A song with a kick, but for all the wrong reasons, as Steve Sutherland reassesses a ska album from 1970, which has recently been re-released on 180g vinyl
We could begin with Plato, or even Aristotle, but Oscar Wilde it is. In his 1889 essay, The Decay Of Lying, the great man took umbrage with the Greeks' philosophy of mimesis which said that all true art mimics nature. On the contrary, quoth Oscar, 'Life imitates art' and that is roughly how it felt – very roughly as it happens – one sunny Saturday lunchtime in April, 1972, when I got my head kicked in.
Martin Colloms, | May 13, 2020 | First Published: May 01, 1987
With the latest Apogee, ribbon technology comes in a more affordable package. Ken Kessler's assessment follows Martin Colloms' review
The US company Apogee has expanded its range of open-panel loudspeakers, which began with the Apogee model itself. This was a large-scale design using three separate diaphragms, with pure aluminium ribbons for frequencies above a few hundred Hertz. Three other models are now in production, comprising, in descending order of size and price, the Scintilla [HFN Sep '85], Duetta, and now the so-called 'baby' of the group, the £2500 Caliper.
The Hungarian boy who wanted to play football became a good pianist and acclaimed opera and orchestral conductor. Christopher Breunig on a musical dynamo
Certainly one of the most extraordinary film clips of a conductor in action that you will ever see is Georg Solti recording Wagner in the Vienna Sofiensaal [YouTube]. Fuzzy black and white the excerpts may be, but the physical energy is almost shocking – you could have driven a ten ton truck into this man but it wouldn't have stopped him!
Six years after the birth of the first lute-shaped Olympica speakers, Sonus faber announces the second generation
Several factors set the 2013 launch of the Sonus faber Olympica range apart: not only was this one of the first complete lineups from a company previously better known for individual models, but it also marked the brand's debut as a manufacturer of drive units, built in-house [HFN May '14 and Mar '15]. The new Olympica Nova range represents a next logical step, comprising no fewer than seven models. The series kicks off with the compact Nova I standmount but is headed by the £14,900 Nova V floorstander featured here, available in a choice or walnut or wenge finishes, standing some 117.5cm tall and weighing a not insubstantial 44kg each.
With input from the designer behind MoFi's cutting lathes, the UltraPhono (and StudioPhono) were conceived as high value partners for its affordable turntables
Are we in the midst of a Golden Age of Analogue? If you're returning to, or just discovering the vinyl LP, then yes, we are. Mobile Fidelity's UltraPhono is an example of what the industry can deliver when inspired, and clearly this is a response to the need for affordable phono stages to render suitable 30 years' worth of post-CD integrated amplifiers without phono stages. At £499, it's not for the impoverished analogue neophyte, but neither is it horrendously expensive by any measure.
It was a deck designed to keep vinyl replay relevant in a market attracted to the convenience of CD. Did it succeed and, more importantly, how does it sound today?
One challenge faced by those designing hi-fi in the high-tech 1980s was how to re-package the LP in a way that would ensure it remained of interest to consumers in a future that was clearly going digital. Released in late 1979, the Technics SL-10 turntable [HFN Apr '19], with its parallel tracking, optical position sensing and slick packaging was one of the first components to address this issue seriously.
After running his own studio while a teenager in Texas and playing guitar in Bob Dylan's backing band, this US-born producer went on to become the go-to guy for stars seeking to re-discover the very roots of rock 'n' roll. Steve Sutherland celebrates T Bone Burnett
Is nostalgia stopping our culture's ability to surge forward, or are we nostalgic precisely because our culture has stopped moving forward so we inevitably look back to more momentous and dynamic times?'
As T+A's midrange E series is reinforced by a new amplifier, based on the PA 1000 E but equipped with BT and a USB DAC, we ask 'is this now the stereotype for modern amps?'
As the latest in a long line of amplifiers from the German brand, T+A's PA 1100 E integrated is also one of the more innovative and comprehensive in its scope. The company (T+A stands for 'Theory and Application') has been manufacturing audio equipment since 1978 and prides itself on both its deep technical capability and in-house manufacturing. However, despite this heritage, the PA 1100 E is only the first of its amplifiers to include an onboard DAC – something very many competing brands have been doing for years.
One-time distributor of Grace, Kiseki, Supex and other brands from the vinyl vault, Sumiko is also a manufacturer with a legacy. Here's its new open-bodied MC flagship
One testament to the continuing love for vinyl is that the steady trickle of brand new cartridges making their way onto the market shows no sign of abating. The latest company to pep up the party is US-based distributor and manufacturer Sumiko.
If you have an expectation of Audeze circumaural headphones that they are large and heavy and not something you'd want to schlep around, the LCD-1 is a mould-breaker
When we reviewed the LCD-2 [HFN Mar '13], Audeze was in the vanguard of what was to become the rebirth of isodynamic driver technology, more commonly known today as 'planar magnetic'. To those of us who'd lived through the high-profile launch of the original PM headphone, the futuristic looking Wharfedale Isodynamic, 40 years earlier, it came as a surprise.