Pre/Power Amplifiers

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Review: Andrew Everard, Lab: Paul Miller  |  May 02, 2025  |  First Published: Apr 01, 2025
hfnoutstanding

Debuted at the UK Hi-Fi Show Live 24, Audio Research’s new flagship monoblocks are not quite its most powerful ever, but are the first to feature the mighty KT170 output tubes

The latest arrival from US high-end brand Audio Research Corp., the Reference 330M monoblock amplifier (£92,000 per pair) may not quite be the most powerful amp the company has ever built, but by any standards a rated output of 330W – into 4ohm or 8ohm speaker loads – is going some for an amplifier using tube technology. Indeed, it will come as something of an eye-opener for those still subscribing to the belief that for the purity of the valve sound – or whatever else you consider to be the sonic traits of the genre – you must settle for low output power, and start looking for speakers of appropriately high sensitivity.

Review: David Price, Lab: Paul Miller  |  Feb 18, 2021
hfnoutstandingThe REF 6 replaced Audio Research's long-serving REF 5 tube preamp back in 2015 but five years of running production updates have now culminated in this 'SE' refresh

The Audio Research Corporation is a company with provenance, a truth that's instantly apparent when first setting eyes upon its new £16,998 REF 6SE line-stage preamplifier. Indeed, its history shouts out at you, from the iconic styling with shades of its 1970s SP-series preamps, to the industrial-quality construction which underlines that it's built to last. Rather like its manufacturer, in fact.

Review: Ken Kessler, Lab: Paul Miller  |  Aug 01, 2018
hfnoutstanding.pngNot just a new model but a radical change for the venerable Reference Series, the REF160M mono power amp heralds a fresh direction in both looks and performance

A genius mix of both rebellion and restraint, Audio Research's latest chapter in the Reference saga, the REF160M monoblock power amplifier, is one of the biggest departures in the much-lauded series' evolution. Most obvious is the new look, which takes its cues from the G-Series, bringing with it a cool oversized meter, but the rest of the amplifier has been redeveloped, too, not least to incorporate features that will improve system matching, reliability, ease-of-use and initial set-up.

Review: Ken Kessler, Lab: Paul Miller  |  Apr 28, 2020
hfnoutstandingThe REF160M monoblocks were a radical change for the venerable Reference Series, and now they have been 'cut 'n pasted' into a single, spectacular stereo chassis

This should have been the simplest, swiftest review for me to undertake: I would simply drop the stereo version of the Audio Research Reference 160M [HFN Aug '18] into my system in place of the Reference 75SE. Double the number of KT150s and double the power, a price tag of two quid shy of twenty grand, fond memories of the monoblocks still tugging at me after 18 months: the Audio Research Reference 160S should have been a doddle, easy to anticipate. But it wasn't.

Review and Lab: Paul Miller  |  Jun 03, 2021
hfnoutstandingSince last year's management buyout, Audio Research has been very busy reimagining its ranges of the future – the Reference 80S (REF80S) is just the first step on the road

If life is a journey, rather than a destination, then some brands, Audio Research included, have rather more air miles under their corporate belts than others. From a boutique audiophile business to a period swept up in the fast lane of venture capital, Audio Research has now returned to its roots. It's a gloriously niche brand that understands 'what it does' and is now, once again, driven and engineered by a team that is passionate about serving the diehards of the audiophile community.

Hi-Fi News Staff  |  Jan 20, 2015
Ifyou’re old enough to remember Audio Research gear circa-1972, the new SP20 will tug at your heartstrings. This preamp’s fascia designer has revived the distinctive sectioned faceplates of the SP3 – the whiff of retro is much appreciated. Suffice it to say, gone are the days of a half-dozen toggle switches, mechanical push-buttons or old-school rotaries. The SP20’s buttons are limited to power on, mute and a choice of output to ‘speakers’ (power amp) or headphones, but not at once.
Ken Kessler & Paul Miller  |  Oct 06, 2009
‘Business as usual’ marks life at Audio Research under Quadrivio, its new, Italian owners. The American-as-root-beer virtues that exemplify the products remain; banish any notions that we’ll see ARC amps made with staves of curvy walnut. The new 120W/ch VS115 is pure Yankee ARC all the way, though one now needs to turn to Russia for 6550s. Advancing from the VS110 by adding balanced inputs, the VS115 retains the layout of its predecessor: open architecture and an anodized top plate with every aperture clearly labelled for each of the eight matched 6550 output tubes and the quartet of 6H30 gain and cathode follower valves.
Review: Nick Tate, Lab: Paul Miller  |  May 31, 2019
hfnoutstandingThis latest variation on Audiolab's integrated amplifier theme lacks the sheer grunt of its 8300 big brother but seems none the worse for it, and looks better value too

Audiolab's 8000A first appeared on dealers' shelves in October 1983, and was arguably the least fashionable new integrated amplifier for a long time. It was everything that the cool audiophile cognoscenti of the time didn't like. How could anyone possibly produce a supposedly modern product fitted with tone controls, a headphone socket, independent source and tape switching and – perish the thought – a balance control? It was the very antithesis of what the sparse, minimalist, less-is-more 1980s was about. Despite this however, it sold like hot cakes at Christmas…

Paul Miller  |  Jun 06, 2009
If ever a brand typified the most conservative values of reliable, performance-driven British hi-fi, then Audiolab alongside its IAG stablemate, Quad, would be firmly in the running. Which is why the launch of its first AV product demands some serious attention. After all, this processor/amplifier combination even bears the moniker of the company’s formidable 8000-series separates, with the historical resonance that this invites. Audiolab itself is reticent in the 8000AP’s description, referring to its new HDMI-enabled product as a ‘reference quality 7-channel audio processor and preamplifier’.
Review: Andrew Everard, Lab: Paul Miller  |  May 28, 2025  |  First Published: Nov 01, 2024
hfnoutstandingThe latest iteration of Auralic’s streamer/DAC boasts a new generation of the Tesla platform at its core, and an updated version of its ‘Lightning’ operating system

Almost as tricky as keeping up to speed with Taylor Swift releases is staying abreast of the range offered by network audio specialists, Auralic. Wrestling with the products’ naming and respective functionality can also be less than straightforward... The Altair G2.2 is the latest version of the company’s streamer/DAC, designed to be used into a conventional preamp, or direct into power amplification or active speakers via its analogue volume control.

Review: Ken Kessler, Lab: Paul Miller  |  Aug 20, 2019
hfncommendedGorgeous looks, superlative build quality, and hailing from Serbia, the Nirvana is a headphone amplifier that oozes luxury. We find out if the sonics match the styling

Having followed Auris Audio from show to show since its 2013 founding, I leapt at the chance to review its stylish Nirvana two-chassis headphone amplifier. I'm no longer shocked by the cost of high-end headphone amps, especially not at a time when £3000 headphones are common, so its £4900 price tag earned a mere 'Meh' from me. After all, I'd be putting it through its paces with, among others, the Audeze LCD-4Z, which sells for £3600.

Review: Andrew Everard, Lab: Paul Miller  |  Mar 01, 2018
hfnoutstanding.pngSitting at the top of the German company’s range, this flexible pre and hefty stereo power amp are designed to take on the high-end’s big names, and take no prisoners

The PA 8.2 preamplifier and SA 8.2 stereo power amp sit at the top of the German company’s Ovation range, although there’s also the option of buying its MA 8.2 monoblock amps in place of the SA 8.2. These are essentially the SA 8.2 bridged internally to give even greater power – rated at 600W/8ohm in place of the stereo amp’s 250W a side. However, despite the commonality, there’s no bridging option on the stereo model reviewed here.

Review: Mark Craven, Review and Lab: Paul Miller  |  Mar 07, 2024
hfnoutstandingLess is very much more in BAT's flagship stereo power amp where its third-generation 'SuperPak+' PSU meets a fully balanced output stage featuring N-channel MOSFETs

Here's a fun game to play: look through the product catalogue of US manufacturer Balanced Audio Technology and try to spot the odd one out. It should only take you a matter of seconds because all of its current models, bar one, employ tubes in either their power or preamp stages. And if you still haven't realised I'm talking about the new REX 500 power amplifier, it's the one that's roughly twice as big as all the others.

Review: Mark Craven, Lab: Paul Miller  |  Jun 28, 2025  |  First Published: Jun 01, 2025
hfnoutstandingNovel thinking is in generous supply inside this line-only preamp with its high capacity PSU, transformer-coupled four-tube audio circuit and 140-step, remote volume control

Balanced Audio Technology, otherwise known as BAT, doesn’t beat about the bush when it comes to its audio philosophy. The main page on the US manufacturer’s website lists core principles, all of which have an engineering bent: ‘balanced is best’, ‘dual-mono construction maximises performance’, and ‘zero global feedback achieves natural sound’. All three of these are at play in the company’s VK-90 preamp.

Ken Kessler & Paul Miller  |  Mar 06, 2009
Americans have this phrase – probably politically incorrect – for those areas you never hear about. They call them the ‘flyover states’, a perfect description for anywhere that isn’t New York, California or Florida. Which is not to say that places like North Dakota, Idaho or Nebraska are totally without charm. They’re just not on everyone’s radar.

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