It's costlier still than its predecessor, but Questyle's updated portable Digital Audio Player-and-dock combo delivers great sound quality – both at home and on the road
Shenzhen-based brand Questyle impressed the pundits with its debut QP1R digital audio player (DAP), launched back in 2015 at just the right time to exploit the increased interest in high-quality portable players and DACs. At first glance, the new QP2R looks very similar, with the same rugged and sturdy design – available in either gold or an Apple-esque 'space-grey' – and that distinctive armour-plated volume control protruding from the top of the device.
A high-end luxury headphone solution from a new name, the M1 offers a unique in-house twist on established technology. Is it the ideal solution for 'head-fi' enthusiasts?
There's no denying that headphone listening, or 'head-fi' as some fans describe it, is one of the boom sectors of the audio industry. There are now more upmarket headphones on the market than ever before, along with dedicated amplifiers and other accoutrements, and it's a safe bet that one of the busiest areas of any hi-fi shows is going to be the personal audio zone.
Naim’s meticulous engineering of its Statement amplifier did not stop with the bespoke alloy casework, but extended to the speaker cable itself.
During the development of its flagship Statement amplifiers [HFN Jun ’15], Naim Audio went into exquisite detail, even defining the silicon substrate and legs of its custom transistors. So while analysing every component and length of PCB track, Naim Audio also turned an engineering eye towards the cables that might accompany its ‘ultimate amplifier’. Its Super Lumina cable is the result, priced at £650 per terminated stereo metre (£3245 for a 5m stereo pair).
‘Junior’ in name and certainly less substantial in build than its flagship stablemate, this latest take on the JC3 theme turns out to be an even more flexible MM/MC phono stage
Does the world really need another phono stage? Back in the late 1980s the Michell ISO was a rare standalone product, but since then there has been a steady stream of the things, multiplying in numbers like Tribbles on Star Trek’s USS Enterprise. We’re now at the point where it feels as though there are as many designs on sale as there are people to buy them – so any new entry has to have a compelling raison d’être.
The Brodbeck trio is a group at the peak of its considerable artistic power. This hour-long instrumental expedition opens with three densely orchestrated, upbeat, and engaging pieces (‘Ich Will Meine Seele Tachen’, ‘Im Strom Der Gezeitzen’ and ‘The Night Comes Soon’) then takes a contemplative detour with ‘Song For The Ancestors’ and the languorous ‘Brahms Ballad’. An extended bass solo in ‘Juno Is Touching Down’ leads to a compellingly rhythmic, melodically forthright section that in turn ushers in a sweet piano passage in ‘Return/No Return’. The punchy ‘Rocka-Roas’ showcases the trio’s interplay, running the gamut from fascinating to maddening with a repeated figure near the end.
Rarely heard live today, these colourful scores by Manuel de Falla have been ‘demonstration disc’ material, right from the early days of LP. Indeed, classic versions were recorded under Ernest Ansermet – his Three-Cornered Hat is still on Speakers Corner 180g vinyl. Falla described Nights (one of Arthur Rubinstein’s favourites) as ‘symphonic impressions’, a better way to think of it than as a piano concerto. The pianist here (married to Kent Nagano) is set rather forward, but so was de Larrocha [Decca].
For me, blues has become increasingly a turgid art form, endlessly regurgitating its past, rarely daring to look ahead. Chicago-born, but raised in Colorado, Otis Taylor is a glorious exception to the rule. As a child he focused on banjo, which very probably saved him from learning the same guitar cliches as most bluesmen, and this album is a joy from start to finish, as he explores the true potential of the music he clearly loves. It’s not just that his guitar and banjo playing is tight, precise and terse, but that each note is absolutely right for the space it occupies.
‘World Music’ is a catch-all genre covering a wide and deep territory and Mali In Oak is among the best of the cultural hybrid variety. This gloriously happy blend of traditional Malian music is updated and westernised by performers who themselves are cross-cultural phenoms, including kora player Tunde Jegede, of Nigerian/Irish ancestry, and South African guitarist Derek Gripper. Gripper manages to interpolate melodies for the 21-string kora to the six-string western classical guitar, and also to accompany the kora when used as a lead instrument. This album is the first recording by the pair, and their interplay is marvellous to experience – simultaneously serene, contemplative, and uplifting.
It took some time to develop its first noise-cancelling headphones, but Bowers & Wilkins has thrown down the gauntlet to its rivals with this high-tech PX model
Noise-cancelling headphones are undoubtedly useful if you want to relax and block out the background drone on a long journey by train or plane, but the technology can also have a frustrating, deadening impact on sound quality. And rarely is adding Bluetooth wireless streaming a boon to great sound.
When launched, this turntable was just one of over a dozen Technics decks offered. Is it now the pick of the radial-tracking pack? Time to take it to the test bench...
Think of direct-drive turntables and the chances are that one brand will spring to mind: Technics. What's more, its SL-1200 turntable will be the model most people think of first. This famous deck casts a long shadow over the others in the company's range and yet there were many to choose from. In fact, when the SL-Q303 seen here was launched in the UK in 1982 it was part of a 13-model lineup – a series that went from the professional-spec SP-10 MkII right down to moulded plastic belt-drive budget models such as the SL-B202.