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96kHz/24-bit WAV, ALAC, FLAC, Naim Jazz Records Naim CD206 (supplied by www. naimlabel. com) Former Brand New Heavies keyboardist Neil Cowley – a child prodigy playing Shostakovich piano concertos at the age of ten – can arguably lay claim to being one of the world’s most heard pianists in current times, having accompanied Adele on both her 19 and 21 albums. This fifth release from the trio with drummer Evan Jenkins and bassist Rex Horan (who replaced Richard Sadler after 2010’s Naim album Radio Silence) sees Cowley once again crossing myriad musical boundaries.

Although the last two Schubert sonatas are reissues from 2002, Paul Lewis has re-recorded the A-minor and C-minor (D784/958), again at the Teldex Studios Berlin, last spring. And in any case we haven’t had the higher resolution until now. There’s very little difference in sound: perhaps the new recordings are in tighter focus with less ambient sound, but it’s marginal. No-one I have heard makes more sense of the central outburst in the Andantino of the Sonata in A (D959); and Lewis’s Schubert suggests more affinity with Beethoven in its overtness – it’s a very different approach from that of the ‘reverent’ Mitsuko Uchida or even Paul Lewis’s mentor Alfred Brendel (whose example he followed in 2002 by omitting the exposition repeat in D960(i) – perhaps one day he’ll be persuaded otherwise).

The theme of this album is composers who found new lives in Hollywood, some but not all escaping from Germany in the 1930s. Korngold’s Violin Concerto is the longest work in selections, not exclusively for films, spanning from 1908 up to Schindler’s List and American Beauty. We hear themes from Casablanca, Ben Hur, El Cíd, et al, ‘Tränen in der Geige’ bringing relief from the general romantic wash. Max Raabe is good in ‘Speak Low’ and Daniel Hope’s friend Sting appears to swallow his mic in one arrangement.

The Duette 2 is a thorough revamp of the 2006 original, with its aesthetics enhanced by design cues that first appeared in the larger Wilson models – the optional stand, too, is a visual treat. Like the original, the Duette 2 uses the separate Novel crossover, its outboard status increasing the internal volume of the speaker so it still has ample space for an 8in woofer. Mounted inside the newly-designed stand, the crossover is mechanically isolated in its own dedicated enclosure. Upgrading the tweeter has involved the inclusion of a rear wave chamber, which is said to attenuate spurious energy ‘generated at the rear of the driver that would otherwise leak out of the acoustically translucent dome’.