LATEST ADDITIONS

S. Harris (Music); P. Miller (Lab)  |  Sep 10, 2018
For Souvenance, Anouar Brahem’s last release and HFN album of the month [HFN May ’15] this master of the oud enlisted a string orchestra to join some of his regular accompanists, but this time he’s started afresh. Having recruited the great ex-Miles bassist Dave Holland (who played on Brahem’s album Thimar in 1997), the renowned fusion drummer Jack DeJohnette was a natural choice. British composer Django Bates was suggested by ECM co-founder Manfred Eicher, who’d just been recording the pianist’s Belovéd trio, and though absent from the contemplative ‘Bahia’, Bates brings a wealth of ideas elsewhere. In the final, aptly-titled ‘Unexpected Outcome’, what seems at first a simple, even jazz pulse from Holland soon develops into something far more subtle.
C. Joseph (Music); P. Miller (Lab)  |  Sep 03, 2018
Like Mavis Staples, Gregory Porter brings an awareness of civil rights issues to his music, but this tribute to his hero, Nat ‘King’ Cole, was clearly made for the easy-listening Christmas market. The album opens with a swirl of strings as he launches into ‘Mona Lisa’. Porter’s voice has always sounded very much like that of Cole, of course, and his rich tones are undeniably warm and attractive. Yet his performance on many of these tracks is so note-perfect that it often feels like an impersonation rather than his own interpretation.
Barry Fox  |  Sep 01, 2018
Out of sight, out of mind and very much at risk... Barry Fox explores the preservation of digital music files and why you should take action now

The recent movie Bombshell: The Hedy Lamarr Story, nearly never got made. Which would have been a pity because it tells the intriguing story of how the glamorous film actress (legal name Hedy Kiesler Markey) and her husband, composer George Antheil, filed for a US patent in 1941 on the frequency-hopping, spread-spectrum communication technology that underpins modern wireless networking, including Bluetooth and Wi-Fi.

Review: Andrew Everard,  |  Sep 01, 2018
hfncommended.pngThe Naim ‘platform for the future’ has brought new facilities, and a new look, to its network music player range – but have the signature sonic fireworks been retained?

There was a certain inevitability about it. Back in October 2016, when Naim Audio launched its four ‘new Uniti’ models, based around what MD Trevor Wilson described as the company’s ‘platform for the future’, the elephant was in the room throughout the press event. Eventually it was unleashed, and the question asked: would this new technology also be applied to the ND-series of network music players?

Christopher Breunig  |  Sep 01, 2018
This month we review: Bruckner/Wagner, Handel, Mahler, and Scarlatti
Steve Harris  |  Sep 01, 2018
This month we review: Stefano Bollani, Timo Lassy, Renee Rosnes, and Andreas Varady
Johnny Black  |  Sep 01, 2018
This month we review: Toure Kunda, Maddy Prior, Hannah James And Giles Lewin, Dan Stuart, and Judith Owen.
Review: Adam Smith,  |  Sep 01, 2018
hfncommended.pngThe Czech company beefs up its most popular turntable range with a deck boasting a sophisticated motor system and new S-shaped tonearm. Then there’s the new logo...

Recently I found myself chatting with a fellow hi-fi nut about the sheer number of turntables currently available. We discussed a few of our favourites and his final comment was: ‘Yes, a great selection; although about half of them are made by Pro-Ject!’ While we chuckled, I couldn’t help thinking he had a point...

Ken Kessler  |  Sep 01, 2018
This month, we review: Love, Bob Dylan, Phil Ochs, and Linda Ronstadt
Ken Kessler  |  Sep 01, 2018
This month we review: Slim Harpo, Lynyrd Skynyrd, A Sea For Yourself, and The Rising Storm.

Pages

X