Phono Preamplifiers

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Ed Selley  |  Jan 12, 2012
A product with performance that is hard to beat at the price. Founded in 1988, Germany’s Lehmann Audio offers an extensive series of phono stages which employ technology drawn from its pro-audio range of mixing consoles and the like. All Lehmann phono stages are based around passive RIAA filter designs and, according to Lehmann, the differences between models can be found ‘in the quality of the parts and/or in the grade of sophistication of the circuit design.
Review: Adam Smith, Lab: Paul Miller  |  May 02, 2023
hfncommendedThis artisan phono stage from Germany has been on a journey of refinement lasting rather longer than a decade, culminating, for the time being, in this Jubilee version

With the notable exception of flatscreen TVs and very high-end hi-fi, generally speaking, technology is enabling smaller product solutions. German brand Lehmannaudio has been leading the charge for bijou components since its founding, and the principle is perfectly illustrated by the Jubilee variant of its evergreen Decade phono stage, released to celebrate the brand's 30 years, and retailing for £3149.

Review: Adam Smith, Lab: Paul Miller  |  Nov 08, 2024
hfncommendedThis latest two-box MM/MC phono stage from Germany also includes a line input and preamp alongside a fully discrete headphone amp. It's the brand's first 'analogue hub'

Is it my imagination, or are more hi-fi products steadily adopting greater functionality? Now, it's highly unlikely that Germany's resolutely 'analogue' Lehmannaudio brand will succumb to networking its phono stages any time soon, but the new £2599 Phonolith does wrap a trio of roles into one - an MM/MC phono stage, line level preamplifier and headphone amplifier. That said, it's not quite strictly rolled into 'one' as it's a two-box design, with the second unit being the standalone, dedicated power supply.

Review: Ken Kessler, Lab: Paul Miller  |  Jan 20, 2022
hfnoutstandingFew brands can wrestle the combination of performance and adaptability from tube circuits with the flair of Manley Labs, and those skills are at the fore in the Chinook

It may be hard to believe, but I'm certain that the 2020s will be regarded as the golden age of standalone phono stages. How so? Simply by virtue of their plenitude, especially when you consider that this is vinyl's second time around. Manley's Chinook, continually refined during its near-decade in production, creates a phono amp sweet spot at £2699, blending fine sound with broad compatibility.

Review: Adam Smith, Lab: Paul Miller  |  Aug 22, 2025  |  First Published: Aug 01, 2025
hfnoutstandingWith a history stretching back 60 years, the brand responsible for the iconic Reference Electronic and GyroDec turntables launches a new phono preamp. And it’s a knockout!

Given that Michell Engineering is not exactly known for its breakneck pace in launching new models, the announcement of a new product at the beginning of 2025 got many a vinyl fan’s pulse racing. With the wraps now off, Michell marks a return to electronics manufacturing in the form of the new £3500 Apollo phono preamp with its matching Muse power supply.

Review: Ken Kessler, Lab: Paul Miller  |  Mar 22, 2022
hfncommendedStateside tube specialist, ModWright, trickles down tech from its Reference PH 150 into a more affordable all-valve MM/MC phono preamp, featuring an outboard PSU

Nothing yet has convinced me that we have seen any period, since hi-fi separates became a 'thing', when there were more phono stages than we have right now. I say this because the ModWright PH 9.0's price of £2900 puts it smack in the middle of an inordinately crowded sector. I'm obviously being naïve here, or just pretending that you can still go into any number of hi-fi shops and ask, 'Can I compare a few phono stages?'.

Review: Adam Smith, Lab: Paul Miller  |  Jan 08, 2024
hfnoutstandingWhen vinyl king, MoFi, finally made the move into hardware it sought out designers of proven pedigree – the MasterPhono is scripted by none other than Peter Madnick

MoFi Electronics has gone from strength to strength in the last few years, helped by the roster of designers drafted in to create its products. Spiral Groove's Allen Perkins worked on its UltraGold MC cartridge [HFN Jan '22] and MasterDeck turntable, while ex-TAD/ELAC Andrew Jones is responsible for its SourcePoint loudspeakers [HFN Apr & Aug '23]. Now comes the £5999 MasterPhono, a flagship phono stage from the pen of Peter Madnick, a designer best known for the iconic Audio Alchemy brand and his work as part of the Constellation Audio team.

Review: Ken Kessler, Lab: Paul Miller  |  May 12, 2020
hfnoutstandingWith input from the designer behind MoFi's cutting lathes, the UltraPhono (and StudioPhono) were conceived as high value partners for its affordable turntables

Are we in the midst of a Golden Age of Analogue? If you're returning to, or just discovering the vinyl LP, then yes, we are. Mobile Fidelity's UltraPhono is an example of what the industry can deliver when inspired, and clearly this is a response to the need for affordable phono stages to render suitable 30 years' worth of post-CD integrated amplifiers without phono stages. At £499, it's not for the impoverished analogue neophyte, but neither is it horrendously expensive by any measure.

Review: Adam Smith, Lab: Paul Miller  |  Feb 22, 2024
hfnoutstandingDeveloped from the phono stage debuted in the Makua preamp and Kula integrated, the Lupe is a deceptively simple-looking but hugely flexible, app-driven phono preamp

In recent years Dutch firm Mola Mola has spread its wings from the Bruno Putzeys-designed pre/power amplifiers it debuted at CES in 2013 to include partnering separates. The first of these was the innovative Tambaqui DAC [HFN Nov '19], which fleshed out the company's optional digital module into a standalone design, and into the Kula integrated [HFN Oct '21]. These are now joined by the £7299 Lupe phono preamplifier named, in typical Mola Mola fashion, after a fish – 'Lupe' being the Hawaiian name for the broad stingray.

Ed Selley  |  Jan 12, 2012
An immensely flexible design but somewhat sterile in use. Whether you’re an audiophile on a budget or you have deep pockets to fund a seriously high-end system, it’s likely that Musical Fidelity has a range of products to suit. MF’s ever expanding M1 series sits above the entry level V series and offers a choice of half-width separates in well made cases, based on its more expensive M3 and M6 models.
Review: Ken Kessler, Lab: Paul Miller  |  Jun 24, 2021
hfnoutstandingJoining the M3scd CD player/DAC and M3si amplifier, the new M3x Vinyl represents the brand's 'entry-level' MM/MC phono preamp. We lift the lid on a novel design

Scratching my head, I remain amazed at the plethora of affordable phono stages now on offer, as if to prophesy that the LP's return has no end in sight. Either that or it's sheer opportunism, but hey, that's all good news for hi-fi users. What these phono preamps do is ensure that LPs are accessible to a wider audience than high-end devices serve, while filling the gap between the costly stuff and those £99 USB-equipped decks which probably chew up more LPs than they actually play. Musical Fidelity's M3x Vinyl, however, begs a different sort of question.

Review: Jamie Biesemans, Lab: Paul Miller  |  Feb 03, 2025  |  First Published: Feb 01, 2025
hfnoutstandingThe M series now has a new flagship – a fully discrete, fully balanced phono preamplifier with loading and gain options to accommodate a huge range of MM/MC pick-ups

As any experienced vinyl spinner will attest, your choice of phono preamplifier can have as great an impact on sound as the partnering turntable, arm and cartridge. Case in point, a few months ago Musical Fidelity’s Nu-Vista Vinyl 2 [HFN Feb ’24] made a big impression – and not only because of its bulk. The M8x Vinyl is closely related to that unit, albeit minus the nuvistor valve stage and equipped with a more practical housing. What the newest phono preamplifier from the company retains is a can-do attitude, offering support for a broad range of moving-magnet and moving-coil cartridges. There’s also the dual-mono, fully balanced design, powered by a sizeable ‘Encapsulated Super Silent’ toroidal transformer. So while there are differences there are striking similarities too.

Review: Adam Smith, Lab: Paul Miller  |  Mar 04, 2024
hfnoutstandingPreviewed at the UK Hi-Fi Show Live '23, Musical Fidelity's much anticipated Nu-Vista front-end components – a DAC and phono preamp – see the latter leading the charge

Visitors to Henley Audio's room at the UK Hi-Fi Show Live at Ascot's Grandstand back in Sept '23 will already have seen three new items from Musical Fidelity, all partnering the Nu-Vista PRE and PAS amplifiers [HFN Mar '23]. The new M8xTT turntable [HFN Dec '23] has already premiered in these pages and this is followed here by the Nu-Vista Vinyl 2 phono stage and Nu-Vista DAC, both priced £9999.

Christopher Breunig & Paul Miller  |  Jan 06, 2009
It was something of a surprise to open NAD’s substantially sized packing box to find the PP 2 is only 135 x 35 x 70mm (whd). The review sample came in a dark grey metal enclosure but a lighter ‘Titanium’ finish is available too (see picture). All you have to do is connect tonearm leads either to the MM or MC pair of labelled rear RCA phono input sockets, and switch accordingly, attach the arm earth lead to a screw terminal and plug in the ‘wall-wart’ mains transformer. Mains-on is indicated by a small green front-panel LED.
Review: Adam Smith, Lab: Paul Miller  |  Sep 19, 2022
hfnoutstandingReplacing the longstanding VPS, Nagra's Classic Phono is not only significantly more flexible but its technical and sonic performance also marks an equally significant uplift

Acelebratory cake is in order. Swiss high-end manufacturer Nagra turned 70 last year, and its birthday present to itself is something of a first for the company. That's for another time, but I'm not giving too much away by saying that, when it arrives, it will make the perfect partner to the item under review here – the £17,000 Classic Phono MM/MC phono stage.

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