Integrated Amplifiers

So far, Quad's Artera family has comprised the Play (a combined CD transport, DAC and preamp) and the Stereo [HFN Nov '15], which is a power amp using the company's Current Dumping topology. Both solid-state components, not only are they compact and dapper but high functioning and lifestyle literate too – a feat that's trickier than it might seem. But not as tricky as folding all of the above (plus streaming) into a chassis with the same proportions as the other components in the Artera range.

Trust me on this: Quad is definitely on a roll. In rapid order, it has delivered the reborn 33/303 pre/power [HFN Jan ’25] and Quad 3 entry-level integrated [HFN Sep ’25], the ESL 2912X electrostatic speaker [HFN Feb ’26], and now this absolute honey of an integrated amplifier. The Platina is billed by Quad as the best integrated amp it’s ever delivered, a claim certainly justified.

Is Editor PM simply testing me, or coaxing me? I'm not merely uninterested in streaming, Wi-Fi, et al to the point of virulent loathing, I'm actually reverting to decades-old formats for daily listening: CDs, tapes and LPs. That said, I am not unaware of DTS Play-F, having used it for many months for the wireless speakers on my kitchen counter – though with no more concern than I show a spatula or potato peeler. Yet here I am faced with Quad's update to the Vena II, its entire raison d'être being the full-on wireless experience.

So it turns out that network amplifiers built around BluOS streaming technology are like buses. No sooner had we waved goodbye to the £1299 NAD C 700 [HFN Feb '22], then up popped the Attessa Streaming Amplifier from Roksan, a little more expensive at £1495 but cut from the same just-add-speakers cloth. This joins a competitive market alongside not only NAD's device but Bluesound's £850 BluOS-based Powernode, plus other streaming integrateds including Cambridge Audio's Evo 75 and Audiolab's Omnia. Handy for Roksan, then, that it has a lot going for it.

Synchronicity is a strange thing: for whatever reason of scheduling, I found myself embarking on this review a year to the day since the passing of audio legend Ken Ishiwata. The anniversary was marked by his daughter with a YouTube video of some joyously retro Latin music performed by an all-Japanese vocal group. 'Instead of making this a very sad day,' she wrote, 'we would like to share one of his favourite songs with you. He used to play this all the time, it brings back lovely memories and a smile upon our faces'.

You know where you stand with Rotel. This is a long-running company, still family-owned after almost 70 years, and with a commitment to spending money on what’s on the inside of its products rather than the cosmetics. It still winds its own transformers, and tightly specifies other components it buys in. Its halo brand, Michi, has striking looks [HFN Apr ’25 & May ’24] – from the originals with their Japanese lacquered side-panels to the understated chic of the black-on-black current generation – but the core products remain plain and simple [HFN Apr ’22], looking functional to the point where some might even consider them dour.