New kid on the block, Perlisten Audio, is creating a stir straight out of the gates. We test the flagship floorstander
There's a perception that the US, the home of muscle cars, foot-long hot dogs and canyons a mile deep, is also the home of monster-sized loudspeakers. And not, it must be said, without good reason – there are various American manufacturers that frequently put the floor into 'floorstander', building models that require considerable carpet space and suit large listening rooms. So it wasn't much of a surprise to discover Perlisten Audio, a new brand from Verona, Wisconsin, kicking things off with the S7t, an almost 1.3m-tall seven-driver tower weighing in at 55kg.
The most comprehensively-equipped component of Roksan's Attessa quartet combines phono, line and digital inputs with a BluOS streaming platform and beefy amplifier
So it turns out that network amplifiers built around BluOS streaming technology are like buses. No sooner had we waved goodbye to the £1299 NAD C 700 [HFN Feb '22], then up popped the Attessa Streaming Amplifier from Roksan, a little more expensive at £1495 but cut from the same just-add-speakers cloth. This joins a competitive market alongside not only NAD's device but Bluesound's £850 BluOS-based Powernode, plus other streaming integrateds including Cambridge Audio's Evo 75 and Audiolab's Omnia. Handy for Roksan, then, that it has a lot going for it.
Not all audiophiles have massive listening rooms... System Audio comes to the rescue with an on-wall 'LCR' loudspeaker aimed at both AV and two-channel enthusiasts
If you're looking at System Audio's Legend 7.2 and thinking 'Why would I want to hang a loudspeaker on my wall?' then it's probably not the model for you. And that would be understandable. Many hi-fi enthusiasts have the space and flexibility to accommodate floorstanding or standmount speakers, and no need to pinch real estate from any surface other than their living room floor. For those, an on-wall speaker is a solution to a problem that doesn't exist.
NAD remains a key partner in the BluOS wireless ecosphere and the C 700 is its most streamlined – read affordable and flexible – all-in-one network player/amplifier yet
With its latest 'just add speakers' hi-fi solution, Canadian manufacturer NAD's intentions are crystal-clear. Take the form factor and functionality of its award-winning Masters M10 BluOS-integrated amplifier [HFN Jun '19] but rethink the specification in order to nearly cut the asking price in half. This isn't a surprising move – at £1299, the C 700 is the 'mainstream' all-in-one system that has been begging to be built.
The 'baby' of B&W's latest 800 series may be a compact standmount but it packs a good deal of the D4 DNA into its 'reverse wrap' enclosure. There's a walnut finish too...
There are standmount speakers, and then there is Bowers & Wilkins' 805 D4. Priced £6250, blessed with a suite of proprietary cabinet and driver technologies, and finished in a gorgeous blend of aluminium, leather and wood veneer or gloss paint, it's very much a premium proposition. Indeed, the idea here is that buyers either outpriced or out-sized by the floorstanding speakers in B&W's latest 800 Diamond range can still enjoy more than a taste of the hi-fi high-life.
A decade on from the brand-defining M1 DAC and Bricasti has poured all its latter day experience into a new flagship featuring bespoke DAC and clocking technologies
Bricasti Design is not an adherent to the 'keep your range rolling' philosophy. Likely informed by its professional audio heritage, it keeps new arrivals to a minimum. So the launch of the M21 DAC, a flagship D/A converter to replace the £9600 M1 of 2011 HFN Jun '11], is of interest particularly when you clock the updates the Massachusetts-based company has implemented, and its £17,249 price tag.
MA's smallest fistful of Silver features a host of '7th generation' technology to punch above its weight
Arguably more so than any other UK loudspeaker manufacturer, Monitor Audio seems keen to offer something for everyone. Across its four ranges named after precious metals and an alloy (Platinum, Gold, Silver and Bronze), it sells 16 different standmount/bookshelf and floorstanding models, stretching in price from £285 (the Bronze 50 6G) to £14,995 (the Platinum PL500 II). There are other lines too, including the budget Monitor series, compact Mass and Radius, and in-wall 'architectural' speakers. The Silver 50 7G auditioned here, a compact two-way priced at £575, hails from Monitor Audio's mid-range, although it's a mid-range that's considerably more crowded than most.
Remember when a CD player was just, well, a CD player? No DAC input, streaming or other digital goodies. Electrocompaniet does – say 'hello' to an old-school disc spinner
By coincidence, I started writing this review of Electrocompaniet's EMC 1 MKV CD player on October 21, which serious film nerds will know is 'Back To The Future Day', the date, in 1955, that intrepid time traveller Marty McFly (Michael J Fox) arrives in the smash-hit sci-fi movie. Marty has bent the spacetime continuum to head back 30 years, and I had a similar feeling with this silver disc spinner, albeit by a decade or so less and without aid from a DeLorean.
Guided by theory and practice from the costly REX-series, traditional output pentodes are usurped by a pair of power triodes in BAT's fully-balanced tube integrated amplifier
There's a certain amount of extra-curricular activity that can come with using a valve amp. As with their fellow stalwarts of hi-fi – turntables – valve amps present opportunities for setup, tweaking, and maintenance, and for some that's part of the appeal. Balanced Audio Technology's new £9995 VK-80i integrated, however, is intended to be 'plug-and-play', and provide a user experience more in line with its own solid-state models than some hot bottle contemporaries. All the thrills of the tube sound without the fuss? Where do I sign?
Flagship of the ElectroMotion series, this hybrid electrostatic promises a taste of the range-topping Masterpiece loudspeakers at a more wallet-friendly price
The hi-fi market is replete with loudspeakers that look a little 'different', but few are as eye-catching as an electrostatic design where music appears to be coming almost from thin air. MartinLogan, the Kansas-based company established in the early 1980s, is one of the technology's best-known advocates. It began life with a 'static model, and even though its range has expanded since into conventional box-type speaker territory, its mantra remains 'wherever possible, we go electrostatic'.