An audio fantasy realised: the return of a bona fide, BBC-approved LS3/5a to match the original – Falcon Acoustics applies provenance and purism to the project
Handing me a pair of 'new' LS3/5as always elicits mixed feelings. Part of me wants the speaker back in production so badly that I tend to go soft on the latest contender. My dark side says it's impossible without KEF drivers, but that was to overlook Falcon Acoustics' pedigree. This brand offers kits and drivers plus the reincarnated LS3/5a we have here, selling for £2350-£2500 per pair depending on finish. It also has a secret weapon in its gene pool: Malcolm Jones.
With its D series, Wharfedale yet again aims to redefine the art of the possible in budget loudspeaker design
There's something very special about a bargain hi-fi product able to defy expectations with a surprising level of performance. It stood the original Wharfedale Diamond speakers in good stead in the early 1980s, and continues to be a hallmark of the range to this day, in the Diamond 11 series [HFN Dec '17]. So it's intriguing to see the company launch another budget speaker series to run alongside the Diamond 11s, in the form of the D300 lineup.
You won't find any 'on-the-hoof' fripperies here as the Japanese company unveils a new iteration of its tried-and-trusted AH-D5000 headphone, with 'free-edge' tech
At £549, the AH-D5200 represents the entry level offering in a new three-model range from Denon, with the AH-D7200 (£699) and range-topping AH-D9200 (£1399) completing the lineup. They are all closed-back designs and aimed squarely at the home audio user looking for a premium set of cans. The large over-ear, non-folding arrangement ensures they're not the type of thing you could or would want to take on the road, but more likely to take pride of place in a study or living room, ready for those relaxing musical pastimes.
KEF says 1000+ changes have gone into its new R Series, so how does this translate to the only standmount loudspeaker in the lineup? We listen to what the R3 has to say...
Who needs shifts in the weather when you can judge the time of year by hi-fi launches? Those of us who exist in the twilight world of hi-fi reviewing, and are strangers to Vitamin D, didn't need a chill in the air and the first signs of yellowed leaves swirling around to know it was autumn – instead, a flurry of press releases announced new or revamped speaker ranges, as the big names prepared for another season of long evenings and hunkered-down listening.
The latest Utopia flagship has improved drivers and cabinets – does the sound match its impressive presence?
When it comes to the description of products – and not just in hi-fi – one word has become so ubiquitous that it no longer has much meaning: that word is 'iconic'. Yet Focal has dodged that particular bullet by describing its new Grande Utopia EM Evo – all 265kg, two metres and £160k-a-pair of it – and its smaller stablemate, the Stella Utopia EM Evo, as 'the most emblematic high-fidelity loudspeakers of all its collections'.
Now classier looking and sounding, it's out with the old and in with the new for B&W's latest budget floorstander
'Things can only get better' is a mantra beloved of marketing men and women, and why not? There's an implicit notion that technological progress means everything is automatically moving forward – and those who disagree must be some kind of latter-day Luddite. They're pushing at an open door, because when people treat themselves to something shiny and new, most have already bought into the idea that it is superior to what came before.
Meze Audio turns up the heat in the hotly-contested high-end headphone sector with the radical Empyrean, claiming the first 'Isodynamic Hybrid Array Headphone'
Yes, £2700. For headphones. Ulp!… Meze Audio isn't messing around with its assault on the state-of-the-art and, thankfully, its new Empyrean model goes to great lengths to justify that price. These ooze with innovation, the construction is impeccable – all the better to convey immediate perceived value – and, thanks in no small part to the impressive packaging, an air of luxury rare in hi-fi. Which is what I have been screaming about for years: these tell you that you're getting what you pay for, and in spades.
With the minuscule TuneTot, Wilson Audio returns to the speaker format that established the brand's appeal beyond the massive WAMM: the small true monitor
There is an inescapable poignancy permeating Wilson Audio's latest speaker, the TuneTot. According to Daryl Wilson, now responsible for design with the passing of his father this year, 'The TuneTot was the last product in development that Dad listened to in the R&D department and he loved it. There is a pair of TuneTots in my parents' bedroom and my Mom listens to them every day'.
It was an audacious design from a company with no prior reputation for making serious loudspeakers, yet it soon became a landmark product. How does it shape up today?
There's no such thing as the perfect loudspeaker, nor is there ever likely to be one. Most manufacturers don't even try – theirs is a volume business where the trick is to produce a good-sounding product at an affordable price. There's nothing wrong with this, as perfection can often be the enemy of the good. Yet sometimes hi-fi companies do reach for the stars, and attempt to come up with an innovative, no-holds-barred design.
Eighty-two years after its founding and 61 years after the ESL-57, Quad delivers its first headphone, the ERA-1, and it's a planar design... but not an electrostatic!
For Quad devotees, the ERA-1 headphone has been a long time coming. One suspects that the company – like B&W, KEF and so many other traditional British brands – saw the writing on the wall. And what did this say? 'Headphones are now the only growth area in audio.' Disagree or concur, that's the reality check in the post-iPod era, and Quad has wisely chosen to deliver a model costing £599.
An audio fantasy realised: the return of a bona fide, BBC-approved LS3/5a to match the original – Falcon Acoustics applies provenance and purism to the project
You won't find any 'on-the-hoof' fripperies here as the Japanese company unveils a new iteration of its tried-and-trusted AH-D5000 headphone, with 'free-edge' tech
The latest Utopia flagship has improved drivers and cabinets – does the sound match its impressive presence?
It was an audacious design from a company with no prior reputation for making serious loudspeakers, yet it soon became a landmark product. How does it shape up today?
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