He's a maker of massive hits, a man who has worked with global pop superstars such as Lana Del Rey and Taylor Swift. And yet this US-born producer is happiest when honing his craft in a small studio he's built inside his house. Steve Sutherland on Jack Antonoff
When the Californian singer Kesha recently sought through the courts to escape her contract with producer Dr Luke, claiming harassment, abuse, violence and emotional distress among many other allegations, she lost her case, but many prominent figures within the music industry offered moral support. Taylor Swift donated $250,000 to her cause, Adele spoke up for her while receiving an award at the Brits, while Lady Gaga, Iggy Azalea, Lily Allen, Lorde, Haim, Miley Cyrus and Ariana Grande were among those who took to social media to express their backing and their disgust.
He just couldn't cope, says Steve Sutherland as he counts out the 'aha's and listens to the recent 180g reissue of the Liverpool band's post-punk debut LP
Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha aha…'
The sad story of Donny Hathaway's demise is told by Steve Sutherland as he listens to the acclaimed 1972 Atlantic album, recently reissued on 180g vinyl
Did he jump? Did he fall by accident? This we will never know. What's for sure is that late in the evening of the 13th of January 1979 Donny Hathaway's body was found on the sidewalk outside the 44-storey art deco Essex House Hotel at 160 Central Park South in Manhattan, NYC. He had plunged there from his room on the 15th floor. His death was ruled as suicide.
From The Allman Brothers to Aretha Franklin, this US-born producer helped create much of the greatest music being made as the '50s segued into the '60s. And he happens to be a dab hand with a soldering iron too. Steve Sutherland celebrates Tom Dowd
'I had no finished songs, no real concept or idea of where I was going, nothing but an abstract burning passion for live, spontaneous music. On top of everything else, I refused to make the record under my own name, and was developing a powerful drink and drug problem – not a great position for any record producer to be placed in, but [he] pulled it off.
In 2003, this US-born producer had a hand in almost a fifth of the songs played on British radio. Then he really got started, applying his prodigious talent to pop in a way that would change it forever. Steve Sutherland on the phenomenal Pharrell Williams
It's June 2019 and Pharrell Williams is standing in front of 114 students about to graduate from the Harlem Children's Zone Promise Academies I and II. It's an inner-city school for underprivileged kids, and he's guaranteeing each and every one of them an internship at one of his many enterprises to give them work experience and get their careers up and running.
A blend of beauty and violence... Steve Sutherland sets out the claims for this late British folk singer/songwriter's 1973 LP as he hears the album afresh on 180g vinyl
Two men walk into a bar… Ouch! No, not that one. Start again. OK, two men walk into a pub and head straight to the bar. The taller of the two smiles and says to the barmaid, 'We'd like to see the landlord'. She calls her boss over and he looks the pair up and down. They're dishevelled, a bit rough-looking, like they haven't slept or washed in a while, but hey, he's seen worse.
From early fame in the '50s as part of an R&B duo, this New York-born producer was to change pop music culture forever by creating the world's first ever rap smash hit. Steve Sutherland on the life and work of the woman they call the 'Mother of hip-hop'
A-a-a-a-a-nd… Action! There's this young guy minding his own business outside the McDonald's on the corner of Palisade Avenue in Englewood, New Jersey, when an Oldsmobile 98 pulls up to the kerb. A teenaged boy jumps out, races over to the guy and shouts: 'Casper! Where you been? You were due in the studio on Monday!'.
There's not a dud among all nine tracks here, declares Steve Sutherland as he listens to the recent 180g reissue of Jonathan Richman's proto-punk debut LP
According to that top old egghead Brain Eno, 'The first Velvet Underground album only sold 10,000 copies, but everyone who bought it formed a band'. One of those is a weird young man from a place called Natick, some 17 miles West of Boston, Massachusetts. The little guy's name is Jonathan Michael Richman and he was once so obsessed with The Velvet Underground that he quit school and skipped off to New York to seek them out.
A succession of happy accidents or always ahead of the curve? However you judge the career of this British-born DJ and producer one thing's for sure: he became a messianic figure to a generation of clubbers around the world. Steve Sutherland has the story...
Try as they might, they couldn't get arrested. They were two albums into a career that was stalling fast. To be fair, their debut, a wan psych indie thing called Sonic Flower Groove had been quite well received but their eponymous new one was going nowhere, given the cold shoulder by pretty much everyone. Everyone, that is, except for this one dude who ran a very cool fanzine and was rapidly gaining a reputation as an inside track clubland scenester.
Stax meets rocksteady in this rousing reggae set, which has been described as one of the most uplifting LPs ever. Steve Sutherland listens to the recent 180g reissue
Sometimes things go wrong. Like when I was flown to San Francisco to interview Australian psychedelic popsters The Church and they wouldn't talk to me, over a grudge which to this day remains a mystery to me. Then there was the time I interviewed the brilliant and now sadly deceased Prince Far I and such was the depth of his gutteral growl and the deep slur of his diction that, on playing back the tape recording, neither myself nor anyone else I cared to play it to could decipher a single word he uttered...
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