LATEST ADDITIONS

Review: Andrew Everard,  |  Mar 11, 2020
hfnedchoiceDubbed Avantgarde's 'best kept secret' the Duo Primo XD was revealed at the UK Hi-Fi Show Live

Of late we've had some speakers through editor PM's listening room only describable as imposing, but nothing quite prepares one for the sheer visual impact of the Duo Primo XDs from Germany's Avantgarde Acoustics. Standing some 1.8m tall by 67cm wide, and weighing 185kg apiece, installing them is a matter of slotting the boxes together rather in the manner of building a PA stack – an appropriate analogy, as we'll discover – while the price-tag is similarly huge, at £79,500 a pair.

Review and Lab: Keith Howard  |  Mar 10, 2020
hfnoutstandingGenuinely novel headphones are few and far between but here, from a small brand in Vienna, is one worthy of the description. And it can boast a famous ancestor...

Among those fortunate enough to have experienced it, the AKG K1000 is often spoken of with a mixture of reverence and awe. It wasn't just AKG's flagship when introduced 30 years ago, it was an attempt to redefine headphone design and shove it in a new direction. The K1000 had no earpads as such – its capsules were held away from the head by small pads above the ears – and it was pared-down structurally to obviate other resonant cavities and minimise the reflective surface area.

Review: Tim Jarman,  |  Mar 09, 2020
hfnvintageBased on Sony's second-gen 16-bit/2x oversampled chipset, the DP-850 established a toehold in the CD scene for the Trio-Kenwood Corp. How does it shape up today?

While not a name often associated with early CD players, Kenwood was not lacking in ambition with its first entry into the field. Rather than test the market with a quiet offering buried deep in the backwaters of its catalogue, in 1983 the company added the L-03DP CD player to its range of top-line components.

Steve Sutherland  |  Mar 06, 2020
It was a release that had all the pundits scratching their heads for how best to describe it. Steve Sutherland sits transfixed like Alice in Wonderland by this 180g reissue

Let's get this party started with the tree surgeon. Yup, the tree surgeon. To be strictly accurate, $250's worth of tree surgeon because that's how much Don Van Vliet charged Straight, his record company, for the services of an arboriculturalist's services during the recording of the album we're here to celebrate.

Review: Ken Kessler,  |  Mar 05, 2020
hfnoutstandingHigh-end headphone amps for connoisseurs of cans require total adjustability – has Manley Laboratories delivered the goods with the Absolute Headphone Amplifier?

Veteran makers of headphone amplifiers for studios, Manley Laboratories is taking on the extreme high-end of the domestic genre with a £4500 unit – the Absolute – that marries audiophiles' sonic requirements with the total control demanded of professionals. Company CEO Eveanna Manley says, bluntly, 'Our goal was simply to produce the most awesome-sounding and sonically flexible vacuum tube headphone amplifier!'.

Steve Harris  |  Mar 04, 2020
Steve Harris brings you the story of the influential audiophile jazz label

History books tell you that jazz first crossed the Atlantic with the Original Dixieland Jazz Band, who made their first records in 1917 and came to England in 1919. And that it was the coincidentally-named orchestra leader and composer James Reese Europe who first brought genuine African-American music to French ears with his black US army band in 1918.

Review and Lab: Keith Howard  |  Mar 03, 2020
hfnoutstandingDon't look down your nose at PS Audio's cheapest mains regenerator. Used with low-power source components, pre and headphone amps, it can still be transformative

Back in the late 1970s Bob Stuart of Meridian observed that an amplifier has more inputs than those labelled as such, others being 'output' and 'mains'. It was an idea to which lip-service was widely paid but, on the mains side, nobody really picked up the idea and ran with it until PS Audio introduced its first mains regenerator in 1998. Yes, we'd had mains filters and conditioners of various types before but this was the first device that said that if you want the cleanest mains supply you're going to have to synthesise it from scratch.

Martin Colloms  |  Feb 28, 2020  |  First Published: Jun 01, 1986
Martin Colloms gets to grips with the new SME Series V

The Series V tonearm is on sale at last, albeit in limited quantities. The fruit of many years of creative research, a handmade prototype 'V' was shown to prospective distributors at the American and German shows two years ago, but it has taken a long time to get the arm into production. Components were continually tried from prospective suppliers until the quality was right and when first shown in 1984, the price was targeted at what was then a very high level, at £750 or so. Some expressed doubts concerning its credibility at that price, indeed of any similarly-priced tonearm.

Review: Ken Kessler,  |  Feb 27, 2020
hfnoutstandingReplacing the longstanding, and long-popular 834P, EAR's new PhonoBox is still tube-powered and comes with MC and volume options in addition to a 'deluxe' chrome finish

Acat among the pigeons: at a time when we are being treated to a range of superb phono stages at modest prices, what for me is the true milestone of the genre has just appeared in what must be its fourth or fifth generation. The new EAR-Yoshino PhonoBox (also called the Phonobox or Phono Box) is the replacement for the venerable 834P [HFN Jun '94], which has seen a few tweaks and variants over the years, most notably restyles to smarten up the otherwise purely functional styling.

Steve Sutherland  |  Feb 25, 2020
He's a maker of massive hits, a man who has worked with global pop superstars such as Lana Del Rey and Taylor Swift. And yet this US-born producer is happiest when honing his craft in a small studio he's built inside his house. Steve Sutherland on Jack Antonoff

When the Californian singer Kesha recently sought through the courts to escape her contract with producer Dr Luke, claiming harassment, abuse, violence and emotional distress among many other allegations, she lost her case, but many prominent figures within the music industry offered moral support. Taylor Swift donated $250,000 to her cause, Adele spoke up for her while receiving an award at the Brits, while Lady Gaga, Iggy Azalea, Lily Allen, Lorde, Haim, Miley Cyrus and Ariana Grande were among those who took to social media to express their backing and their disgust.

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