Better known for its high-value, high-performance subs, SVS is now turning its attention to audiophile speakers
If there was ever a speaker that seemed, on specification alone, to warrant the phrase 'bang for your buck', it's SVS's Prime Pinnacle. For less than £2000 a pair, this US audio brand is offering a three-way floorstander with bespoke midrange unit, an unusual-at-this-price trio of woofers, and the promise of a 'world-class performance'. Even accepting the latter as marketing hyperbole, it's impossible not to view the Prime Pinnacle as potentially superb value for money.
Martin Colloms | Jun 22, 2020 | First Published: Sep 01, 1994
The world's greatest single-box CD player? The Wadia 16 may be even better, since it's also a digital preamplifier. Martin Colloms listens...
The US home market has such strength in depth that it can easily support a burgeoning digital audio sector. Any competently run company is capable of sustained expansion founded on a solid infrastructure in which both advanced research, and the development of high technology products, play a crucial role.
There's no point in doing research to establish the optimum headphone frequency response, as Harman has done in recent years, unless you sell a product that delivers it...
If like me you enjoy the ancient notion that an engineer is someone who can make for a shilling what any fool could make for a pound, you'll share my longstanding delight at finding unpretentious, low-bling but high-achieving products which, despite modest price tags, blow away a lot of their more expensive competitors. Products which convince you that resources have been husbanded and design effort expended in pursuit of one key goal: first-class sound.
In the 1970s reggae joined forces with punk to create a sound that would reverberate throughout the British music scene. Steve Sutherland celebrates the Barbados-born producer Dennis Bovell, the man behind many of the period's finest dub and disco hits
It's the 13th of October 1974, a date remembered in some circles as Black Friday. The facts are somewhat sketchy but it seems a couple of police officers decide that some black dude is driving suspiciously through Cricklewood in London. They pull him over and are about to arrest him when he legs it into The Carib Club. Six officers give chase and grab him in the toilets. They're bringing him out with a bit of a struggle when some club-goers, mates of the pursued, tackle the cops, stabbing one and setting the fugitive free.
Supplied with or without a partnering MM cartridge, this new 'entry-level' deck to the Vertere range comes equipped with a re-imagining of the archetypal flat tonearm
In a world of plug 'n' play convenience, having to manually configure a piece of equipment before it can be used is felt by some to be far too great a barrier to enjoyment. And perhaps in no area of hi-fi is this truer than vinyl replay. I know of many people who have consciously shied away from exploring the ol' black stuff because they believe it to be 'just too much hard work'. So any manufacturer able to help eliminate any of the perceived faff and complexity that comes with putting together and setting up a turntable – not to mention its arm – is onto a winner.
Outpacing her father when they both were learning the violin, she has become one of the most intrepid of today's musicians. Christopher Breunig focuses on the highights
We record collectors first became aware of the violinist Isabelle Faust 23 years ago, when in its 'Nouveaux Interpretes' series Harmonia Mundi issued a coupling of Bartók Sonatas, where she was partnered by the Polish pianist Ewa Kupiec. I remember what was probably their London debut recital at that time. In 2003 they recorded a mixture of pieces by Janáček, Lutoslawski and Szymanowski.
Launched to the audiophile world at CES in 1995, Balanced Audio Technologies may have lifted off like a rocket but has only had patchy distribution in Europe. Until now...
Balanced Audio Technologies – BAT for short – has been much discussed over its 25-year life to date, but until now has remained an object of distant interest for UK audio fans. Now, thanks to distribution by Yorkshire-based Karma AV, all that might be set to change, so perhaps now is the time to take a closer look at the brand.
It's now 50 years since the duo released their fifth and final studio album, which went on to top the charts in ten countries and find a place in over 25 million record collections. So why did a work that was such a commercial success only end in acrimony for the pair?
Paul Simon and Art Garfunkel first met at Parsons Junior High School in Queens, New York, in 1953. Initially they bonded over a love of doowop, but their musical horizons were expanded by The Everly Brothers. Simon bought their 1957 single 'Bye Bye Love' and played it incessantly and the two singers developed a similar harmony style. They landed a deal with Big Records for which they recorded as Tom & Jerry in 1957, when they were both 16, and scored a hit with 'Hey, Schoolgirl'.
Primare's 'Prisma push' may have focused resources into network-enabling its amplifiers and CD players, but its new flagship phono pre proves its love of vinyl has not waned
Even the most ardent vinyl enthusiasts will admit that they can get bamboozled by the whole process of cartridge loading and gain matching. Some MMs and MCs can be quite particular about the load resistance and capacitance that they 'see', just as most phono stages will have a 'sweet spot' gain setting that varies from pick-up to pick-up. So there's a great deal to be said for a flexible phono stage that offers numerous adjustments. On the other hand I can appreciate the popularity of designs where the complexity extends to nothing more than an MM/MC switch!
Steve Sutherland savours the thrillingly nutty flavours of this ripe 11-track offering from the multimonikered Aussie musician, as the album is reissued on 180g vinyl
Back in the 1950s, that perpetual scamp and eminent philosopher Bertrand Russell (then well into his 80s) created an analogy to deal with the concept of faith in the existence of God. He said that if he were to assert, without offering any evidence whatsoever, that a teapot – too small to be seen by telescopes – orbits the Sun somewhere in space between the Earth and Mars, he could not expect anyone to believe him solely because it could not be proven wrong. 'I think,' he concluded, 'the Christian God just as unlikely'.