LATEST ADDITIONS

Review: Ken Kessler,  |  Dec 17, 2019
hfncommendedTaking its cues from the PD-171 turntable, but with a more elegant aesthetic, the PD-151 is Luxman's first new deck in eight years. Does it sound as clean as it looks?

How deliciously ironic: two turntables this month from companies with vast experience in vacuum hold-down of the LP, yet neither of them possesses it. Continuum's Obsidian is a complete departure from its LP-sucking forebears, while Luxman's PD-151 is fundamentally a simplified PD-171 [HFN Dec '13] – the model which revived the brand's turntable line in 2011, but minus the vacuum function of yore.

Review: David Price,  |  Dec 16, 2019
hfnoutstandingWe report on a classic with a modern twist as Spendor launches a flagship inspired by its iconic 1970s models

As any hi-fi enthusiast will know, Spendor has an illustrious history, its co-founder Spencer Hughes creating the company's first speaker, the BC1, using knowledge he'd gained while working at the BBC in the '60s. Yet for the past decade the brand has been working hard to reinvent itself, its affordable A and higher-end D series selling into the mainstream speaker market.

Review: Adam Smith,  |  Dec 13, 2019
The big beast of the budget audiophile jungle is back with two new models to beef-up its 14-series lineup. Does this affordable CD/amp combination have real teeth?

Something is afoot in the land of hi-fi separates. First we had Musical Fidelity with its M2scd/M2si [HFN Jul '19], then Cambridge Audio's AXC35/AXA35 [HFN Sep '19] and now Rotel has launched its own affordable amplifier and CD player pairing, in the form of the £429 CD11 and £599 A11.

Reviews: Hi-Fi News Team,  |  Dec 12, 2019
This month we review and test releases from: Lise Davidsen, Orch Mozart/Claudio Abbado, Sofia Fomina/lPO/Vladimir Jurowski, Berlin Baroque Soloists/Reinhard Goebel and Augustin Hadelich, Norwegian Radio Orch/Miguel Harth-Bedoya.
Review: Ken Kessler,  |  Dec 11, 2019
hfncommendedContinuum's third LP-spinning package, the Obsidian and Viper, departs from the template of its vacuum-equipped predecessors. Can the brand do 'conventional'?

Looks can be deceiving, especially if you first see a Continuum Obsidian turntable and Viper arm fully-assembled. Its three-legged, dust-coverless design recalls innumerable open-plan decks from affordable up to high-five-figure absurdity. Then you note the Continuum's price tag and realise it's of the latter: the Obsidian sells for £39,998, the Viper £11,998. Generously, you can save a grand buying the pair for £49,998.

Steve Sutherland  |  Dec 10, 2019
A blend of beauty and violence... Steve Sutherland sets out the claims for this late British folk singer/songwriter's 1973 LP as he hears the album afresh on 180g vinyl

Two men walk into a bar… Ouch! No, not that one. Start again. OK, two men walk into a pub and head straight to the bar. The taller of the two smiles and says to the barmaid, 'We'd like to see the landlord'. She calls her boss over and he looks the pair up and down. They're dishevelled, a bit rough-looking, like they haven't slept or washed in a while, but hey, he's seen worse.

Review: Andrew Everard,  |  Dec 09, 2019
hfncommendedNaim's latest version of its classic Nait amplifier features not only improved overall performance, but also a built-in phono stage. Whatever will they think of next?

While it could never hope to match the seemingly annual product replacement cycle of some mass-market brands – and nor, I suspect, would it care to – Naim still maintains a continuous programme of product development that goes on 'behind the scenes' of some of its more attention-grabbing launches. So while all the big news from Salisbury has concerned network-capable audio, as Naim rolls out its 'Future Platform' from the latest Uniti products to new ND-series network players [HFN Apr '19] and second-generation Mu-so models, in the background the company has been working on its core integrated amplifiers, the Nait series.

Christopher Breunig  |  Dec 06, 2019
The First had an immediate world acclaim not mirrored after the Second was premiered. Only recently did non-UK recordings appear, says Christopher Breunig

We have to admit that, at present at any rate, Elgar does not travel,' noted the much respected Gramophone reviewer Trevor Harvey, in 1964. He was writing about one of Sir Adrian Boult's less well known recordings of the Symphony No 2, made with the Scottish National Orchestra and issued on the Waverley label.

Review: Andrew Everard,  |  Dec 05, 2019
hfnoutstandingAre the days of the disc almost over? Evidence to the contrary comes in the form of this flagship SACD/CD transport and network DAC/preamp from T+A's 'High Voltage' series

I think I can be pretty confident in saying there aren't too many new British hi-fi components out there whose development has been government-funded. Clearly they do things differently in Germany, where the Federal Ministry of Economics and Energy underwrote the design and development of the network-capable DAC/preamp forming half of the subject of this test, T+A's £23,400 SDV 3100 HV. The project has borne fruit in the behemoth of a digital converter you see here, all 26kg of it, described as a 'Super High Definition Audio DAC with bit-perfect data transmission and resolutions of DSD1024 and PCM768'.

Keith Howard  |  Dec 04, 2019  |  First Published: Jul 01, 2016
Keith Howard revisits the question of headphone headband resonance

Shortly after my first Investigation into headphone headband resonance was published [see HFN Jun '14], Owen Jones – he who designed THX's Achromatic Audio Amplifier circuit – pointed out to me that I could have done a better job of it.

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