An unusual blend of traditional tech and modern design practice, here's a deceptively capable floorstander
Sometimes you can be too clever by half. The pursuit of perfect sound, such as it is, takes many loudspeaker manufacturers way
off-piste into all sorts of weird and wonderful drive unit types, cone materials and radical cabinet shapes. Yet there's
a decent body of evidence to suggest that a conventional but well made box speaker - complete with high quality drive units that don't try to trip the light fantastic - can deliver just as impressive results.
A group of ex-Tannoy engineers bring their experience to bear on a new speaker brand
As past reviews have noted, the market's not exactly short of budget speaker offerings. Though prices down at the entry-level have shown an upward trend – after all, the £100-a-pair 'superboxes' of a decade or two back really wouldn't be sustainable these days – there's also an argument for saying there's not exactly a crying demand for new speaker brands.
Wireless speakers aren't new, but Dali ups the game with this hefty floorstander and versatile connection hub
Were all the column-inches expended over the years about wireless hi-fi justified, the world's audio cable companies would have long ago gone out of business. Think back a decade or more and we were already being told that our music was about to come from miraculously-powered speakers attached to nothing, yet able to pluck all the music available in the world out of thin air and play it in quality previously unimaginable.
This slim column hides its light under a bushel – or at least a sock – but is an addictively attractive performer
You might seem to be setting yourself up for a fall if you call your company GoldenEar Technology. It's a cue for all those jokes about effects heard only by those claiming such aural ability, grist to the mill of the 'design them properly and they all sound the same' brigade. Fortunately for the team behind the GoldenEar Triton range – including the £2300 Triton Five we have here – the product lives up to its billing, for the Five is perhaps the most striking speaker I have heard at this price level for a very long time.
Looking for isolating headphones to wear when out and about? Focal has the answer in its first closed-back cans, the elegant Elegia, with tech derived from earlier models
The idea of listening to music while commuting or exercising was almost unheard of until the advent of the Sony Walkman 40 years ago, but nowadays it's ubiquitous. And with the 'Beats' generation wearing full-sized headphones this too has become widespread. One of the advantages, along with sound quality, is the increased sense of isolation – for which you might look for a closed-back model. So, following its £3250 flagship Utopia [HFN Feb '17], £800 Elear [HFN Apr '17] and £1399 Clear [HFN Mar '18] open-back predecessors, Focal has integrated these technologies into a closed-back design – the £799 Elegia.
Launched to celebrate the life's work of Wilson Audio's founder, this new Sasha is no mere mk3
The Sasha DAW is a tribute product launched by Daryl Wilson to honour his recently deceased father and Wilson Audio's founder, David Andrew Wilson, whose initials denote the latest form of this iconic loudspeaker. In practice, the Sasha DAW has the same form factor and three-way, four drive configuration as the Sasha Series-2 [HFN Jun '14].
A beryllium tweeter is the highlight of these new speakers – do they really 'redefine performance expectations'?
They clearly don't believe in sitting on their hands at Revel as the Performa3 M106 and F208 speakers have recently been subject to wholesale revitalisation, creating the PerformaBe range, said to 'redefine performance expectations'. Comprising the £4000 M126Be standmount/bookshelf speaker and the £10,000 F228Be we have here, the new models are available in a choice of high-gloss piano black, white, American walnut or metallic silver and, while the use of ceramic-coated drivers is familiar Harman/Revel fare, the new talking point is a beryllium dome tweeter.
With the Fostex T50RPmk3 as its donor chassis, headphone accessory brand Dekoni Audio breaks into the big time with a back-to-basics planar magnetic. It's blue too...
Now where did I put my headphones?' It's not a question you are likely to ask with the Dekoni Audio Blue, as it comes in the associated Japanese company Fostex's signature colour, with a boldly lettered headstrap. It's the first headphone product from Dekoni Audio – a New Jersey company specialising in replacement pads for a range of 'phones – and an obvious step for Dekoni to take.
Classical horns do not come any more colourful, or compelling, than this 'entry-level' floorstander
Hi-fi can be such a confusing passion, with so many products to explore in the quest for better sound, but enthusiasts often start by upgrading their loudspeakers, as they're where the greatest subjective differences are typically to be found. Most will begin with conventional box speakers, but many then progress to more left-field approaches – the most striking being 'horns'.
With its unique Manger Sound Transducer full-range driver, this high-end floorstander is as unconventional as it looks
It is refreshing to see that there's still a place for purple prose in press releases. While so many documents describing new products are rather dry, German company Manger does things differently. It talks about its 'technological masterpiece' opening up 'a new horizon' and of 'goose bumps' triggering emotions and 'touching the heart'. Such flowery fluff might sail over the heads of hardened hi-fi hacks, but it's hardly necessary because the £11,429 P2 needs no hype at all. In practice, it's an intriguing, thought-provoking design featuring transducer technology that's far from run-of-the-mill.