LATEST ADDITIONS

Sol Gabetta & Bertrand Chamayou : The Chopin Album

C. Breunig (Music); P. Miller (Lab) | Jul 01, 2015

You don’t get a booklet PDF with this download so you’ll need to see the web page for full track details. Obviously, there’s the Chopin Cello Sonata and the Grand Duo he co-wrote with cellist and friend Auguste Franchomme. Track 9 is a Nocturne by him, track 8 his setting of Chopin’s Op. 15:1.

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Thomas Sondergard & Bbc National Orchestra Of Wales : Sibelius: Symphonies 2 & 7

C. Breunig (Music); P. Miller (Lab) | Jul 01, 2015

192kHz/24-bit ALAC/FLAC, CKD 462 (supplied by www. linnrecords. com) This first instalment in a new Sibelius cycle with the BBC’s Welsh Orchestra has prompted a mixed response. Criticism of the sound from Cardiff’s Hoddinott hall strikes me as spectacularly wrong (Gramophone) as – at 192kHz/24-bit at least – this is an extremely fine, natural orchestral presentation.

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Elizabeth Joy Roe, London Symphony Orchestra & Emil Tabakov : Britten & Barber Piano Concertos, Nocturnes

C. Breunig (Music); P. Miller (Lab) | Jun 01, 2015

Elizabeth Roe is a young Chicago pianist with already an impressive CV. Well worth hearing, she’s also half of a piano duet (see here). Here, she rounds out her programme with two solo ‘night pieces’ – Barber’s Nocturne ‘Homage To John Field’ and Britten’s Notturno written (1963) as a test piece for the very first Leeds Pianoforte Competition. Both main works exist in definitive recordings: John Browning’s (for whom the Barber was written) with Szell/Cleveland on Sony; and Richter’s with Britten/ECO on Decca.

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Marialy Pacheco : Introducing

A. Everard (Music); P. Miller (Lab) | Jun 01, 2015

We’ve only just been introduced, and already 32-year-old Cuban-born Ms Pacheco is sitting at her piano in just her drawers – what is one to think? Actually, Marialy Pacheco already has six previous releases under her belt (not that she’s wearing one), and is an acclaimed classical and jazz pianist. This is simply her first album for the Neuklang label, and finds Pacheco going back to her Havana roots, accompanied by Colombian bassist and drummer Juan Camillo Villa and Miguel Altamar. It’s a tight little trio, able to kick back on tracks such as ‘Cambodian Smiles’ or motor through ‘En El Camino’, while the album centres around the pianist’s three-part ‘Cuban Suite’, exploring the country’s dance styles. And the ‘klang’ here is certainly impressive: yes, the piano is rather spotlit, but the bass and drums are resolved well, and this is a very attractive-sounding set.

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Metropolitan Hilarion Alfeyev, Russian National Orchestra & Moscow Synodal Choir : De Profundis

C. Breunig (Music); P. Miller (Lab) | Jun 01, 2015

You can of course sample tracks at HRA and read the booklet PDF (texts dangerously close to ‘Pseuds’ Corner’ territory) before thinking of buying, which is probably just as well for the compositions of this Russian Orthodox Bishop (Metropolitan), born in 1966. There’s a Concerto grosso and a fugue on B-A-C-H – ‘the sense of the infinite contained in these four notes continues to excite’, we are told – but the rest is vocal: an ultra-conservative Stabat mater, which I admit I quite enjoyed, Songs of Death (after Lorca) and De Profundis, a 24m Psalm settings piece. The Concerto grosso is pure Baroque-pastiche, the fugue like an old Stokowski Bach transcription. While nothing will frighten the horses, it’s depressing to find this sort of sub-Pärt ‘me too’ music, copying its ‘sawing’ motifs and liberal use of tolling bells, being written today.

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Troyka : Ornithophobia

A. Everard (Music); P. Miller (Lab) | Jun 01, 2015

44. 1kHz/24-bit WAV/FLAC/ALAC, Naim CD210 (supplied bywww. naimlabel. com) So what’s with the Hitchcockian title? Well, London-based trio Troyka tells us the title of its new album comes from guitarist Chris Montague’s fear of birds – this ‘escalated into an album set in a fictionalised London: a post-apocalyptic dystopian nightmare in which people have contracted a form of avian flu that is slowly turning them into human-size birds’.

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Caroll Vanwelden : Sings Shakespeare Sonnets 2

A. Everard (Music); P. Miller (Lab) | Jun 01, 2015

Belgian singer/songwriter Caroll Vanwelden takes another stab at the Bard’s back-catalogue with this collection – the follow-up to her first disc of sonnets, released a couple of years back. Ms Vanwelden has a decent set of pipes, which are unleashed full-blast on tracks such as her take on Sonnet 124: ‘If My Dear Love’. She is well recorded, as is her backing trio of Thomas Siffling (brass), Mini Schulz (bass) and Rodrigo Villalon (drums), even if the overall sound is perhaps a bit ‘in yer face’ and relentless in some instances. However, her vocal style is somewhat mannered, at times sounding almost like a parody of female jazz singers, and the incongruity of this and the words being sung, plus a sense that there’s often a disconnect between the subject-matter of the sonnet and the music we hear, makes this set something of an acquired taste.

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Bach Collegium Japan, Masaaki Suzuki, Et Al : Mozart: Requiem

C. Breunig (Music); P. Miller (Lab) | May 01, 2015

96kHz/24-bit FLAC, BIS BIS-2091 (supplied by www. eclassical. com) Masaaki Suzuki turns to Mozart and the unfinished Requiem. The principal question here is whose edition do you perform, and in this recording Süssmayr’s completion is used together with additions by Joseph Eybler with an added ‘Amen’ fugue (discovered in 1960) after the Lacrimosa.

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Richard Schumacher : Right Of Way

J. Bamford (Music); P. Miller (Lab) | May 01, 2015

Accomplished guitarist Richard Schumacher was born in Boston (1955) but grew up in Hamburg. In his mid-twenties he returned to Berklee College of Music to study jazz composition and arrangement. Back in Germany in the 1990s he formed the Vibe Tribe jazz collective project and his own Straightvibe Records label dedicated to jazz and world music. Despite Right Of Way being an analogue recording, ironically it delivers that rather ‘dark’ and dry sound reminiscent of the many ‘audiophile’ releases from Tom Jung’s digital-pioneering DMP label.

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Blank & Jones : Relax: Jazzed 2

A. Everard (Music); P. Miller (Lab) | May 01, 2015

Blank & Jones is not so much a band as a brand: a duo of producers specialising in trance, techno and electronica, based in Köln, Germany and with a dozen or so albums and even more singles to their name since they got together to create Sunrise back in 1997. All of which might suggest what to expect here: banging choons, and a bit of ambient trippiness, right? Erm, no: here the duo teams up with German pianist and composer Marcus Loeber to create an album all about intimately recorded solo piano, playing gentle, melodic pieces. And that’s about it: this is, as the title suggests, a relaxed, slow-paced set of tracks, none of them especially memorable but all suitably chilled out. The piano sounds nicely weighted and detailed, and the whole thing might be just the thing to play at a dinner party (or a laid-back hi-fi show demonstration).

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