Phono Preamplifiers

After ten faultless years of duty, my trusty reference phono stage, the EAT E-Glo, has been superseded by the E-Glo 2 (£7999). The changes turn out to be more than merely cosmetic, as I was first led to believe in a hasty conversation with EAT (European Audio Team) founder and CEO Jozefina Lichtenegger. She matter-of-factly explained that, due to customer demand, the company redesigned the look of the E-Glo in a number of ways.

As the most affordable of EAT's three MM/MC phono stages, the new E-Glo Petit has its work cut out, as there are plenty of killer phono stages at this £1249 price point. Nevertheless you should still prepare to revel in a transistor/tube hybrid phono stage bursting with facilities, in a package – not counting the 18V wall-wart power supply – with a footprint of only 226mm wide by 250mm deep, plus sockets and wooden cheeks.

Although long ago settled by the declaration ‘We agree to disagree’, the tubes-vs-transistors (or if you prefer ‘valves-vs-solid-state’) debate continues to keep us busy. Grown-ups use both, the deliberately argumentative choose sides, and there are ample products to support or counter either stance. Grimm Audio, though a maker of not just solid-state gear but with a reputation for digital hardware, has given us in the PW1 ‘Phono Wizard’ (£4695) a chameleon of a product that will both delight and confound music lovers who are still fascinated by hi-fi’s greatest dichotomy.

It's always welcome when individuals or companies offer up their future plans. If not, we'd never have known that Sean Connery was to abandon James Bond after 1971's Diamonds Are Forever, that Ferrari would not be launching an SUV and that Norwegian hi-fi manufacturer Hegel had no intention of ever making a phono stage. Of course, Connery did return to his role of suave super-spy in 1983's Never Say Never Again, Ferrari's Purosangue SUV is due later this year, and here I am writing about Hegel's £1350 V10 phono stage.

System matching remains as much an art as it does a science. There's always the easy route – opting for a collection of one-brand separates with the promise of full technical compatibility and the expectation of similar 'voicing' throughout. aSlightly trickier is the pairing of components from brands that have an overlap in their core design philosophies – a route that often leads to the most satisfying musical experience but which requires a depth of knowledge on the part of both enthusiast and friendly hi-fi dealer. The third route – random component selection and a reliance on blind luck is not one we'll be pursuing here!