 and USB inputs for networks and firmware upgrades. At the front, the central panel’s 432x230-pixel screen is flanked by rotaries for balance and volume, while other operations are accessed through menus activated by a row of buttons under the display panel.
Review: Tim Jarman, Lab: Paul Miller  |  Mar 01, 2018
hfnvintage.pngThe British contender for the late '70s budget amp crown won the hearts and wallets of many a budding audiophile thanks to some canny tech. How does it sound today?

In the early days of hi-fi, the budget amplifier was usually considered an object of disdain, to be quickly upgraded as soon as funds allowed. More capable designs such as the NAD 3020 changed this view and by the late '70s improvements in component technology had made it possible to produce really good amplifiers that still could be sold for reasonable prices.

Review: Tim Jarman, Lab: Paul Miller  |  Feb 21, 2022
hfnvintageThey're British and they're obscure, but can these pre/power amplifiers lay claim to classic status when it comes to their all-out performance? It's time to find out...

British company Crimson Elektrik started life in the mid 1970s as a manufacturer of ready-built power amplifier modules. Using these, a home constructor could assemble a fairly decent and up-to-date piece of kit, needing only to add a power supply, connections and a cabinet. Complete amps followed in 1979, initially in kit form and later fully assembled. The latter, which were similar to the 1200 series amps seen here, were reviewed in the June '80 issue of HFN.

Review: Ken Kessler, Lab: Paul Miller  |  Sep 02, 2022
hfnoutstandingA bigger PSU, more power transistors and a new input/driver stage – all inspired by the 'Relentless experience' – gives D'Agostino's M400MxV monoblocks more Momentum!

Avoirdupois aside, Dan D'Agostino Master Audio Systems' Momentum M400MxV monoblock just may be the least fussy or fiddly power amp one can aspire to in the extreme high-end. Of course, something cute and tiny like a PS Audio Sprout [HFN Feb '15] or Quad Vena [HFN Jan '15] can be lifted with one hand and requires no degrees in electronics, but that's 'real world' gear. At £90,000 per pair, the M400MxVs are as exclusive as it gets, and such a strong physical presence is de rigueur.

Paul Miller  |  Nov 20, 2011
Dan D'Agostino returns with a product half amplifier, half sculpture, all genius With his new company’s first product, the Momentum Monoblock Power Amplifier, Dan D’Agostino hopes to re-write the rules of solid-state amplifier design. Most notable is a concern for green issues, by addressing the amp’s power consumption when not in use. It’s a claimed 1W – not bad for a 300W amp that thinks it’s a kilowatt. Running in Class AB, and merely warm to the touch after a long session reflects a cooling system which provides much of the Momentum’s visual presence: solidcopper bars (venturis) that form the amplifier’s flanks.
Review: Ken Kessler, Lab: Paul Miller  |  May 21, 2020
hfnoutstandingWhile we await the Relentless Preamp the 'HD' remains D'Agostino's top model, with its Bluetooth remote and raft of subtle enhancements culled from the MLife integrated

Ordinarily, I prefer to ignore the vexing topic of prices. My attitude is simple: if I can't afford something, I don't take it out on the world. I can't afford a Bugatti T57SC Atlantic, but I don't hate Ralph Lauren for owning one. So let's get two things out of the way, the first being that the D'Agostino Momentum HD Preamplifier costs £47,998, making it one of the most expensive control units on the planet.

Review: José Victor Henriques, Lab: Paul Miller  |  Apr 01, 2018
hfnoutstanding.pngInspired by the ‘Momentum’ circuit and industrial design that put D’Agostino Master Audio Systems on the map, its Progression series could make the biggest impact yet

The Progression Stereo amplifier is built around a dual-wound 1400VA toroidal transformer coupled to 400,000µF of power supply storage capacitance that feeds no fewer than 48 power transistors – 24 per channel. On paper this is said to generate 300W/8ohm, doubling into 4ohm [see PM’s Lab Report]. And it’s yours for roughly half the price of a pair of the company’s Progression Monoblocks [HFN Jun ’17].

Review: Ken Kessler, Lab: Paul Miller  |  Jul 17, 2023
hfnoutstandingTaking inspiration from the industrial design and key circuit features of D'Agostino's Momentum series, this second-gen Progression amplifier may upset its own applecart

It struck me, around halfway through the first track, that designer/CEO Dan D'Agostino was emulating the way supercar companies delineate their model ranges. Hey, I needed something to explain why the new Progression S350 Stereo power amplifier at £34,998 costs just over half that of the Momentum S250 MxV's £54,998, and yet it is over two times the size and rated at 100W more per channel: 350W vs 250W. Also, at 454x230x584mm (whd) against a Momentum's 318x133x546mm, the Progression S350 dwarfs the dearer unit. It was like the comedy Twins, with Schwarzenegger standing next to DeVito.

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