Pre/Power Amplifiers

Balanced Audio Technology, otherwise known as BAT, doesn’t beat about the bush when it comes to its audio philosophy. The main page on the US manufacturer’s website lists core principles, all of which have an engineering bent: ‘balanced is best’, ‘dual-mono construction maximises performance’, and ‘zero global feedback achieves natural sound’. All three of these are at play in the company’s VK-90 preamp.

With the boom in headphone listening outpacing even the uptake of new turntables, the hi-fi landscape has changed to a significant extent. Not only are hi-fi shows shining a spotlight on the personal listening experience but dedicated headphone events have spun out in their own right. And the hardware is changing, too: the market is awash with DAC/headphone amp combos, all the way from the tiny (and highly portable) AudioQuest DragonFly models [HFN Oct ’16], to the ‘transportable’ Chord Hugo 2 [HFN Aug ’18] and mains-powered units such as the iFi Audio Pro iDSD [HFN Sep ’18].

Bluesound is less of a HFN regular than sister brand NAD, but many hi-fi buffs looking to add streaming to an (older) amp or active speakers will have encountered the brand’s Node streamer. According to the company the Node is its best-selling product, outshining its wireless speakers and soundbars. Earlier this year, the Node received a fourth major update, expanding the lineup with a cheaper Node Nano and an upmarket £899 Node Icon (N530). For the brand, founded to rival Sonos, it’s the first foray into what you could call a ‘real’ hi-fi territory.

Few products passing through the HFN review process elicit quite as much discussion as has this Bricasti pairing – or at least one half of it. Our initial listening results were slightly puzzling, with a sound clearly doing many things right when interposed between editor PM's dCS Vivaldi One/Melco front-end [HFN Feb '18] and Bowers & Wilkins 800 D3 speakers [HFN Oct '16], and yet our musical souls were not entirely stirred. Was this an example of unpredictable system matching? Some judicious high-end separates swapping revealed the £19,500 M25 power amp was certainly able to deliver the goods in no uncertain fashion. But did the £13,500 M20 preamp sound just a little too smooth?